Best Performances Since 2015 That Should Have Been Nominated for an Oscar

for Parasite

for Parasite

for The Irishman

for Uncut Gems and The Meyerowitz Stories (New and Selected

for The Farewell

for Once Upon a Time in Hollywood

for The Lighthouse

for The Lighthouse and Good Time

for Knives Out

for Knives Out

for Us

for Waves

for Hustlers

for 1917

for The Rider

for The Favourite

for Eighth Grade

for Eighth Grade

for The Death of Stalin

for Leave No Trace

for Leave No Trace

for If Beale Street Could Talk

for Hereditary

for Hereditary

for First Reformed and Maggie's Plan

for You Were Never Really Here

for Widows

for First Man

for First Man

for Private Life

for Private Life

for Blackkklansman

for A Quiet Place

for Mandy

for Sorry to Bother You

for The Old Man & the Gun

for Blindspotting

for Dunkirk

for Call Me by Your Name

for The Florida Project

for The Big Sick

for The Big Sick

for Baby Driver

for Mudbound

for Mudbound

for Mudbound

for Get Out

for Get Out

for Good Time

for Good Time

for Lucky

for It Comes at Night, Loving and The Gift

for It Comes at Night

for The Lost City of Z

for Moonlight

for Moonlight

for Moonlight

for Manchester by the Sea

for Paterson and While We're Young

for Love & Friendship

for The Witch

for The Witch

for 20th Century Women

for Don't Think Twice

for Don't Think Twice

for The Lobster

for The Lobster

for The Lobster

for Arrival

for Hunt for the Wilderpeople

for Hunt for the Wilderpeople

for A War

for A War

for Green Room

for American Honey

for American Honey, Honey Boy and The Peanut Butter Falcon

for American Honey

for Sing Street

for I, Daniel Blake

for I, Daniel Blake

for The Edge of Seventeen

for Maggie's Plan

for 45 Years

for Son of Saul

for Mad Max: Fury Road

for Brooklyn

for Brooklyn

for Room

for Room

for Tangerine

for Tangerine

for '71

for James White

for James White

for It Follows

for Creed

for The End of the Tour

for Sicario

for The Big Short

for The Martian