2019 Awards Season Tracker

Best Picture (David Heyman, Shannon McIntosh, Quentin Tarantino): 6/40 (Hollywood Critics Association, Atlanta Film Critics Circle, Satellite Awards, National Board of Review, AFI AWARDS, New York Film Critics Online, Detroit Film Critics Society, San Diego Film Critics Society, Critics' Choice Awards, Philadelphia Film Critics Circle, ST. LOUIS FILM CRITICS ASSOCIATION, Washington DC Area Film Critics Association, GOLDEN GLOBES, Seattle Film Critics Society, Chicago Film Critics Association, SAN FRANCISCO BAY AREA FILM CRITICS CIRCLE, Indiana Film Journalists Association, Phoenix Film Critics Society, Greater Western New York Film Critics Association, LAS VEGAS FILM CRITICS SOCIETY, Houston Film Critics Society, Alliance of Women Film Journalists, Utah Film Critics Association, North Texas Film Critics Association, Online Association of Female Film Critics, Music City Film Critics’ Association, Boston Online Film Critics Association, OKLAHOMA FILM CRITICS CIRCLE, Online Film Critics Society, Southeastern Film Critics Association, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, National Society of Film Critics, BAFTA Awards, Denver Film Critics Society, Producers Guild of America)

Best Director (Quentin Tarantino): 3/29 (Hollywood Critics Association, Satellite Awards, NATIONAL BOARD OF REVIEW, Detroit Film Critics Society, San Diego Film Critics Society, Critics' Choice Awards, Philadelphia Film Critics Circle, ST. LOUIS FILM CRITICS ASSOCIATION, Washington DC Area Film Critics Association, Golden Globes, Phoenix Critics Circle, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, LAS VEGAS FILM CRITICS SOCIETY, Houston Film Critics Society, Alliance of Women Film Journalists, Utah Film Critics Association, North Texas Film Critics Association, Online Association of Female Film Critics, Music City Film Critics’ Association, Oklahoma Film Critics Circle, Online Film Critics Society, North Carolina Film Critics Association, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, BAFTA Awards, Denver Film Critics Society, Directors Guild of America)

Best Actor (Leonardo DiCaprio): 0/17 (Hollywood Critics Association, Satellite Awards, Critics' Choice Awards, Washington DC Area Film Critics Association, Golden Globes, Screen Actors Guild Awards, Phoenix Critics Circle, San Francisco Bay Area Film Critics Circle, Houston Film Critics Society, North Texas Film Critics Association, Online Association of Female Film Critics, North Carolina Film Critics Association, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, BAFTA Awards, Denver Film Critics Society)

Best Supporting Actor (Brad Pitt): 22/41 (Hollywood Critics Association, ATLANTA FILM CRITICS CIRCLE, Satellite Awards, NATIONAL BOARD OF REVIEW, Detroit Film Critics Society, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, PHILADELPHIA FILM CRITICS CIRCLE, ST. LOUIS FILM CRITICS ASSOCIATION, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, GOLDEN GLOBES, Seattle Film Critics Society, Screen Actors Guild Awards, Phoenix Critics Circle, CHICAGO FILM CRITICS ASSOCIATION, DALLAS-FORT WORTH FILM CRITICS ASSOCIATION, SAN FRANCISCO BAY AREA FILM CRITICS CIRCLE, Indiana Film Journalists Association, PHOENIX FILM CRITICS SOCIETY, Greater Western New York Film Critics Association, HOUSTON FILM CRITICS SOCIETY, ALLIANCE OF WOMEN FILM JOURNALISTS, North Texas Film Critics Association, Online Association of Female Film Critics, MUSIC CITY FILM CRITICS' ASSOCIATION, Florida Film Critics Circle, BOSTON ONLINE FILM CRITICS ASSOCIATION, BOSTON SOCIETY OF FILM CRITICS, Kansas City Film Critics Circle, OKLAHOMA FILM CRITICS CIRCLE, ONLINE FILM CRITICS SOCIETY, SOUTHEASTERN FILM CRITICS ASSOCIATION, NORTH CAROLINA FILM CRITICS ASSOCIATION, Chicago Indie Critics, Columbus Film Critics Association, AUSTIN FILM CRITICS ASSOCIATION, Georgia Film Critics Association, GALECA Dorian Awards, NATIONAL SOCIETY OF FILM CRITICS, BAFTA Awards, Denver Film Critics Society)

Best Supporting Actress (Margot Robbie): 1/6 (Hollywood Critics Association, ST. LOUIS FILM CRITICS ASSOCIATION, Online Film Critics Society, North Carolina Film Critics Association, Georgia Film Critics Association, BAFTA Awards)

Best Original Screenplay (Quentin Tarantino): 7/31 (Satellite Awards, NEW YORK FILM CRITICS CIRCLE, Detroit Film Critics Society, San Diego Film Critics Society, Critics' Choice Awards, Philadelphia Film Critics Circle, ST. LOUIS FILM CRITICS ASSOCIATION, Washington DC Area Film Critics Association, GOLDEN GLOBES, Phoenix Critics Circle, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, LAS VEGAS FILM CRITICS SOCIETY, Houston Film Critics Society, Alliance of Women Film Journalists, Online Association of Female Film Critics, Music City Film Critics’ Association, Florida Film Critics Circle, BOSTON ONLINE FILM CRITICS ASSOCIATION, BOSTON SOCIETY OF FILM CRITICS, NEVADA FILM CRITICS SOCIETY, Oklahoma Film Critics Circle, Online Film Critics Society, North Carolina Film Critics Association, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, National Society of Film Critics, BAFTA Awards, Denver Film Critics Society)

Best Production Design (Barbara Ling): 10/17 (Satellite Awards, San Diego Film Critics Society, Critics' Choice Awards, LOS ANGELES FILM CRITICS ASSOCIATION, ST. LOUIS FILM CRITICS ASSOCIATION, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, Art Directors Guild, SEATTLE FILM CRITICS SOCIETY, CHICAGO FILM CRITICS ASSOCIATION, SAN FRANCISCO BAY AREA FILM CRITICS CIRCLE, LAS VEGAS FILM CRITICS SOCIETY, MUSIC CITY FILM CRITICS' ASSOCIATION, FLORIDA FILM CRITICS CIRCLE, NEVADA FILM CRITICS SOCIETY, Chicago Indie Critics, Georgia Film Critics Association, BAFTA Awards)

Best Cinematography (Robert Richardson): 2/26 (Hollywood Critics Association, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, Houston Film Critics Society, Alliance of Women Film Journalists, North Texas Film Critics Association, Online Association of Female Film Critics, Music City Film Critics’ Association, BOSTON ONLINE FILM CRITICS ASSOCIATION, Boston Society of Film Critics, OKLAHOMA FILM CRITICS CIRCLE, Online Film Critics Society, Southeastern Film Critics Association, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, American Society of Cinematographers, National Society of Film Critics)

Best Costume Design (Ariane Phillips): 0/8 (Hollywood Critics Association, San Diego Film Critics Society, Critics' Choice Awards, Seattle Film Critics Society, Costume Designers Guild, Chicago Film Critics Association, Chicago Indie Critics, BAFTA Awards)

Best Film Editing (Fred Raskin): 1/16 (Hollywood Critics Association, San Diego Film Critics Society, Critics' Choice Awards, ST. LOUIS FILM CRITICS ASSOCIATION, Washington DC Area Film Critics Association, Seattle Film Critics Society, ACE Eddie Awards, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, Alliance of Women Film Journalists, Music City Film Critics’ Association, Online Film Critics Society, Columbus Film Critics Association, Austin Film Critics Association, BAFTA Awards)

Best Makeup and Hairstyling: 0/2 (Make-up Artists and Hair Stylists Guild, Critics' Choice Awards)

Best Sound (either/or): 0/2 (Satellite Awards, Cinema Audio Society)

Best Picture (Noah Baumbach, David Heyman): 5/40 (GOTHAM AWARDS, Film Independent Spirit Awards, Hollywood Critics Association, Atlanta Film Critics Circle, Satellite Awards, National Board of Review, AFI AWARDS, New York Film Critics Online, Detroit Film Critics Society, San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Golden Globes, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, INDIANA FILM JOURNALISTS ASSOCIATION, Phoenix Film Critics Society, GREATER WESTERN NEW YORK FILM CRITICS ASSOCIATION, Las Vegas Film Critics Society, Houston Film Critics Society, Alliance of Women Film Journalists, North Texas Film Critics Association, Online Association of Female Film Critics, Music City Film Critics’ Association, Florida Film Critics Circle, Boston Online Film Critics Association, NEVADA FILM CRITICS SOCIETY, Oklahoma Film Critics Circle, Online Film Critics Society, Southeastern Film Critics Association, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, Denver Film Critics Society, Producers Guild of America)

Best Director (Noah Baumbach): 2/11 (HOLLYWOOD CRITICS ASSOCIATION, Satellite Awards, Detroit Film Critics Society, San Diego Film Critics Society, Critics' Choice Awards, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, Alliance of Women Film Journalists, North Texas Film Critics Association, NEVADA FILM CRITICS SOCIETY)

Best Actor (Adam Driver): 25/42 (GOTHAM AWARDS, Hollywood Critics Association, ATLANTA FILM CRITICS CIRCLE, Satellite Awards, DETROIT FILM CRITICS SOCIETY, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, Los Angeles Film Critics Association, PHILADELPHIA FILM CRITICS CIRCLE, St. Louis Film Critics Association, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, WOMEN FILM CRITICS CIRCLE, Golden Globes, SEATTLE FILM CRITICS SOCIETY, Screen Actors Guild Awards, PHOENIX CRITICS CIRCLE, CHICAGO FILM CRITICS ASSOCIATION, DALLAS-FORT WORTH FILM CRITICS ASSOCIATION, San Francisco Bay Area Film Critics Circle, INDIANA FILM JOURNALISTS ASSOCIATION, GREATER WESTERN NEW YORK FILM CRITICS ASSOCIATION, HOUSTON FILM CRITICS SOCIETY, ALLIANCE OF WOMEN FILM JOURNALISTS, UTAH FILM CRITICS ASSOCIATION, North Texas Film Critics Association, ONLINE ASSOCIATION OF FEMALE FILM CRITICS, Music City Film Critics’ Association, FLORIDA FILM CRITICS CIRCLE, KANSAS CITY FILM CRITICS CIRCLE, NEVADA FILM CRITICS SOCIETY, Oklahoma Film Critics Circle, ONLINE FILM CRITICS SOCIETY, SOUTHEASTERN FILM CRITICS ASSOCIATION, NORTH CAROLINA FILM CRITICS ASSOCIATION, CHICAGO INDIE CRITICS, COLUMBUS FILM CRITICS ASSOCIATION, Austin Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, National Society of Film Critics, BAFTA Awards, Denver Film Critics Society)

Best Actress (Scarlett Johansson): 8/35 (Hollywood Critics Association, Satellite Awards, DETROIT FILM CRITICS SOCIETY, San Diego Film Critics Society, Critics' Choice Awards, ST. LOUIS FILM CRITICS ASSOCIATION, Washington DC Area Film Critics Association, Women Film Critics Circle, Golden Globes, Seattle Film Critics Society, Screen Actors Guild Awards, Phoenix Critics Circle, Chicago Film Critics Association, DALLAS-FORT WORTH FILM CRITICS ASSOCIATION, San Francisco Bay Area Film Critics Circle, Indiana Film Journalists Association, GREATER WESTERN NEW YORK FILM CRITICS ASSOCIATION, Houston Film Critics Society, Alliance of Women Film Journalists, UTAH FILM CRITICS ASSOCIATION, North Texas Film Critics Association, ONLINE ASSOCIATION OF FEMALE FILM CRITICS, Music City Film Critics’ Association, FLORIDA FILM CRITICS CIRCLE, NEVADA FILM CRITICS SOCIETY, Oklahoma Film Critics Circle, Online Film Critics Society, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, BAFTA Awards, Denver Film Critics Society)

Best Supporting Actress (Laura Dern): 12/40 (HOLLYWOOD FILM AWARDS, Hollywood Critics Association, ATLANTA FILM CRITICS CIRCLE, Satellite Awards, NEW YORK FILM CRITICS CIRCLE, NEW YORK FILM CRITICS ONLINE, DETROIT FILM CRITICS SOCIETY, San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, GOLDEN GLOBES, Seattle Film Critics Society, Screen Actors Guild Awards, Phoenix Critics Circle, Chicago Film Critics Association, DALLAS-FORT WORTH FILM CRITICS ASSOCIATION, San Francisco Bay Area Film Critics Circle, PHOENIX FILM CRITICS SOCIETY, Greater Western New York Film Critics Association, Houston Film Critics Society, Alliance of Women Film Journalists, North Texas Film Critics Association, Online Association of Female Film Critics, Music City Film Critics’ Association, FLORIDA FILM CRITICS CIRCLE, BOSTON SOCIETY OF FILM CRITICS, Kansas City Film Critics Circle, Oklahoma Film Critics Circle, Online Film Critics Society, SOUTHEASTERN FILM CRITICS ASSOCIATION, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, NATIONAL SOCIETY OF FILM CRITICS, BAFTA Awards, Denver Film Critics Society)

Best Original Screenplay (Noah Baumbach): 10/35 (GOTHAM AWARDS, Film Independent Spirit Awards, Hollywood Critics Association, Satellite Awards, DETROIT FILM CRITICS SOCIETY, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, LOS ANGELES FILM CRITICS ASSOCIATION, ST. LOUIS FILM CRITICS ASSOCIATION, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, Golden Globes, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, DALLAS-FORT WORTH FILM CRITICS ASSOCIATION, San Francisco Bay Area Film Critics Circle, INDIANA FILM JOURNALISTS ASSOCIATION, GREATER WESTERN NEW YORK FILM CRITICS ASSOCIATION, Houston Film Critics Society, Alliance of Women Film Journalists, ONLINE ASSOCIATION OF FEMALE FILM CRITICS, Music City Film Critics’ Association, Florida Film Critics Circle, Boston Society of Film Critics, Online Film Critics Society, Southeastern Film Critics Association, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, Writers Guild of America, BAFTA Awards, Denver Film Critics Society)

Best Film Editing (Jennifer Lame): 0/4 (Satellite Awards, San Diego Film Critics Society, St. Louis Film Critics Association, ACE Eddie Awards)

Best Original Score (Randy Newman): 2/18 (HOLLYWOOD FILM AWARDS, Satellite Awards, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Golden Globes, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, GREATER WESTERN NEW YORK FILM CRITICS ASSOCIATION, Houston Film Critics Society, Music City Film Critics’ Association, Florida Film Critics Circle, Online Film Critics Society, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Denver Film Critics Society)

Best Picture (Young-Hwan Jang, Bong Joon-ho, Sin-ae Kwak, Yang-kwon Moon): 22/37 (Hollywood Critics Association, ATLANTA FILM CRITICS CIRCLE, AFI AWARDS, NEW YORK FILM CRITICS ONLINE, DETROIT FILM CRITICS SOCIETY, Critics' Choice Awards, LOS ANGELES FILM CRITICS ASSOCIATION, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, SEATTLE FILM CRITICS SOCIETY, African American Film Critics Association, PHOENIX CRITICS CIRCLE, CHICAGO FILM CRITICS ASSOCIATION, San Francisco Bay Area Film Critics Circle, Indiana Film Journalists Association, Phoenix Film Critics Society, Greater Western New York Film Critics Association, Las Vegas Film Critics Society, HOUSTON FILM CRITICS SOCIETY, ALLIANCE OF WOMEN FILM JOURNALISTS, UTAH FILM CRITICS ASSOCIATION, North Texas Film Critics Association, ONLINE ASSOCIATION OF FEMALE FILM CRITICS, Music City Film Critics’ Association, BOSTON ONLINE FILM CRITICS ASSOCIATION, Kansas City Film Critics Circle, Oklahoma Film Critics Circle, ONLINE FILM CRITICS SOCIETY, SOUTHEASTERN FILM CRITICS ASSOCIATION, NORTH CAROLINA FILM CRITICS ASSOCIATION, CHICAGO INDIE CRITICS, COLUMBUS FILM CRITICS ASSOCIATION, AUSTIN FILM CRITICS ASSOCIATION, Georgia Film Critics Association, GALECA DORIAN AWARDS, NATIONAL SOCIETY OF FILM CRITICS, BAFTA Awards, Producers Guild of America)

Best Director (Bong Joon-ho): 21/35 (Hollywood Critics Association, ATLANTA FILM CRITICS CIRCLE, Satellite Awards, NEW YORK FILM CRITICS ONLINE, Detroit Film Critics Society, Critics' Choice Awards, LOS ANGELES FILM CRITICS ASSOCIATION, St. Louis Film Critics Association, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, Golden Globes, SEATTLE FILM CRITICS SOCIETY, PHOENIX CRITICS CIRCLE, CHICAGO FILM CRITICS ASSOCIATION, SAN FRANCISCO BAY AREA FILM CRITICS CIRCLE, INDIANA FILM JOURNALISTS ASSOCIATION, GREATER WESTERN NEW YORK FILM CRITICS ASSOCIATION, HOUSTON FILM CRITICS SOCIETY, ALLIANCE OF WOMEN FILM JOURNALISTS, ONLINE ASSOCIATION OF FEMALE FILM CRITICS, Music City Film Critics’ Association, BOSTON ONLINE FILM CRITICS ASSOCIATION, BOSTON SOCIETY OF FILM CRITICS, Kansas City Film Critics Circle, ONLINE FILM CRITICS SOCIETY, Southeastern Film Critics Association, NORTH CAROLINA FILM CRITICS ASSOCIATION, CHICAGO INDIE CRITICS, COLUMBUS FILM CRITICS ASSOCIATION, AUSTIN FILM CRITICS ASSOCIATION, Georgia Film Critics Association, GALECA DORIAN AWARDS, National Society of Film Critics, BAFTA Awards, Denver Film Critics Society, Directors Guild of America)

Best Supporting Actor (Kang-ho Song): 4/11 (LOS ANGELES FILM CRITICS ASSOCIATION, Seattle Film Critics Society, PHOENIX CRITICS CIRCLE, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, North Texas Film Critics Association, Online Film Critics Society, CHICAGO INDIE CRITICS, Austin Film Critics Association, GALECA DORIAN AWARDS, National Society of Film Critics)

Best Supporting Actress (Yeo-jeong Jo): 0/1 (Chicago Film Critics Association)

Best Original Screenplay (Bong Joon-ho, Han Jin-won): 17/36 (HOLLYWOOD CRITICS ASSOCIATION, ATLANTA FILM CRITICS CIRCLE, Satellite Awards, NEW YORK FILM CRITICS ONLINE, Detroit Film Critics Society, San Diego Film Critics Society, Critics' Choice Awards, Los Angeles Film Critics Association, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Golden Globes, SEATTLE FILM CRITICS SOCIETY, AFRICAN AMERICAN FILM CRITICS ASSOCIATION, Phoenix Critics Circle, CHICAGO FILM CRITICS ASSOCIATION, SAN FRANCISCO BAY AREA FILM CRITICS CIRCLE, Greater Western New York Film Critics Association, Houston Film Critics Society, ALLIANCE OF WOMEN FILM JOURNALISTS, UTAH FILM CRITICS ASSOCIATION, Online Association of Female Film Critics, MUSIC CITY FILM CRITICS' ASSOCIATION, Florida Film Critics Circle, Kansas City Film Critics Circle, ONLINE FILM CRITICS SOCIETY, SOUTHEASTERN FILM CRITICS SOCIETY, NORTH CAROLINA FILM CRITICS ASSOCIATION, Chicago Indie Critics, COLUMBUS FILM CRITICS ASSOCIATION, AUSTIN FILM CRITICS ASSOCIATION, Georgia Film Critics Association, GALECA DORIAN AWARDS, NATIONAL SOCIETY OF FILM CRITICS, Writers Guild of America, BAFTA Awards, Denver Film Critics Society)

Best Production Design (Lee Ha-jun): 1/12 (Critics' Choice Awards, Los Angeles Film Critics Association, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Art Directors Guild, Seattle Film Critics Society, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Music City Film Critics’ Association, ONLINE FILM CRITICS SOCIETY, Chicago Indie Critics, Georgia Film Critics Association)

Best Cinematography (Hong Kyung-pyo): 0/9 (Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, Greater Western New York Film Critics Association, Houston Film Critics Society, Music City Film Critics’ Association, North Carolina Film Critics Association, Columbus Film Critics Association, Austin Film Critics Association)

Best Film Editing (Yang Jin-mo): 1/13 (Hollywood Critics Association, Critics' Choice Awards, Washington DC Area Film Critics Association, Seattle Film Critics Society, ACE Eddie Awards, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, Alliance of Women Film Journalists, Music City Film Critics’ Association, ONLINE FILM CRITICS SOCIETY, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association)

Best Original Score (Jaeil Jung, ineligible): 0/1 (Georgia Film Critics Association)

Best Original Song ("A Glass of Soju"): 0/1 (Georgia Film Critics Association)

Best International Feature Film (South Korea): 35/42 (Film Independent Spirit Awards, HOLLYWOOD CRITICS ASSOCIATION, ATLANTA FILM CRITICS CIRCLE, Satellite Awards, NATIONAL BOARD OF REVIEW, NEW YORK FILM CRITICS CIRCLE, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, PHILADELPHIA FILM CRITICS CIRCLE, ST. LOUIS FILM CRITICS ASSOCIATION, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, GOLDEN GLOBES, SEATTLE FILM CRITICS SOCIETY, AFRICAN AMERICAN FILM CRITICS ASSOCIATION, PHOENIX CRITICS CIRCLE, CHICAGO FILM CRITICS ASSOCIATION, DALLAS-FORT WORTH FILM CRITICS ASSOCIATION, SAN FRANCISCO BAY AREA FILM CRITICS CIRCLE, INDIANA FILM JOURNALISTS ASSOCIATION, PHOENIX FILM CRITICS SOCIETY, GREATER WESTERN NEW YORK FILM CRITICS ASSOCIATION, LAS VEGAS FILM CRITICS SOCIETY, HOUSTON FILM CRITICS SOCIETY, ALLIANCE OF WOMEN FILM JOURNALISTS, UTAH FILM CRITICS ASSOCIATION, NORTH TEXAS FILM CRITICS ASSOCIATION, MUSIC CITY FILM CRITICS' ASSOCIATION, Florida Film Critics Circle, BOSTON ONLINE FILM CRITICS ASSOCIATION, BOSTON SOCIETY OF FILM CRITICS, KANSAS CITY FILM CRITICS CIRCLE, OKLAHOMA FILM CRITICS CIRCLE, ONLINE FILM CRITICS SOCIETY, SOUTHEASTERN FILM CRITICS ASSOCIATION, NORTH CAROLINA FILM CRITICS ASSOCIATION, CHICAGO INDIE CRITICS, COLUMBUS FILM CRITICS ASSOCIATION, AUSTIN FILM CRITICS ASSOCIATION, Georgia Film Critics Association, GALECA DORIAN AWARDS, BAFTA Awards, Denver Film Critics Society)

Best Picture (Troy Allen, Gerald Chamales, Robert De Niro, Randall Emmett, Gastón Pavlovich, Jane Rosenthal, Martin Scorsese, Emma Tillinger Koskoff, Irwin Winkler): 5/37 (Hollywood Critics Association, Atlanta Film Critics Circle, NATIONAL BOARD OF REVIEW, NEW YORK FILM CRITICS CIRCLE, AFI AWARDS, New York Film Critics Online, Detroit Film Critics Society, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, Los Angeles Film Critics Association, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Golden Globes, Seattle Film Critics Society, African American Film Critics Association, Phoenix Critics Circle, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Phoenix Film Critics Society, Greater Western New York Film Critics Association, Las Vegas Film Critics Society, Houston Film Critics Society, Alliance of Women Film Journalists, NORTH TEXAS FILM CRITICS ASSOCIATION, Music City Film Critics’ Association, Florida Film Critics Circle, Boston Online Film Critics Association, Online Film Critics Society, Southeastern Film Critics Association, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, BAFTA Awards, Producers Guild of America)

Best Director (Martin Scorsese): 4/29 (Hollywood Critics Association, DETROIT FILM CRITICS SOCIETY, San Diego Film Critics Society, Critics' Choice Awards, Los Angeles Film Critics Association, PHILADELPHIA FILM CRITICS CIRCLE, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Golden Globes, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, Houston Film Critics Society, Alliance of Women Film Journalists, North Texas Film Critics Association, Online Association of Female Film Critics, Music City Film Critics’ Association, OKLAHOMA FILM CRITICS CIRCLE, Online Film Critics Society, SOUTHEASTERN FILM CRITICS ASSOCIATION, North Carolina Film Critics Association, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, National Society of Film Critics, BAFTA Awards, Directors Guild of America)

Best Actor (Robert De Niro): 0/9 (Detroit Film Critics Society, Critics' Choice Awards, Washington DC Area Film Critics Association, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, North Texas Film Critics Association, Online Film Critics Society, Columbus Film Critics Association)

Best Supporting Actor (Joe Pesci): 11/39 (HOLLYWOOD CRITICS ASSOCIATION, Satellite Awards, NEW YORK FILM CRITICS CIRCLE, NEW YORK FILM CRITICS ONLINE, DETROIT FILM CRITICS SOCIETY, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, Los Angeles Film Critics Association, PHILADELPHIA FILM CRITICS CIRCLE, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Golden Globes, Seattle Film Critics Society, Screen Actors Guild Awards, Phoenix Critics Circle, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, GREATER WESTERN NEW YORK FILM CRITICS ASSOCIATION, Houston Film Critics Society, Alliance of Women Film Journalists, UTAH FILM CRITICS ASSOCIATION, North Texas Film Critics Association, Online Association of Female Film Critics, Music City Film Critics’ Association, FLORIDA FILM CRITICS CIRCLE, Boston Society of Film Critics, KANSAS CITY FILM CRITICS CIRCLE, NEVADA FILM CRITICS SOCIETY, Online Film Critics Society, Southeastern Film Critics Association, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, National Society of Film Critics, BAFTA Awards, Denver Film Critics Society)

Best Supporting Actor (Al Pacino): 1/22 (HOLLYWOOD FILM AWARDS, San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Golden Globes, Screen Actors Guild Awards, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, Houston Film Critics Society, Alliance of Women Film Journalists, North Texas Film Critics Association, Music City Film Critics’ Association, Online Film Critics Society, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, BAFTA Awards, Denver Film Critics Society)

Best Supporting Actress (Anna Paquin): 0/1 (Detroit Film Critics Society)

Best Adapted Screenplay (Steven Zailian): 6/29 (Hollywood Critics Association, Satellite Awards, NATIONAL BOARD OF REVIEW, Detroit Film Critics Society, San Diego Film Critics Society, Critics' Choice Awards, ST. LOUIS FILM CRITICS ASSOCIATION, Washington DC Area Film Critics Association, Golden Globes, Seattle Film Critics Society, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, GREATER WESTERN NEW YORK FILM CRITICS ASSOCIATION, USC Scripter Awards, Alliance of Women Film Journalists, Online Association of Female Film Critics, Florida Film Critics Circle, Kansas City Film Critics Circle, OKLAHOMA FILM CRITICS CIRCLE, ONLINE FILM CRITICS SOCIETY, SOUTHEASTERN FILM CRITICS SOCIETY, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, Writers Guild of America, BAFTA Awards, Denver Film Critics Society)

Best Production Design (Bob Shaw): 0/7 (San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Art Directors Guild, Seattle Film Critics Society, San Francisco Bay Area Film Critics Circle, BAFTA Awards)

Best Cinematography (Rodrigo Prieto): 0/11 (Satellite Awards, San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Phoenix Critics Circle, Houston Film Critics Society, North Texas Film Critics Association, Online Film Critics Society, American Society of Cinematographers, BAFTA Awards)

Best Costume Design (Sandy Powell, Christopher Peterson): 0/2 (Critics' Choice Awards, BAFTA Awards)

Best Film Editing (Thelma Schoonmaker): 4/18 (Hollywood Critics Association, Satellite Awards, San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Seattle Film Critics Society, ACE Eddie Awards, CHICAGO FILM CRITICS ASSOCIATION, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, ALLIANCE OF WOMEN FILM JOURNALISTS, Music City Film Critics’ Association, BOSTON ONLINE FILM CRITICS ASSOCIATION, BOSTON SOCIETY OF FILM CRITICS, Online Film Critics Society, Austin Film Critics Association, BAFTA Awards)

Best Makeup and Hairstyling (ineligible): 0/3 (Hollywood Critics Association, Critics' Choice Awards, Chicago Indie Critics)

Best Original Score (Robbie Robertson, ineligible): 0/3 (Satellite Awards, Critics' Choice Awards, Greater Western New York Film Critics Association)

Best Sound (either/or): 0/1 (Cinema Audio Society)

Best Visual Effects: 1/12 (HOLLYWOOD FILM AWARDS, Hollywood Critics Association, Satellite Awards, San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Seattle Film Critics Society, Chicago Film Critics Association, North Carolina Film Critics Association, Chicago Indie Critics, BAFTA Awards, Denver Film Critics Society)

Best Picture (Ricardo Marco Budé, Pippa Harris, Callum McDougall, Sam Mendes, Brian Oliver, Ignacio Salazar-Simpson, Jayne-Ann Tenggren): 6/30 (HOLLYWOOD CRITICS ASSOCIATION, Atlanta Film Critics Circle, Satellite Awards, National Board of Review, AFI AWARDS, New York Film Critics Online, San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, GOLDEN GLOBES, Seattle Film Critics Society, Phoenix Critics Circle, DALLAS-FORT WORTH FILM CRITICS ASSOCIATION, San Francisco Bay Area Film Critics Circle, Phoenix Film Critics Society, Las Vegas Film Critics Society, Houston Film Critics Society, North Texas Film Critics Association, MUSIC CITY FILM CRITICS' ASSOCIATION, Florida Film Critics Circle, KANSAS CITY FILM CRITICS CIRCLE, Online Film Critics Society, Southeastern Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Georgia Film Critics Association, BAFTA Awards, Producers Guild of America)

Best Director (Sam Mendes): 7/25 (Satellite Awards, San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, GOLDEN GLOBES, Phoenix Critics Circle, DALLAS-FORT WORTH FILM CRITICS ASSOCIATION, San Francisco Bay Area Film Critics Circle, PHOENIX FILM CRITICS SOCIETY, Houston Film Critics Society, UTAH FILM CRITICS ASSOCIATION, NORTH TEXAS FILM CRITICS ASSOCIATION, MUSIC CITY FILM CRITICS' ASSOCIATION, Florida Film Critics Circle, KANSAS CITY FILM CRITICS CIRCLE, Online Film Critics Society, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, BAFTA Awards, Denver Film Critics Society, Directors Guild of America)

Best Actor (George MacKay): 0/1 (Satellite Awards)

Best Original Screenplay (Sam Mendes, Krysty Wilson-Cairns): 0/1 (Writers Guild of America)

Best Production Design (Dennis Gassner): 3/16 (Satellite Awards, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Art Directors Guild, Seattle Film Critics Society, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, PHOENIX FILM CRITICS SOCIETY, Music City Film Critics’ Association, Florida Film Critics Circle, ONLINE FILM CRITICS SOCIETY, Chicago Indie Critics, Georgia Film Critics Association, BAFTA Awards)

Best Cinematography (Roger Deakins): 28/37 (HOLLYWOOD CRITICS ASSOCIATION, ATLANTA FILM CRITICS CIRCLE, Satellite Awards, NATIONAL BOARD OF REVIEW, NEW YORK FILM CRITICS ONLINE, San Diego Film Critics Society, Critics' Choice Awards, Los Angeles Film Critics Association, Philadelphia Film Critics Circle, ST. LOUIS FILM CRITICS ASSOCIATION, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, SEATTLE FILM CRITICS SOCIETY, PHOENIX CRITICS CIRCLE, CHICAGO FILM CRITICS ASSOCIATION, DALLAS-FORT WORTH FILM CRITICS ASSOCIATION, SAN FRANCISCO BAY AREA FILM CRITICS CIRCLE, PHOENIX FILM CRITICS SOCIETY, LAS VEGAS FILM CRITICS SOCIETY, HOUSTON FILM CRITICS SOCIETY, ALLIANCE OF WOMEN FILM JOURNALISTS, UTAH FILM CRITICS ASSOCIATION, NORTH TEXAS FILM CRITICS ASSOCIATION, ONLINE ASSOCIATION OF FEMALE FILM CRITICS, MUSIC CITY FILM CRITICS' ASSOCIATION, FLORIDA FILM CRITICS CIRCLE, KANSAS CITY FILM CRITICS CIRCLE, NEVADA FILM CRITICS SOCIETY, Oklahoma Film Critics Circle, ONLINE FILM CRITICS SOCIETY, SOUTHEASTERN FILM CRITICS ASSOCIATION, NORTH CAROLINA FILM CRITICS ASSOCIATION, CHICAGO INDIE CRITICS, COLUMBUS FILM CRITICS ASSOCIATION, AUSTIN FILM CRITICS ASSOCIATION, Georgia Film Critics Association, American Society of Cinematographers, BAFTA Awards)

Best Film Editing (Lee Smith): 4/15 (HOLLYWOOD CRITICS ASSOCIATION, Satellite Awards, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Seattle Film Critics Society, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, PHOENIX FILM CRITICS SOCIETY, Alliance of Women Film Journalists, MUSIC CITY FILM CRITICS' ASSOCIATION, Online Film Critics Society, CHICAGO INDIE CRITICS, Columbus Film Critics Association, Austin Film Critics Association)

Best Makeup and Hairstyling: 0/1 (BAFTA Awards)

Best Original Score (Thomas Newman): 6/25 (Hollywood Critics Association, ATLANTA FILM CRITICS CIRCLE, Satellite Awards, Critics' Choice Awards, Los Angeles Film Critics Association, ST. LOUIS FILM CRITICS ASSOCIATION, Washington DC Area Film Critics Association, Golden Globes, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, DALLAS-FORT WORTH FILM CRITICS ASSOCIATION, San Francisco Bay Area Film Critics Circle, PHOENIX FILM CRITICS SOCIETY, HOUSTON FILM CRITICS SOCIETY, Music City Film Critics’ Association, Florida Film Critics Circle, Online Film Critics Society, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, AUSTIN FILM CRITICS ASSOCIATION, Georgia Film Critics Association, BAFTA Awards, Denver Film Critics Society)

Best Sound (either/or): 1/3 (Satellite Awards, MUSIC CITY FILM CRITICS' ASSOCIATION, BAFTA Awards)

Best Visual Effects: 2/11 (Hollywood Critics Association, San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Seattle Film Critics Society, Chicago Film Critics Association, HOUSTON FILM CRITICS SOCIETY, North Carolina Film Critics Association, CHICAGO INDIE CRITICS, BAFTA Awards, Denver Film Critics Society)

Best Picture (Carthew Neal, Taika Waititi, Chelsea Winstanley): 1/23 (Hollywood Critics Association, National Board of Review, AFI AWARDS, New York Film Critics Online, Detroit Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Golden Globes, Phoenix Critics Circle, Phoenix Film Critics Society, Houston Film Critics Society, Alliance of Women Film Journalists, North Texas Film Critics Association, Online Association of Female Film Critics, Music City Film Critics’ Association, Oklahoma Film Critics Circle, Online Film Critics Society, Southeastern Film Critics Association, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Denver Film Critics Society, Producers Guild of America)

Best Director (Taika Waititi): 0/7 (Hollywood Critics Association, Detroit Film Critics Society, St. Louis Film Critics Association, Phoenix Critics Circle, North Carolina Film Critics Association, Denver Film Critics Society, Directors Guild of America)

Best Actor (Roman Griffin Davis): 0/1 (Golden Globes)

Best Supporting Actor (Taika Waititi): 0/1 (Satellite Awards)

Best Supporting Actress (Scarlett Johansson): 0/15 (Detroit Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Screen Actors Guild Awards, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, Houston Film Critics Society, North Texas Film Critics Association, Music City Film Critics’ Association, Florida Film Critics Circle, Columbus Film Critics Association, Austin Film Critics Association, BAFTA Awards, Denver Film Critics Society)

Best Supporting Actress (Thomas McKenzie): 1/2 (San Diego Film Critics Society, PHOENIX CRITICS CIRCLE)

Best Adapted Screenplay (Taika Waititi): 5/28 (HOLLYWOOD CRITICS ASSOCIATION, Satellite Awards, San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Phoenix Critics Circle, Chicago Film Critics Association, SAN FRANCISCO BAY AREA FILM CRITICS CIRCLE, PHOENIX FILM CRITICS SOCIETY, Greater Western New York Film Critics Association, USC Scripter Awards, Alliance of Women Film Journalists, Utah Film Critics Association, ONLINE ASSOCIATION OF FEMALE FILM CRITICS, Music City Film Critics’ Association, Florida Film Critics Circle, NEVADA FILM CRITICS SOCIETY, Oklahoma Film Critics Circle, Online Film Critics Society, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, Writers Guild of America, BAFTA Awards, Denver Film Critics Society)

Best Production Design (Ra Vincent): 1/4 (HOLLYWOOD FILM AWARDS, Washington DC Area Film Critics Association, Art Directors Guild, BAFTA Awards)

Best Cinematography (Mihai Malaimare Jr.): 1/1 (HOLLYWOOD FILM AWARDS)

Best Costume Design (Mayes C. Rubeo): 0/2 (Costume Designers Guild, BAFTA Awards)

Best Film Editing (Tom Eagles): 0/2 (ACE Eddie Awards, BAFTA Awards)

Best Original Score (Michael Giacchino): 0/3 (North Carolina Film Critics Association, BAFTA Awards, Denver Film Critics Society)

Best Picture (Denise Di Novi, Amy Pascal, Robin Swicord): 2/20 (Atlanta Film Critics Circle, AFI AWARDS, Critics' Choice Awards, St. Louis Film Critics Association, Seattle Film Critics Society, Chicago Film Critics Association, Indiana Film Journalists Association, Las Vegas Film Critics Society, Music City Film Critics’ Association, Boston Online Film Critics Association, BOSTON SOCIETY OF FILM CRITICS, Oklahoma Film Critics Circle, Southeastern Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, National Society of Film Critics, Denver Film Critics Society, Producers Guild of America)

Best Director (Greta Gerwig): 2/14 (Hollywood Critics Association, Critics' Choice Awards, Washington DC Area Film Critics Association, Seattle Film Critics Society, Chicago Film Critics Association, Music City Film Critics’ Association, Florida Film Critics Circle, Boston Society of Film Critics, CCHICAGO INDIE CRITICS, Columbus Film Critics Association, Austin Film Critics Association, GALECA Dorian Awards, NATIONAL SOCIETY OF FILM CRITICS, Denver Film Critics Society)

Best Actress (Saoirse Ronan): 1/16 (San Diego Film Critics Society, Critics' Choice Awards, Philadelphia Film Critics Circle, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Golden Globes, Seattle Film Critics Society, Phoenix Critics Circle, Houston Film Critics Society, Alliance of Women Film Journalists, BOSTON SOCIETY OF FILM CRITICS, North Carolina Film Critics Association, Columbus Film Critics Association, Georgia Film Critics Association, BAFTA Awards, Denver Film Critics Society)

Best Supporting Actress (Florence Pugh): 9/26 (Detroit Film Critics Society, San Diego Film Critics Society, Critics' Choice Awards, PHILADELPHIA FILM CRITICS CIRCLE, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Seattle Film Critics Society, CHICAGO FILM CRITICS ASSOCIATION, GREATER WESTERN NEW YORK FILM CRITICS ASSOCIATION, Houston Film Critics Society, ALLIANCE OF WOMEN FILM JOURNALISTS, UTAH FILM CRITICS ASSOCIATION, MUSIC CITY FILM CRITICS' ASSOCIATION, BOSTON ONLINE FILM CRITICS ASSOCIATION, Boston Society of Film Critics, Online Film Critics Society, Southeastern Film Critics Association, NORTH CAROLINA FILM CRITICS ASSOCIATION, Chicago Indie Critics, COLUMBUS FILM CRITICS ASSOCIATION, Austin Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, National Society of Film Critics, BAFTA Awards, Denver Film Critics Society)

Best Supporting Actress (Laura Dern): 1/1 (NEW YORK FILM CRITICS CIRCLE)

Best Adapted Screenplay (Greta Gerwig): 11/27 (San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, CHICAGO FILM CRITICS ASSOCIATION, San Francisco Bay Area Film Critics Circle, INDIANA FILM JOURNALISTS ASSOCIATION, Greater Western New York Film Critics Association, USC Scripter Awards, ALLIANCE OF WOMEN FILM JOURNALISTS, UTAH FILM CRITICS ASSOCIATION, Online Association of Female Film Critics, FLORIDA FILM CRITICS CIRCLE, Boston Society of Film Critics, KANSAS CITY FILM CRITICS CIRCLE, Online Film Critics Society, Southeastern Film Critics Association, NORTH CAROLINA FILM CRITICS ASSOCIATION, CHICAGO INDIE CRITICS, COLUMBUS FILM CRITICS ASSOCIATION, AUSTIN FILM CRITICS ASSOCIATION, Georgia Film Critics Association, GALECA Dorian Awards, National Society of Film Critics, Writers Guild of America, BAFTA Awards, Denver Film Critics Society)

Best Production Design (Jess Gonchor): 0/8 (San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Seattle Film Critics Society, Chicago Film Critics Association, Music City Film Critics’ Association, Georgia Film Critics Association)

Best Cinematography (Yorick Le Saux): 0/1 (National Society of Film Critics)

Best Costume Design (Jacqueline Durran): 1/7 (Hollywood Critics Association, San Diego Film Critics Society, Critics' Choice Awards, Seattle Film Critics Society, CHICAGO FILM CRITICS ASSOCIATION, Chicago Indie Critics, BAFTA Awards)

Best Film Editing (Nick Houy): 0/2 (Chicago Film Critics Association, Chicago Indie Critics)

Best Original Score (Alexandre Desplat): 2/17 (Hollywood Critics Association, Critics' Choice Awards, Washington DC Area Film Critics Association, Golden Globes, Phoenix Critics Circle, CHICAGO FILM CRITICS ASSOCIATION, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, Houston Film Critics Society, BOSTON SOCIETY OF FILM CRITICS, Online Film Critics Society, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, BAFTA Awards, Denver Film Critics Society)

Best Picture (Daniele Melia, Marc Turtletaub, Peter Saraf, Andrew Miano, Chris Weitz, Jane Zheng, Lulu Wang, Anita Gou): 1/17 (Gotham Awards, Film Independent Spirit Awards, Hollywood Critics Association, Satellite Awards, AFI AWARDS, New York Film Critics Online, Seattle Film Critics Society, African American Film Critics Association, Greater Western New York Film Critics Association, Houston Film Critics Society, North Texas Film Critics Association, Online Association of Female Film Critics, Boston Online Film Critics Association, Southeastern Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Georgia Film Critics Association)

Best Director (Lulu Wang): 0/5 (Hollywood Critics Association, Houston Film Critics Society, North Texas Film Critics Association, Online Association of Female Film Critics, Chicago Indie Critics)

Best Actress (Awkwafina): 2/25 (GOTHAM AWARDS, Hollywood Critics Association, Satellite Awards, San Diego Film Critics Society, Critics' Choice Awards, Washington DC Area Film Critics Association, GOLDEN GLOBES, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, Houston Film Critics Society, Alliance of Women Film Journalists, North Texas Film Critics Association, Online Association of Female Film Critics, Music City Film Critics’ Association, Online Film Critics Society, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, Denver Film Critics Society)

Best Supporting Actress (Zhao Shuzhen): 4/26 (Film Independent Spirit Awards, Hollywood Critics Association, Satellite Awards, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, Los Angeles Film Critics Association, Washington DC Area Film Critics Association, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, HOUSTON FILM CRITICS SOCIETY, Alliance of Women Film Journalists, NORTH TEXAS FILM CRITICS ASSOCIATION, Online Association of Female Film Critics, Music City Film Critics’ Association, Florida Film Critics Circle, Kansas City Film Critics Circle, Online Film Critics Society, North Carolina Film Critics Association, CHICAGO INDIE CRITICS, Columbus Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, Denver Film Critics Society)

Best Original Screenplay (Lulu Wang): 0/17 (Gotham Awards, Hollywood Critics Association, Satellite Awards, Critics' Choice Awards, Seattle Film Critics Society, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, Houston Film Critics Society, Alliance of Women Film Journalists, Online Association of Female Film Critics, Florida Film Critics Circle, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Georgia Film Critics Association, Denver Film Critics Society)

Best Film Editing (Michael Taylor, Matthew Friedman): 0/1 (ACE Eddie Awards)

Best International Feature Film (U.S./China, ineligible): 0/14 (Hollywood Critics Association, San Diego Film Critics Society, Golden Globes, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, Greater Western New York Film Critics Association, Florida Film Critics Circle, Oklahoma Film Critics Circle, North Carolina Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, BAFTA Awards, Denver Film Critics Society)

Best Picture (Ram Bergman, Rian Johnson): 3/15 (Atlanta Film Critics Circle, Satellite Awards, National Board of Review, AFI AWARDS, PHILADELPHIA FILM CRITICS CIRCLE, Golden Globes, Indiana Film Journalists Association, Phoenix Film Critics Society, Houston Film Critics Society, Music City Film Critics’ Association, Oklahoma Film Critics Circle, Online Film Critics Society, CHICAGO INDIE CRITICS, Columbus Film Critics Association, Producers Guild of America)

Best Actor (Daniel Craig): 0/2 (Satellite Awards, Golden Globes)

Best Actress (Ana de Armas): 0/3 (Satellite Awards, Golden Globes, Online Association of Female Film Critics)

Best Original Screenplay (Rian Johnson): 7/27 (Hollywood Critics Association, San Diego Film Critics Society, Critics' Choice Awards, PHILADELPHIA FILM CRITICS CIRCLE, Washington DC Area Film Critics Association, Seattle Film Critics Society, PHOENIX CRITICS CIRCLE, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, PHOENIX FILM CRITICS SOCIETY, HOUSTON FILM CRITICS SOCIETY, Alliance of Women Film Journalists, Utah Film Critics Association, Online Association of Female Film Critics, Music City Film Critics’ Association, KANSAS CITY FILM CRITICS CIRCLE, OKLAHOMA FILM CRITICS CIRCLE, Online Film Critics Society, North Carolina Film Critics Association, CHICAGO INDIE CRITICS, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, Writers Guild of America, BAFTA Awards, Denver Film Critics Society)

Best Production Design (David Crank): 1/4 (Art Directors Guild, Chicago Film Critics Association, Music City Film Critics’ Association, CHICAGO INDIE CRITICS)

Best Costume Design (Jenny Eagan): 0/2 (Costume Designers Guild, Chicago Indie Critics)

Best Film Editing (Bob Ducsay): 1/3 (ACE Eddie Awards, Chicago Indie Critics, COLUMBUS FILM CRITICS ASSOCIATION)

Best Picture (Scott Rudin, Eli Bush, Sebastian Bear McClard): 0/15 (Gotham Awards, Film Independent Spirit Awards, Atlanta Film Critics Circle, Satellite Awards, National Board of Review, Critics' Choice Awards, Seattle Film Critics Society, Houston Film Critics Society, Boston Online Film Critics Association, Oklahoma Film Critics Circle, Online Film Critics Society, Southeastern Film Critics Association, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association)

Best Director (Josh and Benny Safdie): 2/7 (Film Independent Spirit Awards, NEW YORK FILM CRITICS CIRCLE, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, Seattle Film Critics Society, Austin Film Critics Association, Georgia Film Critics Association)

Best Actor (Adam Sandler): 7/34 (Gotham Awards, Film Independent Spirit Awards, Satellite Awards, NATIONAL BOARD OF REVIEW, Detroit Film Critics Society, San Diego Film Critics Society, Critics' Choice Awards, ST. LOUIS FILM CRITICS ASSOCIATION, Washington DC Area Film Critics Association, Women Film Critics Circle, Seattle Film Critics Society, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Indiana Film Journalists Association, Greater Western New York Film Critics Association, LAS VEGAS FILM CRITICS SOCIETY, Houston Film Critics Society, Alliance of Women Film Journalists, North Texas Film Critics Association, Online Association of Female Film Critics, Music City Film Critics’ Association, Florida Film Critics Circle, BOSTON ONLINE FILM CRITICS ASSOCIATION, BOSTON SOCIETY OF FILM CRITICS, OKLAHOMA FILM CRITICS CIRCLE, Online Film Critics Society, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, AUSTIN FILM CRITICS ASSOCIATION, Georgia Film Critics Association, GALECA Dorian Awards, National Society of Film Critics, Denver Film Critics Society)

Best Original Screenplay (Ronald Bronstein, Benny Safdie, Josh Safdie): 2/4 (Film Independent Spirit Awards, NATIONAL BOARD OF REVIEW, San Diego Film Critics Society, FLORIDA FILM CRITICS CIRCLE)

Best Film Editing (Ronald Bronstein, Benny Safdie): 3/10 (Film Independent Spirit Awards, San Diego Film Critics Society, Critics' Choice Awards, Los Angeles Film Critics Association, SEATTLE FILM CRITICS SOCIETY, Chicago Film Critics Association, GREATER WESTERN NEW YORK FILM CRITICS ASSOCIATION, Boston Society of Film Critics, Columbus Film Critics Association, AUSTIN FILM CRITICS ASSOCIATION)

Best Original Score (Daniel Lopatin, ineligible): 4/6 (SEATTLE FILM CRITICS SOCIETY, Chicago Film Critics Association, FLORIDA FILM CRITICS CIRCLE, BOSTON ONLINE FILM CRITICS ASSOCIATION, OKLAHOMA FILM CRITICS CIRCLE, Georgia Film Critics Association)

Best Picture (Bradley Cooper, Todd Phillips, Emma Tillinger Koskoff): 2/13 (Hollywood Critics Association, Satellite Awards, AFI AWARDS, New York Film Critics Online, Critics' Choice Awards, Golden Globes, PHOENIX FILM CRITICS SOCIETY, Las Vegas Film Critics Society, Houston Film Critics Society, North Texas Film Critics Association, Music City Film Critics’ Association, BAFTA Awards, Producers Guild of America)

Best Director (Todd Phillips): 0/2 (Golden Globes, BAFTA Awards)

Best Actor (Joaquin Phoenix): 7/34 (HOLLYWOOD CRITICS ASSOCIATION, Satellite Awards, NEW YORK FILM CRITICS ONLINE, Detroit Film Critics Society, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Women Film Critics Circle, GOLDEN GLOBES, Seattle Film Critics Society, Screen Actors Guild Awards, Phoenix Critics Circle, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, PHOENIX FILM CRITICS SOCIETY, Greater Western New York Film Critics Association, Houston Film Critics Society, Alliance of Women Film Journalists, Utah Film Critics Association, NORTH TEXAS FILM CRITICS ASSOCIATION, Online Association of Female Film Critics, MUSIC CITY FILM CRITICS' ASSOCIATION, Florida Film Critics Circle, Boston Society of Film Critics, Online Film Critics Society, Southeastern Film Critics Association, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, BAFTA Awards, Denver Film Critics Society)

Best Adapted Screenplay (Scott Silver, Todd Phillips): 0/9 (Hollywood Critics Association, Satellite Awards, San Diego Film Critics Society, Critics' Choice Awards, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Georgia Film Critics Association, Writers Guild of America, BAFTA Awards)

Best Production Design (Mark Friedberg): 0/4 (Satellite Awards, Critics' Choice Awards, Art Directors Guild, BAFTA Awards)

Best Cinematography (Lawrence Sher): 0/8 (Hollywood Critics Association, Satellite Awards, Critics' Choice Awards, St. Louis Film Critics Association, Houston Film Critics Society, Music City Film Critics’ Association, American Society of Cinematographers, BAFTA Awards)

Best Costume Design (Mark Bridges): 0/2 (Hollywood Critics Association, Satellite Awards)

Best Film Editing (Jeff Groth): 0/3 (Satellite Awards, ACE Eddie Awards, BAFTA Awards)

Best Makeup and Hairstyling: 0/5 (Make-up Artists and Hair Stylists Guild, Hollywood Critics Association, Critics' Choice Awards, Chicago Indie Critics, BAFTA Awards)

Best Original Score (Hildur Guðnadóttir): 5/18 (HOLLYWOOD CRITICS ASSOCIATION, Satellite Awards, Critics' Choice Awards, Washington DC Area Film Critics Association, GOLDEN GLOBES, Seattle Film Critics Society, PHOENIX CRITICS CIRCLE, San Francisco Bay Area Film Critics Circle, LAS VEGAS FILM CRITICS SOCIETY, Houston Film Critics Society, MUSIC CITY FILM CRITICS' ASSOCIATION, Florida Film Critics Circle, Oklahoma Film Critics Circle, Online Film Critics Society, Columbus Film Critics Association, Georgia Film Critics Association, BAFTA Awards, Denver Film Critics Society)

Best Sound (either/or): 0/3 (Satellite Awards, Cinema Audio Society, BAFTA Awards)

Best Visual Effects (ineligible): 0/1 (Satellite Awards)

Best Picture (Peter Chernin, James Mangold, Jenno Topping): 0/11 (Satellite Awards, National Board of Review, Critics' Choice Awards, Seattle Film Critics Society, Indiana Film Journalists Association, Las Vegas Film Critics Society, North Texas Film Critics Association, Boston Online Film Critics Association, Southeastern Film Critics Association, Georgia Film Critics Association, Producers Guild of America)

Best Director (James Mangold): 1/2 (HOLLYWOOD FILM AWARDS, Satellite Awards)

Best Actor (Christian Bale): 0/4 (Satellite Awards, San Diego Film Critics Society, Golden Globes, Screen Actors Guild Awards)

Best Original Screenplay (Jez Butterworth, John-Henry Butterworth, Jason Keller): 0/1 (Satellite Awards)

Best Production Design (François Audouy): 0/2 (Satellite Awards, Art Directors Guild)

Best Cinematography (Phedon Papamichael): 0/7 (Satellite Awards, San Diego Film Critics Society, Critics' Choice Awards, North Texas Film Critics Association, Chicago Indie Critics, American Society of Cinematographers, BAFTA Awards)

Best Film Editing (Michael McCusker, Andrew Buckland): 5/16 (HOLLYWOOD FILM AWARDS, Hollywood Critics Association, Satellite Awards, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, St. Louis Film Critics Association, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, ACE Eddie Awards, SAN FRANCISCO BAY AREA FILM CRITICS CIRCLE, Greater Western New York Film Critics Association, LAS VEGAS FILM CRITICS SOCIETY, Alliance of Women Film Journalists, Utah Film Critics Association, Online Film Critics Society, Chicago Indie Critics, BAFTA Awards)

Best Original Score (Marco Beltrami, Buck Sanders): 0/1 (Satellite Awards)

Best Sound (either/or): 1/5 (HOLLYWOOD FILM AWARDS, Satellite Awards, Cinema Audio Society, Music City Film Critics’ Association, BAFTA Awards)

Best Visual Effects (ineligible): 0/2 (Satellite Awards, Critics' Choice Awards)

Best Picture (Bénédicte Couvreur): 1/8 (Phoenix Critics Circle, Indiana Film Journalists Association, Greater Western New York Film Critics Association, FLORIDA FILM CRITICS CIRCLE, Boston Online Film Critics Association, Boston Society of Film Critics, Online Film Critics Society, GALECA Dorian Awards)

Best Director (Céline Sciamma): 1/7 (Indiana Film Journalists Association, Greater Western New York Film Critics Association, Alliance of Women Film Journalists, FLORIDA FILM CRITICS CIRCLE, Online Film Critics Society, Chicago Indie Critics, GALECA Dorian Awards)

Best Actress (Adéle Haenel): 0/2 (Greater Western New York Film Critics Association, Austin Film Critics Association)

Best Actress (Noémie Merlant): 0/1 (Greater Western New York Film Critics Association)

Best Original Screenplay (Céline Sciamma): 0/4 (Greater Western New York Film Critics Association, Florida Film Critics Circle, Chicago Indie Critics, GALECA Dorian Awards)

Best Cinematography (Claire Mathon): 5/13 (NEW YORK FILM CRITICS CIRCLE, LOS ANGELES FILM CRITICS ASSOCIATION, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, GREATER WESTERN NEW YORK FILM CRITICS ASSOCIATION, Alliance of Women Film Journalists, Online Association of Female Film Critics, Florida Film Critics Circle, BOSTON SOCIETY OF FILM CRITICS, Online Film Critics Society, Georgia Film Critics Association, NATIONAL SOCIETY OF FILM CRITICS)

Best Costume Design (Dorothée Guiraud): 0/1 (Chicago Film Critics Association)

Best International Feature Film (France, ineligible): 2/33 (Film Independent Spirit Awards, Hollywood Critics Association, Satellite Awards, National Board of Review, NEW YORK FILM CRITICS ONLINE, San Diego Film Critics Society, Critics' Choice Awards, Los Angeles Film Critics Association, Philadelphia Film Critics Circle, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Golden Globes, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Indiana Film Journalists Association, Greater Western New York Film Critics Association, Alliance of Women Film Journalists, Utah Film Critics Association, Music City Film Critics’ Association, FLORIDA FILM CRITICS CIRCLE, Boston Society of Film Critics, Kansas City Film Critics Circle, Online Film Critics Society, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, BAFTA Awards, Denver Film Critics Society)

Best Picture (Robert Eggers, Youree Henley, Lourenço Sant' Anna, Rodrigo Teixeira, Jay Van Hoy): 0/5 (Satellite Awards, Seattle Film Critics Society, Indiana Film Journalists Association, Greater Western New York Film Critics Association, Las Vegas Film Critics Society)

Best Director (Robert Eggers): 0/2 (Film Independent Spirit Awards, Seattle Film Critics Society)

Best Actor (Robert Pattinson): 0/3 (Film Independent Spirit Awards, Detroit Film Critics Society, Columbus Film Critics Association)

Best Supporting Actor (Willem Dafoe): 4/22 (Gotham Awards, Film Independent Spirit Awards, Satellite Awards, Detroit Film Critics Society, San Diego Film Critics Society, Critics' Choice Awards, SEATTLE FILM CRITICS SOCIETY, Phoenix Critics Circle, San Francisco Bay Area Film Critics Circle, INDIANA FILM JOURNALISTS ASSOCIATION, Greater Western New York Film Critics Association, LAS VEGAS FILM CRITICS SOCIETY, Houston Film Critics Society, Alliance of Women Film Journalists, Utah Film Critics Association, Online Association of Female Film Critics, Oklahoma Film Critics Circle, Online Film Critics Society, North Carolina Film Critics Association, COLUMBUS FILM CRITICS ASSOCIATION, Austin Film Critics Association, Georgia Film Critics Association)

Best Original Screenplay (Robert Eggers, Max Eggers): 0/2 (Detroit Film Critics Society, Indiana Film Journalists Association)

Best Production Design (Craig Lathrop): 0/1 (Georgia Film Critics Association)

Best Cinematography (Jarin Blaschke): 2/24 (Film Independent Spirit Awards, Hollywood Critics Association, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, PHILADELPHIA FILM CRITICS CIRCLE, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, Alliance of Women Film Journalists, Utah Film Critics Association, North Texas Film Critics Association, Online Association of Female Film Critics, Music City Film Critics’ Association, Online Film Critics Society, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, BAFTA Awards)

Best Film Editing (Louise Ford): 0/1 (Film Independent Spirit Awards)

Best Picture (Jonathan Eirich, Dan Lin, Tracey Seaward): 0/5 (Satellite Awards, New York Film Critics Online, St. Louis Film Critics Association, Golden Globes, Phoenix Film Critics Society)

Best Actor (Jonathan Pryce): 0/4 (St. Louis Film Critics Association, Women Film Critics Circle, Golden Globes, BAFTA Awards)

Best Supporting Actor (Anthony Hopkins): 0/7 (Satellite Awards, Critics' Choice Awards, St. Louis Film Critics Association, Golden Globes, Houston Film Critics Society, Florida Film Critics Circle, BAFTA Awards)

Best Adapted Screenplay (Anthony McCarten): 2/13 (HOLLYWOOD FILM AWARDS, Hollywood Critics Association, Satellite Awards, Critics' Choice Awards, St. Louis Film Critics Association, Golden Globes, USC Scripter Awards, LAS VEGAS FILM CRITICS SOCIETY, Online Association of Female Film Critics, Florida Film Critics Circle, North Carolina Film Critics Association, Chicago Indie Critics, BAFTA Awards)

Best Production Design (Mark Tildesley): 0/1 (Satellite Awards)

Best Costume Design (Luke Canfora): 0/1 (Satellite Awards)

Best Picture (James Wilson, Kevin Turen, Trey Edward Shults): 0/5 (Gotham Awards, Hollywood Critics Association, National Board of Review, St. Louis Film Critics Association, African American Film Critics Association)

Best Supporting Actor (Sterling K. Brown): 0/2 (Hollywood Critics Association, Online Association of Female Film Critics)

Best Supporting Actress (Taylor Russell): 0/4 (Film Independent Spirit Awards, Hollywood Critics Association, Seattle Film Critics Society, Indiana Film Journalists Association)

Best Cinematography (Drew Daniel): 0/2 (Hollywood Critics Association, Washington DC Area Film Critics Association)

Best Original Score (Trent Reznor, Atticus Ross, ineligible): 0/2 (Hollywood Critics Association, Austin Film Critics Association)

Best Picture (John Davis, John Fox, Eddie Murphy): 0/4 (National Board of Review, St. Louis Film Critics Association, Golden Globes, African American Film Critics Association)

Best Actor (Eddie Murphy): 1/16 (Hollywood Critics Association, Satellite Awards, San Diego Film Critics Society, Critics' Choice Awards, Philadelphia Film Critics Circle, St. Louis Film Critics Association, Golden Globes, AFRICAN AMERICAN FILM CRITICS ASSOCIATION, Phoenix Critics Circle, Houston Film Critics Society, Alliance of Women Film Journalists, Music City Film Critics’ Association, Kansas City Film Critics Circle, North Carolina Film Critics Association, Chicago Indie Critics, Austin Film Critics Association)

Best Supporting Actor (Wesley Snipes): 0/4 (Detroit Film Critics Society, San Diego Film Critics Society, St. Louis Film Critics Association, National Society of Film Critics)

Best Supporting Actress (Da'Vine Joy Randolph): 2/2 (AFRICAN AMERICAN FILM CRITICS ASSOCIATION, KANSAS CITY FILM CRITICS CIRCLE)

Best Production Design (Clay A. Griffith): 0/1 (San Diego Film Critics Society)

Best Costume Design (Ruth E. Carter): 4/9 (Hollywood Critics Association, Satellite Awards, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, SEATTLE FILM CRITICS SOCIETY, Costume Designers Guild, Chicago Film Critics Association, LAS VEGAS FILM CRITICS SOCIETY, CHICAGO INDIE CRITICS)

Best Film Editing (Billy Fox): 0/1 (ACE Eddie Awards)

Best Makeup and Hairstyling: 0/3 (Make-up Artists and Hair Stylists Guild, Critics' Choice Awards, Chicago Indie Critics)

Best Picture (Jessica Elbaum, Elaine Goldsmith-Thomas, Jennifer Lopez, Benny Medina, Will Ferrell, Adam McKay): 0/4 (Gotham Awards, Satellite Awards, New York Film Critics Online, GALECA Dorian Awards)

Best Director (Lorene Scafaria): 0/2 (Film Independent Spirit Awards, Hollywood Critics Association)

Best Actress (Constance Wu): 0/1 (Satellite Awards)

Best Supporting Actress (Jennifer Lopez): 12/30 (Film Independent Spirit Awards, HOLLYWOOD CRITICS ASSOCIATION, Satellite Awards, Critics' Choice Awards, LOS ANGELES FILM CRITICS ASSOCIATION, Philadelphia Film Critics Circle, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, Golden Globes, SEATTLE FILM CRITICS SOCIETY, Screen Actors Guild Awards, Phoenix Critics Circle, Chicago Film Critics Association, SAN FRANCISCO BAY AREA FILM CRITICS CIRCLE, INDIANA FILM JOURNALISTS ASSOCIATION, Greater Western New York Film Critics Association, Alliance of Women Film Journalists, ONLINE ASSOCIATION OF FEMALE FILM CRITICS, Music City Film Critics’ Association, Florida Film Critics Circle, NEVADA FILM CRITICS SOCIETY, OKLAHOMA FILM CRITICS CIRCLE, ONLINE FILM CRITICS SOCIETY, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, AUSTIN FILM CRITICS ASSOCIATION, Georgia Film Critics Association, GALECA DORIAN AWARDS, National Society of Film Critics, Denver Film Critics Society)

Best Adapted Screenplay (Lorene Scafaria): 0/9 (Hollywood Critics Association, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Alliance of Women Film Journalists, Online Association of Female Film Critics, Online Film Critics Society, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association)

Best Cinematography (Todd Banhazl): 0/1 (Film Independent Spirit Awards)

Best Costume Design (Mitchell Travers): 0/1 (Costume Designers Guild)

Best Makeup and Hairstyling (ineligible): 0/1 (Make-up Artists and Hair Stylists Guild)

Best Picture (Jason Blum, Ian Cooper, Sean McKittrick, Jordan Peele): 1/3 (AFRICAN AMERICAN FILM CRITICS ASSOCIATION, Boston Online Film Critics Association, Online Film Critics Society)

Best Director (Jordan Peele): 1/1 (AFRICAN AMERICAN FILM CRITICS ASSOCIATION)

Best Actress (Lupita Nyong'o): 24/36 (HOLLYWOOD CRITICS ASSOCIATION, NEW YORK FILM CRITICS CIRCLE, NEW YORK FILM CRITICS ONLINE, Detroit Film Critics Society, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, Los Angeles Film Critics Association, PHILADELPHIA FILM CRITICS CIRCLE, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, WOMEN FILM CRITICS CIRCLE, SEATTLE FILM CRITICS SOCIETY, AFRICAN AMERICAN FILM CRITICS ASSOCIATION, Screen Actors Guild Awards, PHOENIX CRITICS CIRCLE, CHICAGO FILM CRITICS ASSOCIATION, SAN FRANCISCO BAY AREA FILM CRITICS CIRCLE, INDIANA FILM JOURNALISTS ASSOCIATION, Greater Western New York Film Critics Association, Houston Film Critics Society, ALLIANCE OF WOMEN FILM JOURNALISTS, Utah Film Critics Association, North Texas Film Critics Association, ONLINE ASSOCIATION OF FEMALE FILM CRITICS, MUSIC CITY FILM CRITICS' ASSOCIATION, BOSTON ONLINE FILM CRITICS ASSOCIATION, KANSAS CITY FILM CRITICS CIRCLE, OKLAHOMA FILM CRITICS CIRCLE, ONLINE FILM CRITICS SOCIETY, Southeastern Film Critics Association, NORTH CAROLINA FILM CRITICS ASSOCIATION, CHICAGO INDIE CRITICS, COLUMBUS FILM CRITICS ASSOCIATION, AUSTIN FILM CRITICS ASSOCIATION, Georgia Film Critics Association, GALECA Dorian Awards, Denver Film Critics Society)

Best Original Screenplay (Jordan Peele): 0/3 (Washington DC Area Film Critics Association, Online Film Critics Society, Austin Film Critics Association)

Best Production Design (Ruth De Jong): 0/1 (Art Directors Guild)

Best Makeup and Hairstyling (ineligible): 0/2 (Make-up Artists and Hair Stylists Guild, Chicago Indie Critics)

Best Original Score (Michael Abels): 5/16 (Hollywood Critics Association, Critics' Choice Awards, WASHINGTON DC AREA FILM CRITICS ASSOCIATION, Seattle Film Critics Society, Phoenix Critics Circle, Chicago Film Critics Association, INDIANA FILM JOURNALISTS ASSOCIATION, Greater Western New York Film Critics Association, Houston Film Critics Society, Music City Film Critics’ Association, ONLINE FILM CRITICS SOCIETY, North Carolina Film Critics Association, CHICAGO INDIE CRITICS, COLUMBUS FILM CRITICS ASSOCIATION, Austin Film Critics Association, Georgia Film Critics Association)

Best Picture (Youree Henley, Leah Holzer, Peter Saraf, Marc Turtletaub): 0/3 (Indiana Film Journalists Association, Las Vegas Film Critics Society, North Texas Film Critics Association)

Best Supporting Actor (Tom Hanks): 1/21 (Hollywood Critics Association, Satellite Awards, Detroit Film Critics Society, Critics' Choice Awards, Washington DC Area Film Critics Association, Women Film Critics Circle, Golden Globes, Seattle Film Critics Society, Screen Actors Guild Awards, Phoenix Critics Circle, Chicago Film Critics Association, Alliance of Women Film Journalists, NORTH TEXAS FILM CRITICS ASSOCIATION, Florida Film Critics Circle, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, BAFTA Awards, Denver Film Critics Society)

Best Adapted Screenplay (Noah Harpster, Micah Fitzerman-Blue): 0/14 (Critics' Choice Awards, Washington DC Area Film Critics Association, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Indiana Film Journalists Association, Greater Western New York Film Critics Association, Alliance of Women Film Journalists, Florida Film Critics Circle, Online Film Critics Society, North Carolina Film Critics Association, Columbus Film Critics Association, Austin Film Critics Association, Writers Guild of America, Denver Film Critics Society)

Best Production Design (Jade Healy): 0/1 (Art Directors Guild)

Best Costume Design (Arjun Bhasin): 0/1 (Costume Designers Guild)

Best Picture (Chelsea Barnard, David Distenfeld, Jessica Elbaum, Megan Ellison, Katie Silberman): 0/3 (Hollywood Critics Association, Indiana Film Journalists Association, Chicago Indie Critics)

Best Director (Olivia Wilde): 1/1 (HOLLYWOOD CRITICS ASSOCIATION)

Best Actress (Beanie Feldstein): 0/1 (Golden Globes)

Best Original Screenplay (Emily Halpern, Sarah Haskins, Susanna Fogel, Katie Silberman): 0/4 (Hollywood Critics Association, St. Louis Film Critics Association, Writers Guild of America, BAFTA Awards)

Best Picture (Jennifer Davisson, Leonardo DiCaprio, Clint Eastwood, Jonah Hill, Jessica Meier, Kevin Misher, Tim Moore): 1/2 (National Board of Review, AFI AWARDS)

Best Actor (Paul Walter Hauser): 0/1 (Women Film Critics Circle)

Best Supporting Actor (Sam Rockwell): 0/1 (Detroit Film Critics Society)

Best Supporting Actress (Kathy Bates): 1/6 (NATIONAL BOARD OF REVIEW, Detroit Film Critics Society, Golden Globes, Houston Film Critics Society, North Texas Film Critics Association, Georgia Film Critics Association)

Best Picture (Dede Gardner, James Gray, Anthony Katagas, Jeremy Kleiner, Rodrigo Teixeira): 0/2 (Greater Western New York Film Critics Association, Florida Film Critics Circle)

Best Director (James Gray): 0/1 (Greater Western New York Film Critics Association)

Best Actor (Brad Pitt): 0/1 (Greater Western New York Film Critics Association)

Best Production Design (Kevin Thompson): 0/3 (Art Directors Guild, Florida Film Critics Circle, Chicago Indie Critics)

Best Cinematography (Hoyte Van Hoytema): 0/10 (San Diego Film Critics Society, Greater Western New York Film Critics Association, North Texas Film Critics Association, Online Association of Female Film Critics, Florida Film Critics Circle, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association)

Best Original Score (Max Richter, ineligible): 0/3 (St. Louis Film Critics Association, Greater Western New York Film Critics Association, Florida Film Critics Circle)

Best Visual Effects (ineligible): 4/11 (Hollywood Critics Association, SAN DIEGO FILM CRITICS SOCIETY, Critics' Choice Awards, St. Louis Film Critics Association, SEATTLE FILM CRITICS SOCIETY, CHICAGO FILM CRITICS ASSOCIATION, Houston Film Critics Society, Florida Film Critics Circle, ONLINE FILM CRITICS SOCIETY, North Carolina Film Critics Association, Chicago Indie Critics)

Best Picture (Elisabeth Bentley, Dario Bergesio, Grant Hill, Josh Jeter): 0/2 (Film Independent Spirit Awards, Georgia Film Critics Association)

Best Adapted Screenplay (Terrence Malick): 0/2 (Florida Film Critics Circle, Denver Film Critics Society)

Best Cinematography (Jorg Widmer): 0/5 (Phoenix Critics Circle, San Francisco Bay Area Film Critics Circle, Alliance of Women Film Journalists, Florida Film Critics Circle, Georgia Film Critics Association)

Best Picture (Kevin Feige): 0/2 (Phoenix Film Critics Society, Oklahoma Film Critics Circle)

Best Production Design (Charles Wood): 0/1 (Art Directors Guild)

Best Costume Design (Judianna Makovsky): 0/1 (Costume Designers Guild)

Best Makeup and Hairstyling (ineligible): 0/1 (Make-up Artists and Hair Stylists Guild)

Best Original Score (Alan Silvestri): 0/2 (St. Louis Film Critics Association, Chicago Indie Critics)

Best Sound (either/or): 0/1 (Satellite Awards)

Best Visual Effects: 6/16 (HOLLYWOOD CRITICS ASSOCIATION, Satellite Awards, San Diego Film Critics Society, Critics' Choice Awards, ST. LOUIS FILM CRITICS ASSOCIATION, Seattle Film Critics Society, Chicago Film Critics Association, PHOENIX FILM CRITICS SOCIETY, LAS VEGAS FILM CRITICS SOCIETY, Houston Film Critics Society, Florida Film Critics Circle, NEVADA FILM CRITICS SOCIETY, NORTH CAROLINA FILM CRITICS ASSOCIATION, Chicago Indie Critics, BAFTA Awards, Denver Film Critics Society)

Best Picture (Timur Bekbosunov, Julian Cautherley, Bronwyn Cornelius, Peter Wong): 0/2 (Film Independent Spirit Awards, African American Film Critics Association)

Best Actress (Alfre Woodard): 0/5 (Gotham Awards, Film Independent Spirit Awards, Satellite Awards, San Francisco Bay Area Film Critics Circle, GALECA Dorian Awards)

Best Supporting Actor (Aldis Hodge): 0/1 (Gotham Awards)

Best Original Screenplay (Chinonye Chukwu): 0/1 (Film Independent Spirit Awards)

Best Picture (Patrik Andersson, Lars Knudsen): 0/2 (Greater Western New York Film Critics Association, Oklahoma Film Critics Circle)

Best Actress (Florence Pugh): 0/7 (Gotham Awards, Women Film Critics Circle, Florida Film Critics Circle, Online Film Critics Society, Chicago Indie Critics, Columbus Film Critics Association, National Society of Film Critics)

Best Original Screenplay (Ari Aster): 0/1 (Gotham Awards)

Best Production Design (Henrik Svenson): 0/1 (San Francisco Bay Area Film Critics Circle)

Best Cinematography (Pawel Pogorzelski): 0/2 (Film Independent Spirit Awards, Columbus Film Critics Association)

Best Costume Design (Andrea Flesch): 0/1 (Chicago Indie Critics)

Best Visual Effects (ineligible): 0/1 (Chicago Film Critics Association)

Best Picture (Agustín Almodóvar, Ricardo Marco Budé, Esther García, Ignacio Salazar-Simpson): 0/2 (Atlanta Film Critics Circle, GALECA Dorian Awards)

Best Director (Pedro Almodóvar): 0/2 (Satellite Awards, GALECA Dorian Awards)

Best Actor (Antonio Banderas): 6/20 (HOLLYWOOD FILM AWARDS, Satellite Awards, NEW YORK FILM CRITICS CIRCLE, Critics' Choice Awards, LOS ANGELES FILM CRITICS ASSOCIATION, Women Film Critics Circle, Golden Globes, Seattle Film Critics Society, Chicago Film Critics Association, SAN FRANCISCO BAY AREA FILM CRITICS CIRCLE, Greater Western New York Film Critics Association, Alliance of Women Film Journalists, Florida Film Critics Circle, Online Film Critics Society, Chicago Indie Critics, Austin Film Critics Association, Georgia Film Critics Association, GALECA DORIAN AWARDS, NATIONAL SOCIETY OF FILM CRITICS, Denver Film Critics Society)

Best Supporting Actress (Penelope Cruz): 0/1 (Satellite Awards)

Best Original Screenplay (Pedro Almodóvar): 0/1 (Satellite Awards)

Best International Feature Film (Spain): 1/28 (Hollywood Critics Association, Satellite Awards, National Board of Review, San Diego Film Critics Society, Critics' Choice Awards, LOS ANGELES FILM CRITICS ASSOCIATION, St. Louis Film Critics Association, Washington DC Area Film Critics Association, Golden Globes, Seattle Film Critics Society, Chicago Film Critics Association, San Francisco Bay Area Film Critics Circle, Greater Western New York Film Critics Association, Houston Film Critics Society, Alliance of Women Film Journalists, North Texas Film Critics Association, Music City Film Critics’ Association, Florida Film Critics Circle, Online Film Critics Society, Southeastern Film Critics Association, North Carolina Film Critics Association, Chicago Indie Critics, Columbus Film Critics Association, Austin Film Critics Association, Georgia Film Critics Association, GALECA Dorian Awards, BAFTA Awards, Denver Film Critics Society)

Best Picture (Adam Bohling, David Furnish, David Reid, Matthew Vaughn): 0/2 (Satellite Awards, Golden Globes)

Best Actor (Taron Egerton): 1/10 (Hollywood Critics Association, Satellite Awards, Women Film Critics Circle, GOLDEN GLOBES, Screen Actors Guild Awards, Online Association of Female Film Critics, Music City Film Critics’ Association, Florida Film Critics Circle, GALECA Dorian Awards, BAFTA Awards)

Best Cinematography (George Richmond): 0/1 (Satellite Awards)

Best Costume Design (Julian Day): 2/8 (HOLLYWOOD CRITICS ASSOCIATION, Satellite Awards, San Diego Film Critics Society, Critics' Choice Awards, Seattle Film Critics Society, Costume Designers Guild, Chicago Film Critics Association, PHOENIX FILM CRITICS SOCIETY)

Best Film Editing (Chris Dickens): 0/1 (Satellite Awards)

Best Makeup and Hairstyling: 1/5 (Make-up Artists and Hair Stylists Guild, HOLLYWOOD FILM AWARDS, Hollywood Critics Association, Critics' Choice Awards, BAFTA Awards)

Best Original Song ("(I'm Gonna) Love Me Again"): 2/8 (Hollywood Critics Association, Satellite Awards, Critics' Choice Awards, GOLDEN GLOBES, Houston Film Critics Society, MUSIC CITY FILM CRITICS' ASSOCIATION, Georgia Film Critics Association, Denver Film Critics Society)

Best Sound (either/or): 0/3 (Satellite Awards, Cinema Audio Society, BAFTA Awards)

Best Picture (Judith Lou Lévy, Eve Robin): 0/1 (African American Film Critics Association)

Best Cinematography (Claire Mathon): 1/1 (LOS ANGELES FILM CRITICS ASSOCIATION)

Best International Feature Film (Senegal): 0/13 (Satellite Awards, National Board of Review, Critics' Choice Awards, Washington DC Area Film Critics Association, Phoenix Critics Circle, Houston Film Critics Society, Alliance of Women Film Journalists, Music City Film Critics’ Association, Online Film Critics Society, North Carolina Film Critics Association, Columbus Film Critics Association, Austin Film Critics Association, GALECA Dorian Awards)