Steven Soderbergh Movies

In his feature directorial debut, Steven Soderbergh demonstrates a mastery of his craft well beyond his years, pulling together an outstanding cast and an intelligent script for a nuanced, mature film about neurosis and human sexuality.

Soderbergh does demonstrate again here that he's a gifted director, however unwise in his choice of project.

A subtle, affecting, character-driven coming-of-age story, King of the Hill is one of Steven Soderbergh's best and most criminally overlooked films.

Why did Soderbergh want to remake an old film noir, anyway? Take out the crime elements and flesh out the human elements here, and you have a more interesting movie, I think.

Exasperating as it is, Schizopolis has a deliberateness almost interesting enough to offset its sophomoric streak.

Gray's Anatomy finds Spalding Gray turning a bout with a bizarre ocular condition into a dizzying, absorbing odyssey of the neurotic mind.

Steven Soderbergh's intelligently crafted adaptation of the Elmore Leonard novel is witty, sexy, suprisingly entertaining, and a star-making turn for George Clooney.

Crafted with eccentric moodiness and style by Steven Soderbergh, The Limey is also a gritty neo-noir showcase for the talent of leading man Terence Stamp.

Taking full advantage of Julia Roberts's considerable talent and appeal, Erin Brockovich overcomes a few character and plot issues to deliver a smart, thoughtful, and funny legal drama.

Soderbergh successfully pulls off the highly ambitious Traffic, a movie with three different stories and a very large cast. The issues of ethics are gray rather than black-and-white, with no clear-cut good guys. Terrific acting all around.

As fast-paced, witty, and entertaining as it is star-studded and coolly stylish, Ocean's Eleven offers a well-seasoned serving of popcorn entertainment.

A confusing movie made worse by the poor camera work.

Slow-moving, cerebral, and ambiguous, Solaris is not a movie for everyone, but it offers intriguing issues to ponder.

Though Wong's short lives up to the promise of the title, Antonioni's is a serious disappointment.

While some have found the latest star-studded heist flick to be a fun, glossy star vehicle, others declare it's lazy, self-satisfied and illogical.

This rigorously stripped down, seemingly mundane little film still manages to be engrossing and creepy.

Though Steven Soderbergh succeeds in emulating the glossy look of 1940s noirs, The Good German ultimately ends up as a self-conscious exercise in style that forgets to develop compelling characters.

Ocean's Thirteen reverts to the formula of the first installment, and the result is another slick and entertaining heist film.

Though lengthy and at times plodding, Soderbergh's vision and Benicio Del Toro's understated performance ensure that Che always fascinates.

The second part of Soderbergh's biopic is a dark, hypnotic and sometimes frustrating portrait of a warrior in decline, with a terrific central performance from Del Toro.

Steven Soderbergh's latest lo-fi production is strikingly crafted but emotionally vague.

A charismatic turn by star Matt Damon and a consistently ironic tone boost this quietly funny satire about a corporate whistle-blower.

Tense, tightly plotted, and bolstered by a stellar cast, Contagion is an exceptionally smart -- and scary -- disaster movie.

MMA star and first-time actress Gina Carano displays ample action-movie chops in Haywire, a fast-paced thriller with a top-notch cast and outstanding direction from Steven Soderbergh.

Magic Mike's sensitive direction, smart screenplay, and strong performances allow audiences to have their beefcake and eat it too.

A smart, clever thriller with plenty of disquieting twists, Side Effects is yet another assured effort from director Steven Soderbergh.

Affectionate without sacrificing honesty, Behind the Candelabra couples award-worthy performances from Michael Douglas and Matt Damon with some typically sharp direction from Steven Soderbergh.

High-octane fun that's smartly assembled without putting on airs, Logan Lucky marks a welcome end to Steven Soderbergh's retirement -- and proves he hasn't lost his ability to entertain.

Unsane unleashes Steven Soderbergh's inner B-movie maestro, wading into timeless psychological thriller territory and giving it a high-tech filmmaking spin.

High Flying Bird takes a thoughtful and engrossing look at professional sports that sees Steven Soderbergh continuing to test the limits of new filmmaking technology.

The Laundromat misuses its incredible cast by taking a disappointingly blunt and unfocused approach to dramatizing the real-life events that inspired it.