Production Details on a Select Few Live-Action Netflix Original Films (Part II)
by souzachristopher | created - 07 Jul 2021 | updated - 3 weeks ago | PublicContinued from Part I: https://www.imdb.com/list/ls500100552/ (Ctrl+C)
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1. The Ice Road (2021)
PG-13 | 109 min | Action, Adventure, Thriller
After a remote diamond mine collapses in far northern Canada, a 'big-rig' ice road driver must lead an impossible rescue mission over a frozen lake to save the trapped miners.
Director: Jonathan Hensleigh | Stars: Liam Neeson, Marcus Thomas, Laurence Fishburne, Amber Midthunder
Votes: 47,575
Director: Jonathan Hensleigh Composer: Max Aruj Film Editor: Douglas Crise ACE Production Designer: Arvinder Greywal Cinematographer: Tom Stern ASC AFC Cinematographer (2nd Unit): Marcus James Costume Designer: Heather Neale Stunt Coordinator/2nd Unit Director: Rick Skene Production Visual Effects Supervisor: Tristan Zerafa A-Camera Operator: Len Peterson B-Camera Operator: Jason Heke Colorist: Sebastian Perez-Burchard Camera: Alexa Mini LF (4.5K ARRIRAW) Lenses: Arri Master Anamorphic Primes AR: 2.39:1 (Anamorphic) Attribute: Camera Equipment Provided by Arri Rental
2. Fear Street: Part One - 1994 (2021)
R | 107 min | Drama, Horror, Mystery
A circle of teenage friends accidentally encounter the ancient evil responsible for a series of brutal murders that have plagued their town for over 300 years. Welcome to Shadyside.
Director: Leigh Janiak | Stars: Kiana Madeira, Olivia Scott Welch, Benjamin Flores Jr., Julia Rehwald
Votes: 93,998
Director: Leigh Janiak Composers: Marco Beltrami, Anna Drubich, Marcus Trumpp Cinematographer: Caleb Heymann Supervising Film Editor: Alan Edward Bell ACE Film Editor: Rachel Goodlett Katz ACE Add'l Film Editor: John Axelrad ACE Production Designer: Scott Duzio Costume Designer: Amanda Ford Senior SFX Coordinator: Jeffery D. Woodrel On-Set SFX Supervisor: Durk Tyndall Senior VFX Supervisor: Paul Glass VFX Supervisors: François Dumoulin, Thomas Hullin Executive VFX Supervisor: Sébastien Moreau Crafty Apes VFX Supervisors: Steve DiNozzi, Chris LeDoux Crafty Apes VFX Plate Supervisor: Nicholas Johnson Senior VFX Producer: Christina Graff VFX Producers: Beth Howe, Melanie La Rue Executive VFX Producer: Chad Nixon Crafty Apes VFX Producer: Wes Dorough VFX Production Manager: Josh Carlton Stunt Coordinators: Alan D'Antoni, Lex D. Geddings A-Camera/Steadicam Operator: Nick Müller B-Camera/Steadicam Operator: Jeff Crumbley SOC Add'l B-Camera Operator: Brandon Thompson Drone Unit Camera Operator: Scott Montgomery Additional DP: Joe D'Alessandro Senior Finishing Colorist: Skip Kimball Finishing Producer: Hershel Cohen Finishing Editor: Ray Ruotolo Company 3 CEO: Stefan Sonnenfeld ASC Picture Car Coordinator: Justin Barnes Filming Dates: 11 March 2019 - 1 September 2019 (Shot back-to-back with Parts II & III) Camera: Alexa Mini (3.4K ARRIRAW) Lenses: Panavision T-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Color & Finish Provided by: Company 3 Attribute: Filmed in Panavision
3. Fear Street: Part Two - 1978 (2021)
R | 109 min | Drama, Horror, Mystery
Shadyside, 1978. School's out for summer and the activities at Camp Nightwing are about to begin. But when another Shadysider is possessed with the urge to kill, the fun in the sun becomes a gruesome fight for survival.
Director: Leigh Janiak | Stars: Sadie Sink, Emily Rudd, Ryan Simpkins, McCabe Slye
Votes: 76,081
Director: Leigh Janiak Composers: Marco Beltrami, Brandon Roberts Add'l Composer: Marcus Trumpp Scoring Consultant: Celeste Chada Cinematographer: Caleb Heymann Supervising Film Editor: Alan Edward Bell ACE Film Editor: Rachel Goodlett Katz ACE Add'l Film Editor: John Axelrad ACE Production Designer: Scott Kuzio Costume Designer: Amanda Ford VFX Consultant: Rainer Gombos Senior VFX Supervisor: Paul Graff Unit Production Manger: Timothy M. Bourne 1st Assistant Director: Doug Torres 2nsd Assistant Director: Megan Schmidt 2nd 2nd Ass't Director: Katye Kalivoda Add'l 2nd Ass't Director: Wendy Geary Associate Producer: Heath M. Howard Senior VFX Producer: Christina Graff Stunt Coordinator: Alan D'Antoni Stunts: Abigail D'Antobni, Ella D'Antoni, Dave Macomber Art Director: Sean Brennan Senior Concept Illustrator: Michael Maher Jr Set Decorator: Jess Royal A-Camera/Steadicam Operator: Nick Müller B-Camera Operator: Jeff Crumbley SOC B-Camera/Steadicam Operator: Brandon Thompson Add'l Camera Operator: Joseph D'Alessandro Senior SFX Supervisor: JD Schwalm Senior SFX Coordinator: Jeffrey D. Woodrel Transportation Consultant: Edward O'Donnell Head of Music Preparation/Score Orchestrator: Mark Graham Senior Finishing Colorist: Skip Kimball Finishing Producer: Hershel Cohen Finishing Editor: Ray Ruotolo Company 3 CEO: Stefan Sonnenfeld ASC VFX Producers: Tom Ford, Beth Howe Senior VFX Production Managers: Josh Carlton, Matthew Silver Schitkovics Senior VFX Coordinator; Alexa Furr VFX Supervisor (In House VFX Team): John Weckworth Senior Compositors (In House VFX Team): Caitlin V. Content, Joy Tiernan, Stephen Morton NetFX VFX Supervisor: Jiwoong Kim NetFX VFX Producer: Joyce Au NetFX VFX Executive Producer: Rebecca West Crafty Apes VFX Supervisor: Steve Dinozzi Crafty Apes VFX Producer: Wes Dorough Crafty Apes VFX Executive Producer: Chris LeDoux BotVFX Supervisor: Sean Pollack Bot VFX Producer: Hetal Jain Bot VFX Associate Producer: Swetha Madapuri Bot Roto Prep VFX Supervisor: Balaji Parthiban Bot Prep VFX Supervisor: Sasi Kumar Bot Roto VFX Supervisor: Suresh Manickam Rodeo VFX Supervisor: Francois Dumoulin Rodeo Executive VFX Supervisor: Sebastien Moreau Rodeo VFX Producer: Melanie La Rue Rodeo Executive VFX Producer: Chad Nixon Mels VFX Supervisor: Jonathan Piche-Delorme Mels VFX Producer: Cynthia Mourou Picture Cars Consultant: Cyril O'Neil Filming Dates: 11 March 2019 - 1 September 2019 (Shot back-to-back with Parts I & III) Camera: Alexa Mini (3.4K ARRIRAW) Lenses: Panavision T-Series Anamorphic Primes, H-Series Spherical Primes & Panaspeed Spherical Primes AR: 2.39:1 (Anamorphic)(Super 35mm: Some Scenes) Color & Finish Provided by: Company 3 Score Recorded at: Abbey Road Studios London Attribute: Filmed in Panavision
4. Gunpowder Milkshake (2021)
R | 114 min | Action, Crime, Thriller
Three generations of women fight back against those who could take everything from them.
Director: Navot Papushado | Stars: Karen Gillan, Lena Headey, Carla Gugino, Michelle Yeoh
Votes: 51,012
Director: Navot Papushado Composer/Score Producer: Haim Frank Ilfman Music Consultants: Acme Music, Nick Angel Cinematographer: Michael Seresin BSC Film Editor: Nicolas De Toth ACE Production Designer: David Scheunemann Supervising Art Director: Wolfgang Metschan Costume Designer: Louise Frogley Unit Production Manager: Michael Schwarz 1st Assistant Director: Ali Cherkaoui Co-Producer: Rachel Henochsberg Senior SFX Supervisor: Uli Nefzer Ass't SFX Supervisor: Jonathan Martin On-Set SFX Supervisor: Jens Schmiedel Title Designer: Matt Curtis Senior VFX Supervisor: Marc Jouveneau Rise VFX Supervisor: Benjamin Burr Senior VFX Producer: Steffen Hagen Rise VFX Producer: Viktoria Rucker Rise VFX Executive Producer: Robert Pinnow Weapon Supervisor: Adolf Wojtinek Weapons Coordinator: Dana Cafahi Supervising Stunt Coordinator/Fight Choreographer: Laurent Demianoff Ass't Fight Choreographer: Sebastien Peres Stunt Coordinator: Volkhart Buff Ass't Stunt Coordinator: Lee Huang Camera Operators: Adrian Cranage, Johannes Heine, Ernest Wilczynski A-Camera Operator: Sebastian Meuschel Splinter Unit Camera Operator/Director of Photography: Leah Striker Drone Unit Camera Operator: Martin Rinderknecht Add'l Film Editors: Jonathan Amos ACE, Kayla Emter Colorist: Vanessa Taylor Picture Vehicle Coordinator: Alexander Stolle Filming Dates: 5 June 2019 - 20 August 2019 Cameras: Alexa LF & Mini LF (4.5K ARRIRAW) Lenses: Arri Signature Primes & Leitz Thalia Primes AR: 2.39:1 (4-Perf Super 35mm) Visual Effects Provided by: Rise Visual Effects Studios Score Recorded & Mixed at: Abbey Road Studios Attribute: Camera Equipment Provided by Arri Rental
5. Fear Street: Part Three - 1666 (2021)
R | 114 min | Horror, Mystery
The origins of Sarah Fier's curse are finally revealed as history comes full circle on a night that changes the lives of Shadysiders forever.
Director: Leigh Janiak | Stars: Kiana Madeira, Ashley Zukerman, Gillian Jacobs, Olivia Scott Welch
Votes: 63,352
Director: Leigh Janiak Composers: Marco Beltrami, Anna Drubich Add'l Composers: Marcus Trumpp, Brandon Roberts Score Consultant: Celeste Chada Cinematographer: Caleb Heymann Supervising Film Editor: Alan Edward Bell ACE Film Editor: Rachel Goodlett Katz ACE Add'l Film Editor: John Axelrad ACE Production Designer: Scott Kuzio Costume Designer: Amanda Ford VFX Consultant: Rainer Gombos Lead VFX Designer: Andrew Hawryluk VFX Designer/Concept Artist: John Chalfant Senior VFX Supervisor: Paul Graff Co-Producer/Post-Production Supervisor: Jeffrey Harlacker Unit Production Manager: Timothy M. Bourne Co-Producer/1st Assistant Director: Doug Torres 2nd Assistant Director: Megan Schmidt 2nd 2nd Ass't Director: Kayte Kalivoda Associate Producer/Production Supervisor: Heath M. Howard Senior VFX Producer: Christina Graff Stunt Coordinator: Alan D'Antoni Art Director: Sean Brennan Ass't Art Director: John Snow Set Decorator: Jess Royal A-Camera/Steadicam Operator: Nick Müller B-Camera Operator: Jeff Crumbley SOC C-Camera/Steadicam Operator: Brandon Thompson 2nd Unit Camera Operators: Billy O'Drobinak, Stewart Smith Senior SFX Supervisor: JD Schwalm Mechanical SFX Supervisor: Nicholas Byrd Senior SFX Coordinator: Jeffrey Woodrel Transportation Consultant: Edward O'Donnell Picture Car Consultant: Cyril O'Neil Weather Consultant: Brett Zweiback Head of Music Preparation: Mark Graham Senior Finishing Colorist: Skip Kimball Finishing Producer: Hershel Cohen Finishing Editor: Ray Ruotolo Company 3 CEO: Stefan Sonnenfeld ASC Drone Unit Camera Operator: Scott Montgomery VFX Producers: Beth Howe, Tom Ford VFX Coordinators: Alexa Forr, Chelsea Johnston VFX Unit Production Managers: Josh Carlton, Colleen Murphy, Matthew Silver Schitkowiz In-House VFX Supervisor: John Weckworth NetFX VFX Supervisor: Jiwoong Kim NetFX VFX Producer: Joyce Au NetFX VFX Executive Producer: Rebecca West Crafty Apes VFX Supervisor: Steve Dinozzi Crafty Apes VFX Plate Unit Supervisor: Nicholas Johnson Crafty Apes VFX Producer: Wes Dorough Crafty Apes VFX Executive Producer: Chris LeDoux Bot VFX Supervisor: Sean Pollack Bot VFX CG Supervisor: Persie Erach Jalganowala Bot VFX 3D Supervisor: Bala Morarji TP Bot VFX Roto Prep Supervisor: Balaji Parthiban Bot VFX Prep Supervisor: Sasi Kumar Bot VFX Roto Supervisor: Suresh Manickam Bot VFX Producer: Hetal Jain Bot VFX Associate Producer: Swetha Madapuri Executive in Charge of Visual Effects (Bot VFX): Hitesh Shah Rodeo VFX Supervisors: Francois Dumoulin, Thomas Hullin Rodeo VFX Producer: Melanie La Rue Rodeo Executive VFX Supervisor: Sebastien Moreau Rodeo Executive VFX Producer: Chad Nixon Rodeo Effects Supervisor: Sominik Kirouac Mels VFX Supervisor: Jonathan Piche-Delorme Mels Add'l VFX Supervisor: Alexandre Tremblay Mels VFX Producer: Cynthia Mourou BUF VFX Art Director: Pierre Buffin BUF VFX Supervisor: Natasha Leroux BUF VFX Producer: Philippe Lepine Add'l VFX Illustrator/Concept Artist: Houston Sharp Add'l VFX Concept Artist: Joseph Christopher Pepe VFX Matte Painter: Steven Messing Filming Dates: 11 March 2019 - 1 September 2019 (Shot back-to-back with Parts I & II) Camera: Alexa Mini (3.4K ARRIRAW) Lenses: Panavision T-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Sore Recorded at: Abbey Road Studios & The Church Studios Color & Finish Provided by: Company 3 Attribute: Filmed in Panavision
6. The Last Letter from Your Lover (2021)
TV-MA | 110 min | Drama, Romance
A pair of interwoven stories set in the past and present follow an ambitious journalist determined to solve the mystery of a forbidden love affair at the center of a trove of secret love letters from 1965.
Director: Augustine Frizzell | Stars: Shailene Woodley, Joe Alwyn, Wendy Nottingham, Felicity Jones
Votes: 22,265
Director: Augustine Frizzell Executive Producers: Felicity Jones, Shalaine Woodley, Jojo Meyers Composer: Daniel Hart Cinematographer: George Steel BSC Film Editor: Melanie Oliver Production Designer: James Merifield Costume Designer: Anna Robbins 2nd Unit Director: James M. Johnston Senior SFX Supervisor: Neal Champion Senior VFX Supervisor: Murray Barber Senior VFX Executive Producer: Clare Norman Stunt Coordinator: Neil Finnighan Drone Unit Camera Operator: Alejandro Maestra Picture Car Coordinator: Michael Geary Filming Dates: 1 November 2019 - 15 December 2019 Camera: Red Monstro (8K Redcode RAW) AR: 2.39:1 (Anamorphic)
7. Blood Red Sky (2021)
TV-MA | 121 min | Action, Drama, Horror
A woman with a mysterious illness is forced into action when a group of terrorists attempt to hijack a transatlantic overnight flight.
Director: Peter Thorwarth | Stars: Peri Baumeister, Carl Anton Koch, Alexander Scheer, Kais Setti
Votes: 54,571
Director: Peter Thorwarth Producer/2nd Unit Director: Benjamin Munz Cinematographer: Yoshi Heimrath Cinematographer (Cologne & Airport Unit): Maximilian Hoever Production Designer: Uwe Stanik Film Editor: Knut Hake Costume Designer: Dvoráková Terezie Overall Senior VFX Supervisor: Niels Rinke Composer: Dascha Dauenhauer Stunt Coordinator: Radek Bruna Ass't Stunt Coordinator: Michal Patek Fight Choreographer: Jan Loukota Add'l Camera Operator: Christoph Greiner Steadicam Operator: Daniel Vagenknecht Senior SFX Supervisor: Kamil Jaffar 2nd Unit DPs: Carlo Jelavic, Maher Maleh, Peter Matjasko Germany Unit Set Decorator: Julien Weizenhöfer Scanline VFX Supervisor: Falk Büttner Scanline VFX Associate VFX Supervisors: Jan Krupp, Roland Langschwert, Leonardo Costa Scanline VFX Department Coordinator: Laura Jane Dart Scanline VFX Producer: Katharina Hofmann Scanline VFX Executive Producer: Michel Mielke Scanline VFX Associate VFX Producer: Caro Giessler Camera: Alexa Mini LF (4.5K ARRIRAW) Lenses: Hawk65 Anamorphic Primes & Vantage Nikkor Primes AR: 2.39:1 (Anamorphic)(Super 35mm: Some Scenes) Budget: 17.7 Million USD Visual Effects Provided by: Scanline VFX Attribute: Camera Equipment Provided by Vantage Film
8. Aftermath (IV) (2021)
TV-MA | 114 min | Drama, Horror, Mystery
A young couple struggling to stay together, when they are offered an amazing deal on a home with a questionable past that would normally be beyond their means. In a final attempt to start fresh as a couple they take the deal.
Director: Peter Winther | Stars: Ashley Greene, Shawn Ashmore, Jason Liles, Britt Baron
Votes: 18,814
Director/Story Writer: Peter Winther Producer: Lars P. Winther Cinematographer: Tom Camarda Production Designer: Travis Zariwny Film Editor: Robin Gonsalves Composer: Sacha Chaban Unit Production Manager: Michael D. Jones 1st Assistant Director: Matthew D. Smith Stunt Coordinator: Brett Sheerin 1st Assistant B-Camera: Nick Bianchi Gaffer: Thomas Pugh Senior SFX Supervisor: Chris Bailey VFX Artist: May Satsuki Asai Add'l Film Editor: David Heinz Dailies & Supervising DI Colorist: Jonny Revolt AR: 2.39:1
9. The Kissing Booth 3 (2021)
TV-14 | 112 min | Comedy, Romance
It's the summer before Elle Evans is set to head off to college, and she has a big decision to make.
Director: Vince Marcello | Stars: Joey King, Joel Courtney, Jacob Elordi, Molly Ringwald
Votes: 21,872
Director: Vince Marcello Composer: Patrick Kirst Dance Choreographers: Paul Becker, Tori Caro Costume Designer: Neil McClean Film Editor: Paul Millspaugh ACE Production Designer: Iñigo Navarro Cinematographer: Anastas Michos ASC GSC Executive Producer: Joey King Unit Production Manager: Michele Weisler 1st Assistant Director: Tony McLeod Line Producer: Darren Cameron Stunt Coordinator: Mick 'Stuntie' Milligan On-Set Dance Choreographer: Natalie Fisher Durban Unit Stunt Coordinator: Jako Van Heerden Set Decorator: Lisa Hart A-Camera Operator: Gaopie Kabe B-Camera Operator: Meike Chinnery C-Camera Operator: Akene Farmer-Michos C-Camera Operator/2nd Unit B-Camera Operator: Guy Hodgen Steadicam Operator: Sarel Pretorius Add'l Operators: Philip Francis, Eeb Hajee Senior SFX Supervisor: Andrew Robertson Senior SFX Coordinator: Lee Groenweld Picture Vehicle Coordinator: Jason Furness 2nd Unit Director: Hank Amos 2nd Unit DP: George Amos 2nd Unit Stunt Coordinator: Vernon Willemse 2nd Unit Terra Cam Operator: Stefan Van Zyl LA Unit Stunt Coordinator: James M. Churchman LA Unit A-Camera Operator: Calum McFarlane LA Unit B-Camera Operator: Will Dearborn Mexico Unit Drone DP: Aleph Alighieri Mexico Unit A-Camera Operator: Luis Aldana Mexico Unit B-Camera Operator: Rene Marin SF Unit 1st Ass't Camera: Jeph Folkins 1st Ass't Editor/Add'l Film Editor: Franz Königswieser Senior VFX Producers: Tyler Cordova, Jeff Winkle CoSA VFX Supervisor: Chris Lance CoSA VFX Producer: Jason Spratt Folks Senior VFX Supervisor: Wayne England Folks VFX Producers: Marie-Pierre Boucher, Sarah Wormsbecher NetFX VFX Supervisor: Filip Sustek NetFX VFX Producer: Tara DeSimone Motif Studios VFX Supervisor: Craig Parker Motif Studios VFX Producer: Jacques Bock Wylie Co. Executive VFX Producer: Jake Maymudes Wylie Co. VFX Supervisor: Patrick Heinen Crafty Apes VFX Supervisor: Tim LeDoux Crafty Apes Co-VFX Supervisor: Brandon Nelson Crafty Apes VFX Producer: Molly Pabian Crafty Apes VFX Executive Producer: Jason Sanford Colorist: John Persichetti Senior VFX Executive: Petra Mcelvenny Filming Dates: 1 April 2019 - 17 August 2019 (Shot back-to-back with TKB2) Camera: Millennium DXL2 (6K Redcode RAW) Lenses: Panavision Primo Spherical Primes & PVintage Spherical Primes AR: 2.20:1 (Super 35mm) Attribute: Filmed in Panavision
10. Beckett (2021)
TV-MA | 110 min | Action, Crime, Drama
Following a tragic car accident in Greece, an American tourist finds himself at the center of a dangerous political conspiracy and on the run for his life.
Director: Ferdinando Cito Filomarino | Stars: John David Washington, Boyd Holbrook, Vicky Krieps, Alicia Vikander
Votes: 28,464
Director: Ferdinando Cito Filomarino Composer: Ryuichi Sakamoto Cinematographer: Sayombhu Mukdeeprom Film Editor: Walter Fasano Production Designer: Elliott Hostetter Costume Designer: Giulia Piersanti Senior SFX Supervisor: Adrian Popescu Senior VFX Supervisor: Kev Cahill Crafty Apes VFX Supervisor: Christian Wood Senior VFX Producer: Suzanne C. Robertson On-Set VFX Producer: Virginia Cefaly VFX Executive Producer: Chris LeDoux Weta VFX Producer: Rene Sekula Weta VFX Executive Producer: David Conley Stunt Coordinator: Steve Griffin Stunt Performer/Stunt Coordinator: Babis Hawk Konstantinou Stunt Driver/Stunt Coordinator: Kaloian Vodenicharov Camera Operator: Christos Douros B-Camera Operator: Massimiliano Kuveiller Colorist: Alessandro Pelliccia Cameras: Arricam LT, ST, Arriflex 235, 435 & 535 (35mm Kodak Vision3 500T 5219) Lenses: Cooke S4 Primes & Angenieux Optimo Zooms AR: 1.85:1 (4-Perf Super 35mm) Visual Effects Provided by: Weta Digital
11. Sweet Girl (2021)
R | 110 min | Action, Drama, Thriller
A devastated husband vows to bring justice to the people responsible for his wife's death while protecting the only family he has left: his daughter.
Director: Brian Andrew Mendoza | Stars: Jason Momoa, Isabela Merced, Manuel Garcia-Rulfo, Adria Arjona
Votes: 35,260
Director: Brian Andrew Mendoza Casting: Denise Chamian CSA Co-Producers/Screenwriters: Gregg Hurwitz, Philip Eisner Composer: Steven Price Costume Designers: Michael Ground, Luca Mosca Film Editors: Matt Chesse ACE, Michael McCusker ACE, Brad Besser Production Designer: Andrew Menzies Cinematographer: Barry Ackroyd BSC Cinematographer/A-Camera Operator (LA Add'l Photography Unit): Thomas Scott Stanton Executive Producer/Unit Production Manager: Mark Kamine Producers: Jason Momoa, Brad Peyton 1st Assistant Director: Michele Ziegler 2nd Assistant Director: Xanthus Valan Associate Producer: James Mendoza Stunt Coordinator: Jon Valera Stunt Coordinator (Add'l Photography)/Fight Coordinator: Jeremy Marinas Supervising Art Director: Bryan Felty Senior Graphic Designer: J. Simon Jones Set Decorator: Cynthia La Jeunesse Underwater Unit DP: Pete Romano ASC A-Camera/Steadicam Operator: Will Arnot SOC C-Camera Operator: Markus Mentzer 1st Assistant A-Camera: Jimmy Jensen 1st Assistant B-Camera: Hector Rodriguez Gaffer: Kelly Clear Senior SFX Supervisor: JD Schwalm Senior SFX Coordinator: Ken Gorrell Picture Car Coordinator: Ed Coennen 2nd 2nd Ass't Director: Harry Beckstead 2nd Unit Director: Chris O'Hara 2nd Unit DPs: Paul Hughen ASC, Bruce McCleery ASC 2nd Unit Camera Operator: Reid Murphy B-Camera (LA Add'l Photography Unit)/2nd Unit A-Camera Operator: Maurice Keith McGuire SOC 2nd Unit A-Camera Operator: Kent Harvey SOC 2nd Unit 1st Ass't A-Camera: Brad Peterman 2nd Unit B-Camera Operators: John Garrett, Jeff Garton 2nd Unit D-Camera Operator: John Moyer SOC Aerial Unit DP: Hans Bjerno ASC Aerial Unit Camera Operator: Dan Godar Aerial Unit Shotover Technician: Dane Bjerno Unit Production Manager (LA Add'l Photography Unit): Will Greenfield Set Decorator (LA Add'l Photography Unit): Lynda Burbank B-Camera Operator (LA Add'l Photography Unit): Per Larsson SFX Supervisor/Coordinator (LA Add'l Photography Unit): Jeremy Hays On-Set VFX Supervisor (LA Add'l Photography Unit): Andre Bustanoby Senior VFX Producer: Jacob Eaton VFX Producers: Ketan Karekar, Sonia Marques Redefine Senior VFX Supervisors: Andrew Simmonds, Sunil Kamath Redefine VFX Producers: Jignesh Mehta, Bakshad Amrolia Senior Finishing DI Colorist: Walter Volpatto Finishing DI Producer: Vanessa Galves Finishing DI Editor: Chris Doerr Finishing DI Coordinators: Kelsea Williams, Caroline Chadbourne Dailies Colorist: Shane O'Connor Company 3 CEO: Stefan Sonnenfeld ASC Filming Dates: 11 November 2019 - 11 February 2020 Cameras: Alexa LF & Mini LF (4.5K ARRIRAW) Lenses: Arri Signature Primes AR: 2.39:1 (Super 35mm) Score Recorded at: Air Studios, London Visual Effects Provided by: Redefine Color, Finishing & Dailies Provided by: Company 3 Attribute: Camera Equipment Provided by Arri Rental
12. Kate (I) (2021)
R | 106 min | Action, Adventure, Crime
A jaded assassin assigned to target a yakuza clan has 24 hours to find out who poisoned her and get vengeance before she dies.
Director: Cedric Nicolas-Troyan | Stars: Mary Elizabeth Winstead, Woody Harrelson, Miku Martineau, Tadanobu Asano
Votes: 70,336
Director: Cedric Nicolas-Troyan Producer: David Leitch Cinematographer: Lyle Vincent Production Designer: Dominic Watkins Costume Designer: Audrey Fisher Film Editors: Elísabet Ronaldsdóttir ACE, Sandra Montiel Composer: Nathan Barr Senior VFX Supervisor: Björn Mayer Senior VFX Producer: Taylor W. Rockwell Co-Producer/Unit Production Manager: Anthony J. Vorhies 1st Assistant Director: KC Colwell Stunt Coordinator/2nd Unit Director: Jonathan Eusebio 2nd Unit Stunt Coordinator: Spencer Sano Thailand Unit Stunt Coordinator: Seng Kawee Supervising Art Director: Charlie Revai A-Camera Operator: Frank Larson Add'l Film Editor: Jim Carretta Senior SFX Supervisor: David Neil Trifunovich 2nd Unit DP: Michael Svitak 2nd Unit Camera Operator: Thitinun Lerdkijsakul 2nd Unit Steadicam Operator: Watcharawit Ya-Inta Hawaii Unit Set Decorators: Kaanoipono Cabrinha, Linda Lee Sutton Japan Unit Aerial DP: Jitsu Toyoda Unit Production Manager (LA Unit: Add'l Photography)/Line Producer: Bruce Wayne Gillies LA Unit SFX Supervisors (Add'l Photography): Roy Cancino, Quinton Farina Senior Finishing Colorist: Tom Poole ASC DI Producer: Dean Mozian Finishing Editor: John Diesso Head of Production for Company 3: Margaret Lewis VFX Executive: Petra McElvenny Mr. X Inc. VFX Supervisor: Eric Robinson Filming Dates: September 16, 2019 - November 29, 2019 Camera: Sony CineAlta Venice (AXS-R7) Lenses: Panavision C-, T-Series Anamorphic Primes, Super High Speed Anamorphic Primes & Hawk V-Lite 1.3x Anamorphic Primes AR: 2.39:1 (Anamorphic) Color & Finish Provided by: Company 3 Attribute: Filmed in Panavision
13. Nightbooks (2021)
TV-PG | 103 min | Family, Fantasy, Horror
Alex, a boy obsessed with scary stories, is imprisoned by an evil young witch in her contemporary New York City apartment.
Director: David Yarovesky | Stars: Winslow Fegley, Lidya Jewett, Krysten Ritter, Jess Brown
Votes: 10,512
Director: David Yarovesky Producer: Sam Raimi Cinematographer: Robert McLachlan ASC CSC Production Designer: Anastasia Masaro Senior VFX Supervisor: Matt Glover Senior VFX Producer: Crystal Dowd Costume Designer: Autumn Steed Film Editor: Peter Gvozdas Composer: Michael Abels Stunt Coordinators: Shelley Cook, Robert Racki Senior SFX Coordinator: Duncan Orthner Senior VFX Coordinator: Katie Hoyt Executive in Charge of Production: Paddy Kelly Supervising Digital Colorist: Mitch Paulson ASC Filming Dates: October 14, 2020 - December 17, 2020 Lenses: Hawk65 Vintage '74 Anamorphic Primes & V-Lite 1.3x Vintage '74 Anamorphic Primes AR: 2.39:1 (Anamorphic)
14. The Starling (2021)
PG-13 | 102 min | Comedy, Drama
After Lilly suffers a loss, a combative Starling takes nest beside her quiet home. The feisty bird taunts and attacks the grief-stricken Lilly. On her journey to expel the Starling, she rediscovers her will to live and capacity for love.
Director: Theodore Melfi | Stars: Melissa McCarthy, Chris O'Dowd, Kevin Kline, Timothy Olyphant
Votes: 15,264
Director: Theodore Melfi Cinematographer: Lawrence Sher ASC Production Designer: Stephanie Hamilton Film Editors: Matt Friedman, Peter Teschner Composer: Benjamin Wallfisch Costume Designer: Susie DeSanto Stunt Coordinator: Luci Romberg Camera Operator: Micky Froehlich SOC Senior SFX Supervisors: Mark R. Byers, Ken Rudell DI Colorist: Mike Sowa ASC Filming Dates: 2 August 2019 - 19 September 2019 Cmaeras: Arricam LT & ST (35mm Kodak Vision3 500T 5219) Lenses: Leitz Summilux-C Primes AR: 2.39:1 (3-Perf Super 35mm) Visual Effects Provided by: Crafty Apes
15. No One Gets Out Alive (2021)
R | 87 min | Drama, Horror, Mystery
After being forced to take a room in a boardinghouse, an immigrant in search of the American Dream finds herself in a nightmare she can't escape.
Director: Santiago Menghini | Stars: Phil Robertson, Joana Borja, Victoria Alcock, Cristina Rodlo
Votes: 20,797
Director: Santiago Menghini Producer: Jonathan Cavendish Executive Producer: Andy Serkis Cinematographer: Stephen Murphy BSC ISC Production Designer: Chris Richmond Film Editor: Mark Towns Composer: Mark Korven Costume Designer: Ana Ioneci Stunt Coordinator: Ciprian Dumitrascu A-Camera Operator: Liviu Pojoni Jr B-Camera Operator: Cosmin Fericeanu B-Camera/Steadicam Operator: Roger Tooley SFX Makeup Designer: Ionel Popa Art Director (US Portion Unit): Jim Warren Colorist: Dan Moran Camera: Sony CineAlta Venice (AXS-R7)
16. The Guilty (2021)
R | 90 min | Crime, Drama, Thriller
A demoted police officer assigned to a call dispatch desk is conflicted when he receives an emergency phone call from a kidnapped woman.
Director: Antoine Fuqua | Stars: Jake Gyllenhaal, Riley Keough, Peter Sarsgaard, Christina Vidal
Votes: 148,350
Director: Antoine Fuqua Producer: Jake Gyllenhaal Cinematographer: Maz Makhani Production Designer: Peter Wenham Film Editor: Jason Ballantine Senior VFX Supervisor: Mike Stillwell Senior VFX Producer: Mary Hayden Composer: Marcelo Zarvos Costume Designer: Daniel Orlandi Stunt Coordinator: Lin Oeding Stunt Performer: Nico Woulard A-Camera/Steadicam Operator: James Goldman B-Camera Operator: Christian Gibson C-Camera Operator: Luke Rocheleau Add'l Camera Operators: Mobolaji Olaoniye, TJ Williams Jr On-Set VFX Supervisor: Corey Turner Senior SFX Supervisor: Mark Hawker Senior Finishing Colorist: Stefan Sonnenfeld ASC Add'l Finishing Colorist: Adam Nazarenko Filming Dates: 1 November 2020 - 24 November 2020 Cameras: Arri Alexa (Digital) Lenses: Hawk Anamorphic Primes AR: 2.39:1 (Anamorphic) Color & Picture Finish Provided by: Company 3
17. There's Someone Inside Your House (2021)
TV-MA | 96 min | Horror, Mystery, Thriller
The graduating class at Osborne High is being targeted by a masked assailant, intent on exposing the darkest secret of each victim, and only a group of misfit outsiders can stop the killings.
Director: Patrick Brice | Stars: Sydney Park, Théodore Pellerin, Asjha Cooper, Dale Whibley
Votes: 19,670
Director: Patrick Brice Writer: Henry Gayden Producers: Shawn Levy, James Wan Cinematographer: Jeff Cutter Production Designer: William Arnold Film Editor: Michel Aller Composer: Zachary Dawes Senior VFX Supervisor/2nd Unit Director: Jonathan MacPherson 2nd Unit Director/Director of Photography: Ronald Hersey Stunt Coordinator: Dan Shea VFX Supervisor: David Crawford Add'l VFX Supervisor: Jimmy Udo Senior SFX Coordinator: Paul Benjamin Picture Car Coordinator: Andrew Anderson Art Director (Add'l Photography): Craig Humphries B-Camera Operator (Add'l Photography): Andrew Thompson Senior Supervising Colorist: Maxine Gervais Associate Digital Colorist: Jeff Pantaleo Senior Finishing Editor: Erik Kaufmann Filming Dates: 22 August 2019 - 18 October 2019
18. Night Teeth (2021)
TV-14 | 107 min | Action, Crime, Drama
A college student moonlighting as a chauffeur picks up two mysterious women for a night of party-hopping across LA. But when he uncovers their bloodthirsty intentions - and their dangerous, shadowy underworld - he must fight to stay alive.
Director: Adam Randall | Stars: Jorge Lendeborg Jr., Debby Ryan, Lucy Fry, Raúl Castillo
Votes: 21,468
Director: Adam Randall Cinematographer: Eben Bolter BSC Production Designer: Jeremy Reed Composers: Drum & Lace, Ian Hultquist Costume Designer: Donna Maloney Stunt Coordinators: Casey Adams, Chelsea Bruland Fight Coordinator: Michael Yahn A-Camera/Steadicam Operator: Orlando Duguay SFX Consultant: Donnie Dean Senior SFX Supervisor: Matt Kutcher Senior SFX Coordinator: Matthew Brady Harris LA Unit On-Set VFX Supervisor: Daniel Jeannette Senior VFX Coordinator: Katie Hoyt Executive in Charge of Visual Effects: Paddy Kelly Filming Dates: February 2020, September 2020 Camera: Alexa Mini (Digital) Lenses: Caldwell Chameleon Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 21.7 Million USD Attribute: Camera Equipment Provided by Arri Rental
19. Army of Thieves (2021)
TV-MA | 127 min | Action, Comedy, Crime
A prequel, set before the events of Army of the Dead, which focuses on German safecracker Ludwig Dieter leading a group of aspiring thieves on a top secret heist during the early stages of the zombie apocalypse.
Director: Matthias Schweighöfer | Stars: Matthias Schweighöfer, Nathalie Emmanuel, Ruby O. Fee, Stuart Martin
Votes: 88,556
Director/Producer: Matthias Schweighöfer Screenwriter/Story Writer: Shay Hatten Story Writer/Producer: Zack Snyder Producers: Deborah Snyder, Wesley Coller, Misha Bukowski Cinematographer: Bernhard Jasper Film Editor: Alexander Berner Composers: Hans Zimmer, Steve Mazzaro Costume Designer: Stephanie Portnoy Porter 2nd Unit Director: Matthew Rugetti 2nd Unit Director/Director of Photography: Ralph Kaechele Unit Production Manager: Jan R. Martin Stunt Coordinator: Josef Jelínek Stunt Performer/2nd Unit Stunt Coordinator: Marek Svitek Camera Operator: Jan Loukota Add'l Film Editor: Philipp Thomas Filming Dates: September 2020 - December 2020 Camera: Alexa Mini LF (4.5K ARRIRAW) Lenses: Nikon Nikkor Primes AR: 2.00:1 (Super 35mm) Attribute: Camera Equipment Provided by Vantage Film
20. The Harder They Fall (2021)
R | 139 min | Action, Drama, Western
When an outlaw discovers his enemy is being released from prison, he reunites his gang to seek revenge.
Director: Jeymes Samuel | Stars: Jonathan Majors, Zazie Beetz, RJ Cyler, Edi Gathegi
Votes: 71,120
Director: Jeymes Samuel Co-Writer: Boaz Yakin Producers: Shawn "Jay-Z" Carter, James Lassiter Cinematographers: Sean Bobbitt BSC, Mihai Malaimare Jr Production Designer: Martin Whist Costume Designer: Antoinette Messam Senior VFX Supervisor: Kris Wood Senior VFX Producer: David PI James 2nd Unit Director: GA Aguilar Stunt Coordinators: Richard Bucher, Keith Woulard Co-Stunt Coordinator: Johnny Yang Utility Stunts/Fight Choreographer: Aviel Ayoung Utility Stunts: Nico Woulard B-Camera/Steadicam Operator: David Chameides Senior SFX Coordinator: Brandon K. McLaughlin 2nd Unit DP: Lukasz Jogalla 2nd Unit B-Camera/Steadicam Operator: John C. Lerman Drone Unit Camera Operator: Ryan Bushman Senior Finishing Colorist: Tim Stipan ASC Filming Dates: September 2020 - 16 December 2020, July 2021 (Add'l Photography) Capture Format: Anamorphic/Super 35mm/Panavision Super 70 Hybrid Camera: Millennium DXL2 (8K Redcode RAW) Lenses: Panavision Primo ALZ3 Hubble (270-840mm) Zoom, Primo SL125mm, Primo 70 (200-400mm) Zoom, Primo Artiste 150mm, G28mm, H12mm, T-Series Anamorphic Primes, Panaspeed Spherical Primes, APO Panatar Anamorphic Primes, Ultra Panatar 40mm, Lightweight 17.5-34mm + 27-68mm Zooms, Helios 58mm + 85mm Primes & Sphero 65 180mm AR: 2.39:1 (Final Aspect Ratio) Color & Finish Provided by: Company 3 Attribute: Filmed in Panavision
21. Love Hard (2021)
TV-MA | 104 min | Comedy, Romance
An LA girl, unlucky in love, falls for an East Coast guy on a dating app and decides to surprise him for the holidays, only to discover that she's been catfished. This lighthearted romantic comedy chronicles her attempt to reel in love.
Director: Hernán Jiménez | Stars: Nina Dobrev, Jimmy O. Yang, Darren Barnet, James Saito
Votes: 61,533
Director: Hernán Jiménez Producer: Joseph McGinty Nichol (McG) Cinematographer: Shane Hurlbut ASC Cinematographer (Add'l Photography): Michael Svitak Production Designer: Patrick M. Sullivan Jr Film Editor: Priscilla Nedd-Friendly ACE Costume Designer: Anninka Velie Composer: Mark Orton Camera Operator: Mark Miller A-Camera/Steadicam Operator: Brett Manyluk Senior VFX Producer: Rebecca Matkaluk Senior VFX Coordinator: Casey Roberts Digital Colorist: Mark Griffith Filming Dates: 5 October 2020 - 24 November 2020 Camera: Red Gemini (5K Redcode RAW) Lenses: Leitz Summicron-C Primes & Canon Zooms
22. Passing (I) (2021)
PG-13 | 98 min | Drama, Mystery, Thriller
"Passing" follows the unexpected reunion of two high school friends, whose renewed acquaintance ignites a mutual obsession that threatens both of their carefully constructed realities.
Director: Rebecca Hall | Stars: Tessa Thompson, Ruth Negga, André Holland, Bill Camp
Votes: 16,512
Director/Writer/Producer: Rebecca Hall Producer: Forest Whitaker Cinematographer: Eduard Grau ASC Production Designer: Nora Mendis Film Editor: Sabine Hoffman Costume Designer: Marci Rodgers Composer: Devonté Hynes Stunt Coordinator: Chris Cenatiempo A-Camera/Steadicam Operator: Aaron Brown B-Camera Operator: Derek Means Senior VFX Supervisor: David Tecson Senior SFX Supervisor: Eugene Hitt DI Coordinator: Kyle Flannery Supervising Colorist: Joe Gawler Colorist: Roman Hankewycz Ass't Colorist: Sam Fischer DI Producer: James Reyes Camera: Alexa Mini (2.8K ARRIRAW) Lenses: Lomo Anamorphic Primes AR: 1.33:1 (Anamorphic: Final Aspect Ratio), 2.66:1 (Anamorphic: Shooting Aspect Ratio) Attribute: Camera Equipment Prodvided by Arri Rental
23. Red Notice (2021)
PG-13 | 118 min | Action, Comedy, Thriller
An Interpol agent successfully tracks down the world's most wanted art thief with help from a rival thief. But nothing is as it seems as a series of double-crosses ensues.
Director: Rawson Marshall Thurber | Stars: Dwayne Johnson, Ryan Reynolds, Gal Gadot, Ritu Arya
Votes: 317,218 | Gross: $0.18M
Director: Rawson Marshall Thurber Producer: Dwayne "The Rock" Johnson Cinematographer: Markus Förderer ASC BVK Cinematographer (Rome Car Chase Unit): Jonathan Taylor ASC Cinematographer (London Add'l Photography): Roger Vernon CSC Production Designer: Andy Nicholson Film Editor: Michael L. Sale ACE Composer: Steve Jablonsky Add'l Music: Sven Faulconer Costume Designer: Mary E. Vogt Senior VFX Supervisor: Richard R. Hoover Senior VFX Producer: Blondel Aidoo Supervising Stunt Coordinator/2nd Unit Director: George Cottle Associate Producer/Unit Production Manager: Mika Saito Executive in Charge of Production: Basil Bryant Grillo Health & Safety Manger: Robert 'Skid' Skidmore Stunt Coordinator: Doug Coleman Stunt Co-Coordinator: Brian Machleit Fight Coordinator: Jackson Spidell Stunts/Stunt Previs/Ass't Fight Coordinator: Nick Benseman Supervising Art Directors: Jason Knox-Johnston, Rory Bruen Set Decorators: Larry Dias, Danielle Berman A-Camera/Steadicam Operator: Geoffrey Haley SOC Add'l B-Camera Operator/2nd Unit C-Camera Operator: Ian Clampett C-Camera/Steadicam Operator: Mark La Bonge B-Camera Operator (London Add'l Photography)/C-Camera Operator: Jesse Roth SOC VFX Supervisor: Kate Yang Senior VFX Data Wrangler: Caleb Baltensperger 2nd Unit VFX Data Wrangler: Robert C. Rhodes Senior VFX Concept Artist: Luca Gabriele Rossetti Personal Make-Up Artist for Gal Gadot: Sarah Brock Hair & Make-Up Artist for Gal Gadot: Claire Burgess Aerial Unit Camera Operator: Dan Godar Drone Unit Camera Operator: Scott Montgomery Underwater Unit Camera Operators: Bill McClelland, Sean Ruggeri 2nd Unit DP: Carlos De Carvalho ASC BSC 2nd Unit A-Camera Operators: Matt Petrosky SOC, Keith Peterman 2nd Unit B-Camera Operator: Tiko Pavoni 2nd Unit 1st Ass't A-Camera: Hayden Pazanti Unit Production Manager (Italy Unit): Filippo Baldasso Italy Unit Stunt Coordinator: Giorgio Antonini Italy Unit SFX Supervisor: Danilo Bollettini Italy Unit SFX Coordinator: Lucia Guidano Supervising Stunt Coordinator/2nd Unit Director (Rome Car Chase Unit): Gregg Smrz Rome Car Chase Unit Stunt Coordinator: Karl Van Moorsel Art Director (London Add'l Photography): Kevin C. Lang ILM CG Supervisor: Steve Sauers ILM Senior Effects Technical Director: Matthieu Chardonnet ILM Roto/Paint Artist: Eugene Matthew Cheong ILM Lead Model Maker: Mike Hong ILM Senior Layout Artist: Felder Kwek ILM Digital Resource Manager: Betty Shaw Framestore VFX Colorist: Colin P. Brown Senior Finishing Colorist: Walter Volpatto Filming Dates: January 3, 2020 - March 2020 (Pre-Covid Lockdown), September 14, 2020 - November 18, 2020, August 2021 (London Add'l Photography) Cameras: Red Komodo & Ranger Monstro (6K/8K Redcode RAW) Lenses: Panavision APO Panatar Anamorphic Primes & Ultra Panatar Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 160-200 Million USD Visual Effects Provided by: Industrial Light & Magic + Framestore Color & Picture Finish Provided by: Company 3 Attribute: Filmed in Panavision
24. tick, tick... BOOM! (2021)
PG-13 | 115 min | Biography, Comedy, Drama
On the brink of turning 30, a promising theater composer navigates love, friendship and the pressure to create something great before time runs out.
Director: Lin-Manuel Miranda | Stars: Andrew Garfield, Alexandra Shipp, Robin de Jesus, Vanessa Hudgens
Votes: 119,467
Director/Producer: Lin-Manuel Miranda Producers: Ron Howard, Brian Grazer Co-Producer/Unit Production Manager: Deb Dyer Cinematographer: Alice Brooks ASC Production Designer: Alex DiGerlando Film Editors: Myron Kerstein ACE, Andrew Weisblum ACE Composer: Jonathan Larson Senior VFX Supervisor: John Bair Senior VFX Producer: Lisa Kelly Stunt Coordinator: Scott Burik Art Director: Deborah Wheatley A-Camera/Steadicam Operator: Michael Fuchs Digital Imaging Technician: Abby Levine Add'l On-Set VFX Supervisor: Renuka Ballal Senior VFX Coordinator: Sophie-Ann Price Senior SFX Coordinator: Jeff Brink 2nd Unit DP: James Gucciardo Underwater Unit Camera Operator: Sean P. Gilbert A-Camera Operator (Add'l Photography): Stanley Fernandez Jr Senior Finishing Colorist: Stephen Nakamura Filming Dates: March 2020 - April 2020 (Pre-Covid Lockdown), October 2020 - November 2020 Camera: Millennium DXL2 (7K Redcode RAW) Lenses: Panavision G-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Color & Finish Provided by: Company 3 Attribute: Filmed in Panavision
25. Bruised (2020)
R | 129 min | Drama, Sport
A disgraced MMA fighter finds redemption in the cage and the courage to face her demons when the son she had given up as an infant unexpectedly reenters her life.
Director: Halle Berry | Stars: Halle Berry, Adan Canto, Sheila Atim, Adriane Lenox
Votes: 15,985
Director: Halle Berry Cinematographer: Frank G. DeMarco Cinematographer/Camera Operator: Joshua Reis Production Designer: Elizabeth J. Jones Film Editor: Jacob Craycroft Costume Designer: Mirren Gordon-Crozier Composer: Terence Blanchard Score Production Consultant: Celeste Chada Stunt Coordinator: William Cote Camera Operator: Ramulas Burgess Post-Production Executive: Perri Silver DI Colorist: Jack Lewars Filming Dates: November 2019 - 20 December 2019
26. The Power of the Dog (2021)
R | 126 min | Drama, Western
Charismatic rancher Phil Burbank inspires fear and awe in those around him. When his brother brings home a new wife and her son, Phil torments them until he finds himself exposed to the possibility of love.
Director: Jane Campion | Stars: Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, Kodi Smit-McPhee
Votes: 193,486
Director: Jane Campion Cinematographer: Ari Wegner ACS Production Designer: Grant Major Film Editor: Peter Sciberras Costume Designer: Kirsty Cameron Composer: Jonny Greenwood Stunt Coordinator: Mark Harris Supervising Art Director: Mark Robins A-Camera/Steadicam Operator: Grant Adams Senior SFX Supervisor: Brendon Durey Assistant to Jane Campion: Claire Van Beek DI Colorist: Trish Cahill Filming Dates: 10 January 2020 - 2 April 2020, 2 June 2020 - 15 July 2020 (Add'l Photography) Camera: Alexa Mini LF (4.5K ARRIRAW) Lenses: Panavision APO Panatar Anamorphic Primes AR: 2.39:1 (Anamorphic) Attribute: Filmed in Panavision
27. The Unforgivable (2021)
R | 112 min | Crime, Drama, Mystery
A woman is released from prison after serving a sentence for a violent crime and re-enters a society that refuses to forgive her past.
Director: Nora Fingscheidt | Stars: Sandra Bullock, Viola Davis, Vincent D'Onofrio, Jon Bernthal
Votes: 118,826
Director: Nora Fingscheidt Producer: Sandra Bullock Cinematographer: Guillermo Navarro ASC Production Designer: Kim Jennings Film Editor: Stephan Bechinger Costume Designer: Alex Bovaird Stunt Coordinator: Melissa R. Stubbs A-Camera/Steadicam Operator: Roberto De Angelis B-Camera Operator: Andrew Coppin Russian Arm Camera Operator/Aerial Unit Camera Operator: Brad McGregor Senior SFX Coordinator: Tony Lazarowich VFX Production Manager: Pasquale Antonelli Picture Car Coordinator: Andrew Anderson Senior Supervising Colorist: Maxine Gervais Associate Digital Colorist: Jeff Pantaleo Senior Finishing Editor: Erik Kaufmann VFX Unit DP: Sepp Sonntag On-Set VFX Unit DP: Jason Marlow Filming Dates: 3 February 2020 - 13 March 2020 (Pre-Covid Lockdown), 2 September 2020 - 7 October 2020 Camera: Red DSMC2 Helium (Redcode RAW) Lenses: Zeiss Ultra Primes & Angenieux Optimo Zooms
28. The Hand of God (2021)
R | 130 min | Drama
In 1980s Naples, young Fabietto pursues his love for football as family tragedy strikes, shaping his uncertain but promising future as a filmmaker.
Director: Paolo Sorrentino | Stars: Filippo Scotti, Toni Servillo, Teresa Saponangelo, Marlon Joubert
Votes: 49,189
Director: Paolo Sorrentino Cinematographer: Daria D'Antonio Production Designer: Carmine Guarino Film Editor: Cristiano Travaglioli Costume Designer: Mariano Tufano Composer: Lele Marchitelli Stunt Coordinator: Lubomir Misak Camera/Steadicam Operator: Alessandro Brambilla Add'l Camera Operators: Salvatore Landi, Alberto Viavattene Senior VFX Supervisor: Rodolfo Migliari Senior SFX Supervisors: Pasquale Catalano, Fabio Traversari Colorist: Andrea Orsini Camera: RED Monstro 8K VV (8K Redcode RAW) Lenses: Arri Signature Primes
29. Don't Look Up (2021)
R | 138 min | Comedy, Drama, Sci-Fi
Two low-level astronomers must go on a giant media tour to warn humankind of an approaching comet that will destroy planet Earth.
Director: Adam McKay | Stars: Leonardo DiCaprio, Jennifer Lawrence, Meryl Streep, Cate Blanchett
Votes: 600,349
Director: Adam McKay Executive Producer/Unit Production Manager: Jeff G. Waxman Cinematographer: Linus Sandgren ASC FSF Cinematographer (DC Unit): Minka Farthing-Kohl Production Designer: Clayton Hartley Film Editor: Hank Corwin ACE Costume Designer: Susan Matheson Composer: Nicholas Britell Stunt Coordinator: Jeremy Fry Supervising Art Director: Brad Ricker Camera Operator: Davon Slininger Steadicam Operator: Joel San Juan Senior SFX Supervisor: Devin Maggio Senior SFX Coordinator: Cory Candrilli Aerial Unit DP: Dylan Goss Supervising Digital Colorist: Matt Wallach Filming Dates: 18 November 2020 - 18 February 2021 Cameras: Arricam LT & ST (35mm Kodak Vision3 200T 5213/500T 5219) Lenses: Cooke Anamorphic/I SF Full Frame Plus Primes & Atlas Orion Anamorphic Primes AR: 2.39:1 (Anamorphic)(4-Perf Super 35mm: Some Scenes) Attribute: Camera Equipment Provided by CamTec
30. The Lost Daughter (2021)
R | 121 min | Drama
A woman's beach vacation takes a dark turn when she begins to confront the troubles of her past.
Director: Maggie Gyllenhaal | Stars: Olivia Colman, Jessie Buckley, Dakota Johnson, Ed Harris
Votes: 74,972
Director/Writer/Producer: Maggie Gyllenhaal Cinematographer: Hélène Louvart AFC Production Designer: Inbal Weinberg Costume Designer: Edward K. Gibbon Composer: Dickon Hinchliffe B-Camera Operator: Panagiotis Vasilakis Steadicam Operator: Giorgos Petrakis Senior VFX Supervisor: Antonis Kotzias Senior VFX Producer: James Michael Miller VFX Executive Producer: Lauren F. Ellis SFX Supervisor: Solon Giannoutsos Zoic Studios Head of VFX Production: Sean Tompkins Zoic Studios SVP of Global Production: Kristen Branan Colorist: Isabelle Julien Visual Effects Provided by: Zoic Studios
31. Texas Chainsaw Massacre (2022)
R | 81 min | Crime, Horror, Thriller
After 48 years of hiding, Leatherface returns to terrorize a group of idealistic young friends who accidentally disrupt his carefully shielded world in a remote Texas town.
Director: David Blue Garcia | Stars: Sarah Yarkin, Elsie Fisher, Mark Burnham, Jacob Latimore
Votes: 61,488
32. The Adam Project (2022)
PG-13 | 106 min | Action, Adventure, Comedy
After accidentally crash-landing in 2022, time-traveling fighter pilot Adam Reed teams up with his 12-year-old self for a mission to save the future.
Director: Shawn Levy | Stars: Ryan Reynolds, Walker Scobell, Mark Ruffalo, Jennifer Garner
Votes: 230,902
Director/Producer: Shawn Levy Writers: Jonathan Tropper, TS Nowlin Writers & Exec Producers: Jennifer Flackett, Mark Levin Producer: Ryan Reynolds Executive Producer & UPM: Mary McLaglen Exec Producer/Key 1st Ass't Dir: Josh McLaglen Exec Producers: Dan Levine, Dan Cohen Cinematographer: Tobias Schliessler ASC Production Designer: Claude Paré Film Editors: Dean Zimmerman ACE, Jonathan Corn ACE Costume Designer: Jenny Eagan Composer: Rob Simonsen Composer (Add'l Music): Taylor Lipari-Hassett Music Supervisor: Maggie Phillips Production VFX Supervisor: Alessandro Ongaro Co-Producer: Rand Geiger Assoc. Producer/Production VFX Supervisor: Cari Thomas Unit Production Manager: Adrienne Sol Key 2nd Assistant Director: Ashley Bell Supervising Stunt Coordinator/2nd Unit Director: Brian Smrz Stunt Coordinator: James M. Churchman Co-Stunt Coordinator: Mike Mitchell Fight Coord/Ryan Reynolds Stunt Double: Alexander Kyshkovich Production Supervisor: Eva Morgan Supervising Art Director: Helen Jarvis Art Directors: Grant Van Der Slagt, Chris Beach, Eli Best, Peter Bodnarus, Craig Humphries Set Decorator: Elizabeth Wilcox Ass't Set Decorator: Michael Billings Set Dec Coordinator: Britt Bancroft Art Dept. Coordinator: Dallas Mitev A Cam/Steadicam Operator: Sasha Proctor SOC B Camera Operator: Matthew Tichenor A Camera 1st Assistant: Patrick Stepien B Camera 1st Assistant: Preston Cook A Camera 2nd Assistant: Frankie Sharpe B Camera 2nd Assistant: Rodrigo Carcamo Parga Digital Imaging Technician: Simon Jori Digital Utility Technician: Abiel Yohannes A Camera Trainee: Justine Robert Supervising Prop Master: Dean Eilerston Video Coordinator: Lance White Video Assistant: Jeffrey Bjorgum 24FPS Technician: Gladys Tong Sup Sound Editor & Re-Recording Mixer: Craig Henighan MPSE CAS Re-Recording Mixer: Mark Paterson Production VFX Editors: Michael Thomas Marlett, Danny Ramirez 1st Ass't Editors: Mikki Levi, Katheryn Naranjo 2nd Assistant Editor: Samantha Lerman Additional VFX Editor: Christopher Rucinski Post Production Coordinator: Michael Zussman Editorial Office Assistant: Sierra Shephard Music Editor: Daniel DiPrima 2nd VFX Supervisor: Erik Nash VFX Associate Producer: Adam LaGattuta Senior VFX Coordinator: Alisha Lam Production VFX Coordinators: Derek Fortuna, James Cochrane, Chris Antonini 2nd Unit VFX On-Set Supervisor: Blaine Lougheed VFX Lead Data Wrangler: Steven Tether Production VFX Data Wranglers: Paula Zulkoskey, Max Noel VFX Assistant Data Wrangler: Tyler Gould VFX On-Set Production Assistant: Paula Noella Production Previz Editor: Brad Tobler Dialogue & ADR Supervisor: Ryan Cole Dialogue Editor: Polly McKinnon Sound Designers: Angelo Palazzo, Dave Grimaldi Gaffer: Stuart Haggerty Rigging Gaffer: Sean Oxenbury Key Rigging Grip: David McIntosh Stunt Office Coordinator: Kimberley Sutton Supervising Location Manager: Ann Goobie Location Scout: Joel Hurley Trainee Ass't Location Manager: Adam Terryberry Production SFX Supervisor: Cameron Waldbauer Special FX Office Coordinator: Cara E. Anderson Special Effects On-Set Supervisor: Brad Zehr Special Effects Shop Foreman: Andrew Sculthorp Special FX Gimbal Technician: Andrew Verhoeven Production Special Effects Rigger: Kevin Willis Production SFX Machinist: Kevin Waldbauer Special Effects 3D Modeler: Paul Brassard Picture Car Coordinator: Tom Katinic Pic Car Office Coordinator: Jessica Hoyles-Vicent Picture Car Mechanic Fabricator: Andy Smith Pic Car SFX Ass't Fabricators: Randy Parks, Ken Reynolds 2nd Assistant Director: Scott Kukurudz 3rd Assistant Director: Silver Butler Trainee Assistant Director: Chris Morris Safety Consultant: Sarah Sparks H&S Supervisor: Maureen McGrath H&S Manager: Bruce L. Brownstein H&S Coordinator: Chloe Smyth Covid Testing Coordinator: Jessica Fox Covid Screening Coordinator: Mia Kaye Libra Head Technician: Chris Cove Score Conductor: Anthony Parnther Score Orchestrator: Peter Bernstein Head of Music Preparation: Booker White Score Mixer & Recordist: Scott Michael Smith Digital Score Recordist: Larry Mah 2nd Unit DoP: Jonathan Taylor ASC Unit Production Manager (2nd Unit): Warren Carr 2nd Unit 1st Assistant Director: Richard Cowan 2nd Unit Key 2nd Ass't Director: Eddy Santos 2nd Unit Prop Master: Heather Murray 2nd Unit A Camera Operator: Chris Wiseman 2nd Unit B Camera Operator: Steve Krasznai 2nd Unit C Camera Operator: Glen A. Dickson 2nd Unit A Camera 1st Ass't: Tim Robin Spencer 2nd Unit B Camera 1st Ass't: Scott Cozens 2nd Unit C Camera 1st Ass't: Cyntha Greer 2nd Unit A Camera 2nd Ass't: Jacob Slovak 2nd Unit B Camera 2nd Ass't: Kang Park 2nd Unit DIT: Brian Scholz 2nd Unit Camera Trainee: Anthony Kinsella 2nd Unit Video Coordinator: David Joshi 2nd Unit Gaffer: Peter S. Smith 2nd Unit Set Supervisor: Chelsea Cox 2nd Unit Truck Supervisor: Kevin Harrison 2nd Unit SFX Coordinator: Tom Blacklock Sr 2nd Unit Special Effects Lead: Eric Vrba 2nd Unit Special FX Technician: Mat Snider 2nd Unit 2nd Ass't Director: Brad Medhurst 2nd Unit 3rd Ass't Director: Megan Schaufele Unit Prod Manager (Add'l Photog): Samantha Dyer 1st Ass't Director (Add'l Photography): Jeff Lazar Key 2nd Ass't Dir (Add'l Photog): Cody Maher Aerial Unit Helicopter Pilot: Fred North Aerial Unit DoP: Dylan Goss Aerial Unit Camera Technician: Eric Dvorsky Aerial Unit Coordinator: Ben Skorstad Aerial Unit A Camera Operator: Brad McGregor Scanline VFX Supervisor: Nick Crew Scanline VFX Add'l VFX Supervisors: Boris Schmidt, Nicolas Aithadi Scanline VFX Producer: Ryan Flick Scanline VFX Assoc. VFX Producer: Melissa Olsen Scanline VFX Add'l On-Set VFX Supervisor: Sue Rowe Scanline VFX CG Supervisors: Ioan Boieriu, Julien Forest Scanline VFX Comp Supervisors: Alan Stucchi, Brennan Prevatt, Harimander Khalsa Scanline VFX Effects Supervisor: Ivan Prvulj Scanline VFX DPMs: Erika Young Storz, Jessica LeClair, Katrina Koeun Kim Scanline VFX Sr Management: Cindy Khoo, Joel Mendias, Lisa K. Spence, Paul Kolsanoff, Scott Miller, Stephan Trojansky DNEG Senior VFX Supervisor: Alexander Seaman DNEG Senior VFX Producer: Mike Duffy DNEG Show Supervisors: Dan Pastore, Gruff Owen, Tom Edwards, George Murphy, Nick Hanks, Carlos Miras Sepulveda, Cliff Brett, Oba Ameziane-Hassani DNEG VFX Executive Producer: Antonella Ferrari DNEG VFX Prod Managers: Lisa Hansen, Priscilla Tan DNEG VFX Editors: Sam Perkins, Harikrishna Dubey Lola VFX Supervisor: David Hernandez Lola VFX Producer: William Wright Anderson Lola VFX Coordinators: Jack Dorst, Katherine Meadows Lola VFX Editor: Jacob Metcalf Lola VFX Unit DoP: Patrick Flannery Supervixen Creative Leads: Morton Rowley, Daniel Bavell Supervixen VFX Producer: Ian Johnson Supervixen Lighting & Look Dev TD: George Psomas Supervixen Animation/Modeling Sup: Andy Sutton Supervixen FX Artist: Ferry Tawsin Supervixen Comp Supervisors: James Hughes Bertie Popov Digital Domain Head of Visualization Dept.: Scott Meadows Digital Domain Previz Supervisor: Jason Donnelly Digital Domain Previz Prod Manager: Andy Zeko Digital Domain Previz Artist (Shot Creator): Cam Ward Proof Visualization Supervisors: Dave Drury Allen, Ranko Tadic Proof Visualization Producer: Patrice Avery Proof Production Supervisor: Carrie A. Carnevale Proof Visualization Leads: Andrew McDonell, Austin Taylor, Theresa Ellis Rygiel, Jamie E. Riveros Producer (Unity): Ron Martin DI Senior Finishing Colorist: Skip Kimball DI Finishing Producers: Herschel Cohen, Jared Arkulary DI Finishing Editor: Ray Ruotolo CO3 Data I/O Supervisors: Jesse Garcia, Mike Furey CO3 Account Manager: Sheryl Goodhead Exec Finishing Producer: Stefan Sonnenfeld ASC End Titles Designer: Casey Hasson CO3 Dailies Colorist: Matt Wells CO3 Dailies Producer: Marigna Bright CO3 Dailies Coordinator: Kaitlyn Troung CO3 Dailies Operator: : Quin Voth CO3 Head of Production: Caroline Simpson CO3 VP of Sales: Lindsay E. Donovan Filming Dates: 18 November 2020 - 8 March 2021 Camera: Alexa Mini LF (4.5K ARRIRAW) Lenses: Arri Supreme Primes AR: 2.39:1 (3-Perf Super 35mm) Visual Effects Provided by: Double Negative, Lola VFX & Scanline VFX Visualization Services Provided by: Digital Domain & Proof Digital Intermediate Finishing Provided by: Company 3 Attribute: Cameras and Lenses Provided by: Keslow Camera
33. The Bubble (2022)
R | 126 min | Comedy
A group of actors and actresses stuck inside a pandemic bubble at a hotel attempt to complete a film.
Director: Judd Apatow | Stars: Harry Trevaldwyn, Samson Kayo, Peter Serafinowicz, Danielle Vitalis
Votes: 28,601
Director/Writer/Producer: Judd Apatow Writer/Executive Producer: Pam Brady Executive Producer: Barry Mendel Co-Producers: Andy Dawson, Steve Dawson, Tim Inman Cinematographer/A Cam Op: Ben Smithard BSC Cinematographer (NY Unit): James McMillan Production Designer: Mark Tildesley Production Designer (NY Unit): Deborah Jensen Film Editor: Dan Schalk ACE, James Thomas ACE Costume Designer: Lynsey Moore Costume Designer (NY Unit): Tom Broecker Composer & Add'l Score Orchestrator: Michael Andrews Composer: Andrew Bird Composer (Add'l Music): David Reynolds Music Supervisor: Matt Biffa Production Visual Effects Designer: Roger Guyett Production Visual Effects Supervisor: Russell Earl Supervising Choreographer: Ryan Heffington Key Unit Production Manager: Michelle Mullin Key 1st Assistant Director: Ben Howard Supervising Stunt Coordinator/2nd Unit Director: Jimmy O'Dee Ass't Stunt Coordinator: Pete Miles Fight Arranger: James Embree Stunt Dept. Coordinator: Nora Henderson HOD Stunt Rigger: Lenny Woodcock Stunt Utility Supervisor: Nev Medhurst Assoc. Producers: Deena Rosenblatt, Savannah Kelly Add'l Film Editors: Debra Neil-Fisher ACE, David Dean, Craig Herring Post-Production Supervisor: Lisa Rodgers Supervising Art Director: Paul Ghirardani Art Directors: Celestria Kimmins, Neal Callow Standby Art Director: Virginia Reina Ass't Art Director: Georgina Devine Supervising Set Decorator: Alice Fenton Lead Production Buyer: Gabrielle Williams Production Buyer: Cecily Gatacre Ass't Set Decorator: Erin Coutts Jr Ass't Set Decorators: Anna Cumming, Betty Sims-Hilditch B Camera/Steadicam Operator: Andrei Austin C Camera Operator: Sashi Kissoon 1st Assistant A Camera: Tristan Haley 1st Assistant B Camera: Gabriel Hyman 2nd Assistant A Camera: Amber Osborne 2nd Assistant B Camera: Moe Owoborode 1st Assistant C Camera: Samuel Smith DIT: Alan Hopkins Supervising Prop Master: Ben Johnson Ass't Prop Master: Adrian Platt Re-Recording Mixers: Tateum Kohut, Anna Behlmer CAS Supervising Sound Editor & Designer: Bobby Mackston 1st Ass't Editors: Delaney Del Vecchio, Chelsea Dinsdale, Daniela Ovi 2nd Assistant Editor: Nathan Bruner Production VFX Editor: Nolan Reese 1st Apprentice Editor: Meryl Goodwin Costume Supervisor: Holly Freeman Ass't Costume Designer: Rosie Lack Costume Coordinator: Marco De Luca Makeup & Hair Designer: Denise Kum Makeup & Hair Supervisor: Laura Schalker Prosthetics Supervisor: Chris Fitzpatrick Gaffer: Mark Clayton Rigging Gaffer: Anthony Goulding Rigging Supervisors: Clint Edwards, Michael Heath B Camera Grip: Alfie Sankey Green Louma 2 Technician: Adam Samuelson Art & Set Dec Dept. Coordinator: Casey Ivall Lead Graphics Designer: Sophie Powell Choreographer (UK): Shala Iwaskow Ass't Choreographer (US): Ryan Spencer Ass't Production Coordinator: Aisling Kelly Key 2nd Assistant Director: Charlie Vaughan Crowd 2nd Ass't Director: Annie Hitchcock Floor 2nd ADs: Jason Rickwood, Laura Jackson 3rd Assistant Director: James Excell Key Base 3rd Ass't Director: Phoebe Young Base 3rd Assistant Director: Charlotte Miles Supervising Production Accountant: Victoria Vanderlinden Payroll Accountant (UK): Tom Moore Payroll Accountant (US): Felix Chan Supervising Location Manager: Adam Richards Production Location Manager: Daragh Coghlan Production SFX Supervisor: Mark Holt Production SFX Coordinator: Aimee Watret Action Vehicles Coordinator: Michael Geary Vehicles Coordinator: Dennis Boon H&S Advisor: Rob Townsend H&S Supervisor: Jake Edmonds Testing Consultant: Rachel McLean Covid Supervisor: Anna Connolly Unit Production Manager: Janet Knutsen 2nd Assistant Director: Gabriella Vidal Unit Prod Manager (NY Unit): Michael Kriaris NY Unit 1st Ass't Director: HH Cooper NY Unit Key 2nd Ass't Director: Eddie Griffith NY Unit 2nd 2nd Ass't Director: Melina Greene NY Unit A-Camera Operator: Andrew Priestley NY Unit 2nd Ass't A-Camera: Derrick A. Dawkins NY Unit Gaffer: Zack Cestero NY Unit Set Decorator: Paul Cheponis NY Unit Prop Master: Jesse Curran Virtual Environment Consultant (The Car Stage): Paul Kobelja Virtual Production Producer (The Car Stage): Joseph White Virtual Environments Sup. (The Car Stage): David C. Smith 2nd Unit DoP: Hamish Doyne-Ditmas 2nd Unit 1st Ass't Director: William Booker 2nd Unit 2nd Ass't Director: Mark Layton 2nd Unit Production Supervisor: Scott Eaton 2nd Unit A Camera Operator: Peter Wignall 2nd Unit 1st Ass't A Camera: Tommy Holman 2nd Unit 2nd Ass't A Camera: Ben Gadsden Aerial Unit Helicopter Pilot: Richard Fay Aerial Unit Coordinator: Simon O'Connell Aerial Unit A-Camera Operator: Darren Miller Aerial Unit B-Camera Operator: Phil Arntz Supervising Dialogue Editor: Michael Maroussas Sound FX Editor & Sound Design Supervisor: Matt Temple Supervising Music Editor: Ryan Castle Orchestral Score Orchestrator, Conductor & Producer: Thomas Calderaro Orchestral Score Recordist: Greg Hayes Score Recordist & Mixer: Todd Burke Add'l Score Recordist: Alexander Thompson Orchestral Score Mixer: Steve Kempster Assoc. Producer/Production VFX Producer: Greg Baxter VFX Associate Producer: Daniel Chavez VFX On Set Production Manager: Jack Hawkes Production VFX Coordinator: Grace Netter Lead VFX Data Wrangler: Dan Pearson Production VFX Data Wrangler: Louis Holland ILM Senior Animation Supervisor: Shawn Kelly ILM Senior VFX Producer: Karen Kelly ILM Senior CG Supervisor: Daniel Lobl ILM Senior Comp Supervisor: Tory Mercer ILM Digital R&P Supervisor: Michael Van Eps ILM Senior Lighting Supervisor: David Marsh ILM Senior Generalist Supervisor: Shane Roberts ILM Senior Creature Supervisor: Joe Woodward Stevenson ILM Lead Layout Supervisor: Marla Newall ILM Lead Generalist Supervisor: Johan Thorngren ILM VFX Plate Supervisor: Simone Coco ILM VFX Associate Producer: Lauren Fong ILM Sr VFX Prod Managers: Jackie Stone, Brooke Masotti ILM Senior VFX Editor: Sam Willing ILM Senior Concept Artist: Kouji Tajima ILM Executive VFX Producer: Jill Brooks ILM Senior VFX Prod Coordinator: Cal Moreno ILM Lighting & Look Dev Supervisor: Ken Bailey ILM FX Supervisor: Raul Essig ILM VP of Operations: Jessica Teach ILM VP of Marketing: Luke O'Byrne ILM Exec in Charge of Finance: Khuyen Dang ILM Production Supervisor: Amber Wong Baked Studios VFX Supervisor: George A. Loucas Baked Studios VFX Producers: Gayle Busby, Matt Dean Russell Baked Studios VFX Coordinators: Victoria Lee, Melanie McDaniel NetFX VFX Producer: Isha Nigan NetFX VFX Supervisor: Swapnil Ambre NetFX VFX Prod Manager: Sarvesh Amre NetFX VFX Manager: Ameet Muley NetFX VFX Line Producer: Surender Gilla NetFX VFX Coordinator: Aarsh Nigam NetFX Data I/O Supervisor: Mukesh Joshi NetFX Roto Lead: Ajay Attinti 3rd Floor Visualization Creative Supervisor: Nicholas Markel 3rd Floor Visualization Lead: Adam Dotson 3rd Floor Visualization Exec Producers: Chris Edwards, Dane Allan Smith Deep Voodoo Deepfake Exec Producer: Frank Agnone Deep Voodoo Deepfake Producer: Ivy Agregan Deep Voodoo VFX Supervisor: Chris Kenny Deep Voodoo Deepfake Assoc. Producer: Gary Martinez Deep Voodoo Deepfake Editor: Nate Pellettieri Picturemill Creative Supervisor: William Lebeda Picturemill Executive Producer: David Midgen CO3 Executive Producer & Supervising Finishing Colorist: Stefan Sonnenfeld ASC Add'l Finishing Colorist: Parker Jarvie CO3 DI Finishing Producers: Erik Rogers, Ricardo Ramirez DI Finishing Editor: Matthew Johnson DI Add'l Finishing Editor: Joe Ken DI Color Finishing Assistant: John Tripp Dailies Colorist: Doychin Margoevski Dailies Producer: Gemma Saunders Filming Dates: 22 February 2021 - 16 April 2021 Camera: Sony Venice (X-OCN ST) Lenses: Arri Signature Primes AR: 2.39:1 (Super 35mm) Budget: 40 Million USD Special Visual Effects & Animation Provided by: Industrial Light & Magic, Baked Studios + NetFX Visualization Provided by: The Third Floor Deepfakes Provided by: Deep Voodoo Additional Visual Effects Provided by: Whiskytree Main & End Titles + Graphics Designed by Picturemill Digital Intermediate Finishing & Dailies Provided by: Company 3 London Made at: Shepperton Studios, London, England Attribute: Camera Equipment Provided by 24/7 Drama
34. Metal Lords (2022)
R | 97 min | Comedy, Music
Two friends try to form a heavy metal band with a cellist for a Battle of the Bands.
Director: Peter Sollett | Stars: Jaeden Martell, Adrian Greensmith, Isis Hainsworth, Noah Urrea
Votes: 32,785
35. The Takedown (2022)
TV-MA | 119 min | Action, Comedy, Crime
Diakité and Monge are police officers who are complete opposites, and get paired together to uncover an unexpectedly big criminal case.
Director: Louis Leterrier | Stars: Omar Sy, Laurent Lafitte, Izïa Higelin, Dimitri Storoge
Votes: 8,784
36. Operation Mincemeat (2021)
PG-13 | 128 min | Drama, War
During WWII, two intelligence officers use a corpse and false papers to outwit German troops.
Director: John Madden | Stars: Colin Firth, Matthew Macfadyen, Kelly Macdonald, Rufus Wright
Votes: 35,068
Director: John Madden Screenwriter: Michelle Ashford Special Consultant: Ben MacIntyre Co-Producer: Peter Heslop Cinematographer/A Cam Op: Sebastian Blenkov Aerial Cinematographer (Drone Shoot-Scotland): Peter Keith Production Designer: John Paul Kelly Film Editor: Victoria Boydell Composer: Thomas Newman Costume Designer: Andrea Flesch Hair, Make-Up & Prosthetics Designer: Denise Kum Dedicated to: Paul Ritter Associate Producer: Katherine Bridle Unit Production Manager: Monique Missell 1st Assistant Director: Deborah Saban Financial Controller: Dianne Twiddy Supervising Art Director: Keith Slote Production Visual FX Supervisor: Simon Hughes Production Sound Mixer: Peter Lindsay 1st Assistant Editor: Rob Redford Sup. Sound Editors: Ian Wilson, Andy Shelley Music Supervisor: Kle Savidge Post Production Supervisor: Polly Duval Supervising Stunt Coordinator: Sarah Franzl B Camera/Steadicam Operator: John Ferguson A Camera Focus Puller: Iwan Prys Reynolds A Camera Clapper Loader: Robbie Chapman B Camera Focus Puller: Jonny Garwes B Camera Clapper Loader: Sarah Collins Digital Imaging Technician: Anthony Bagley Camera Trainee: Lucas Campain Key Grip: Ronan Murphy B Camera Grip: Josh Morgan-Green Grip Trainee: Matty McCabe Key 2nd Assistant Director: Olivia Lloyd Crowd 2nd Assistant Director: Adam Foster 3rd Assistant Director: Claire Frayn Floor Runner: Simon J. White Base PA: Ella Wood Production Coordinator: Augustin Dukes Ass't Production Coordinator: Shuku Anderson On Set Assistant to John Madden: Hester Wolton Art Director: Tom Coates Assistant Art Director: Philippa Mumford Standby Art Director: Kerry Ellen Maxwell Graphic Designer: Joanna Pratt Art Department Assistant: Naomi Bailey Set Decorator: Linda Wilson Assistant Set Decorator: Kay Mitchell Prop Master: Alan Bailey Military Advisor (Costume Dept.): Tom Stiles Prosthetic Make-Up Supervisor: Chris Fitzpatrick Gaffer: Mark Clayton Rigging Gaffer: James Summers Supervising Location Manager: Adam Richards Production Location Manager: Ben Mangham Location Coordinator: Saoirse Knight Unit Manager: Ed Burrell Assistant Unit Manager: Dillon Beagley Location Assistant: Joel Fitzpatrick Assistant Post Prod Accountant: Greta Komiciute Elstree FX Special FX Supervisor: Paul Dimmer Titles Designer: Matt Curtis GPP Digital Finishing Colorist: Adam Glasman GPP Head of Production: Rob Farris GPP DI Technical Supervisor: Lawrence Hook GPP DI Finishing Assistant: Alexander Phillips GPP Head of Extraction & Delivery: Tom Corbett GPP Senior DI Administrator: Neil Harrison GPP Technical Manager: Phillip Taylor GPP Head of Finishing Dept.: Patrick Malone GPP Commercial Manager: Martin Poultney GPP DI Finishing Technologist: Laurent Treherne Union VFX Producers: Zafar Janjua, Noga Alon-Stein Union Visual FX Executive Producer: Tim Caplan Union Visual FX On-Set Supervisor: Taskin Kenan Union Visual FX On-Set Wrangler: Jake Green Union Visual FX On-Set Wrangler/CG Lead: Noel O'Malley Union Visual FX Line Producer: George Kolyras Union Visual Effects Coordinator: Ellie Kudela Union Head of 3D: Rob Hopper Union Matchmove Lead: Aaron Turnbull Union Matchmove Artist: Alexander Ha Union Lead Compositor: Nicholas Zissimos Union Visual FX Pipeline Developer: Pete Medrow Union Junior VFX Pipeline Developer: Anastasija Belake Union VFX Systems Administrator: Nishet Shah Union Jr VFX Pipeline Administrator: Matthew Aldridge Union Data I/O Lead Artist: Ste Greaves Union Office Manager: Grace Ogwuma-Tate Union Render Wrangler: Isabella Ippolito Picture Vehicle Coordinator: Michael Geary Health & Safety Advisor: Mick Hurrell Unit Prod Manager (Spain Unit): David Ramon Spain Unit 2nd Assistant Director: Beatriz Mateos Spain Unit 1st AD (VFX Unit): Alejandro E. Oliver Spain Unit Crowd PA: Melanie Martinez Spain Unit Prod Coordinator: Marina Caldentey Spain Unit Ass't Prod Manager: Lucia F. Lobera Spain Unit Art Director: Laia Cofet Spain Unit Art Dept. Coord: Judit Ferrer Gimeno Spain Unit Set Decorator: Nuria Guardia Allue Spain Unit Gaffer: Kino Sanchez Merino Spain Unit Rigging Gaffer: David Polo Spain Unit Rigging Best Boy: Omar Polo Spain Unit Location Manager: Kico Araez Spain Unit Location Manager-Scout: Tata Araez Spain Unit Basecamp Man.: Jesus M. Dominguez Spain Unit Key Set PA: Loren Cobos Spain Unit Stunt Coordinator: Cesar Solar Spain Unit Stunt Driver: Alberto Sanchez Spain Unit Special FX Technician: Daniel Postigo Spain Unit Key Unit Driver: Aleix Llado Spain Unit Vehicle Wrangler: Maria Carrillo Spain Unit H&S Supervisor: Jose Fluxa 1st AD (Drone Shoot - Scotland): Rory Stewart Loc Ass't (Drone Shoot - Scotland): Neil MacKay Sup. Music Mixer & Editor: Shinnosuke Miyazawa Music Score Recordist: Simon Rhodes Orchestra Recordist: Gordon Davidson Music Editors: Peter Clarke, Larry Mah Orchestrations Lead: JAC Redford Score Conductor: John Ashton Thomas Camera: Alexa Mini LF (4.5K ARRIRAW) Lenses: Arri Signature Primes AR: 2.35:1 (4-Perf Super 35mm) Special Effects Provided by: Elstree FX Visual Effects Provided by: Union Music Score Recorded at: Abbey Road Studios, London Attribute: Camera & Grip Equipment Provided by Arri Rental
37. Interceptor (2022)
TV-MA | 99 min | Action, Adventure, Drama
One Army captain must use her years of tactical training and military expertise when a simultaneous coordinated attack threatens the remote missile interceptor station she is in command of.
Director: Matthew Reilly | Stars: Elsa Pataky, Luke Bracey, Aaron Glenane, Mayen Mehta
Votes: 27,384
Director & Co-Writer: Matthew Riley Screenwriter & Producer: Stuart Beattie Executive Producer: Chris Hemsworth Cinematographer: Ross Emery ACS Film Editor: Rowan Maher Production Designer: George Liddle Costume Designer: Liz Keogh Palmer Composer: Michael Lira Action Consultant: Sam Hargrave Production Visual FX Supervisor: Stuart White Hair & Makeup Designer: Lynne O'Brien Supervising Sound Editor: Angus Robertson Sound Designer: Sam Hayward Line Producer: Pam Collis 1st Assistant Director: Bob Donaldson Stunt Coordinator & 2nd Unit Director: Ingrid Kleinig Stunt Coordinator: Chris Weir Special Makeup FX Designers: Paul Katte, Nick Nicolaou Production Visual Effects Editor: Daniel Le Production Visual Effects Producer: Haris Kruskic Post Production Supervisor: Colleen Clarke Supervising Art Director: Brian Edmonds 2nd Art Director: Peter Wyborn Art Department Coordinator: Dilys Tan Set Decorator: Bob Sykes A Camera/Steadicam Operator: Tim Walsh A Camera 1st Assistant: Adrien Seffrin B Camera 1st Assistant: Ricky Schamburg B Camera 2nd Assistant: Hilary Crombie DIT: Michael Easter 2nd Assistant Director: Nicholas Hadland 3rd Assistant Director: Georgia Farrell Gaffer: Richard Mason Fight Coordinator: Tim Wong Assistant Fight Coordinator: Steven A. Davis Stunt Rigging/Assistant Coord: Andrea Berchtold Camera: Sony CineAlta Venice (4K & 6K AXS-R7) Lenses: Panavision T-Series AL Primes, Primo SL 15-40mm Zoom & Anamorphic Telephoto 70-200mm Zoom AR: 2.39:1 (Anamorphic & FF Super 35mm) Attribute: Filmed in Panavision
38. Hustle (2022)
R | 117 min | Comedy, Drama, Sport
A basketball scout discovers a phenomenal street ball player while in Spain and sees the prospect as his opportunity to get back into the NBA.
Director: Jeremiah Zagar | Stars: Adam Sandler, Queen Latifah, Juancho Hernangomez, Ben Foster
Votes: 143,737
Director: Jeremiah Zagar Producer: Adam Sandler Casting Director: Kim Coleman CSA Composer: Dan Deacon Cost. Designers: Johnetta Boone, Tiff Hasbourne Film Editors: Tom Costain, Brian Robinson, Keiko Deguchi Production Designer: Perry Andelin Blake Production Designer - Spain Unit: Edou Hydallgo Cinematographer: Zak Mulligan EPs & Writers: Taylor Materne, Will Fetters Exec Producers: Dave Meyers, Barry Bernardi EP & Music Supervisor: Kevin Grady Prods: LeBron James, Joe Roth, Zach Roth, Jeff Kirschenbaum, Allen Covert Unit Production Manager: Kristen Ploucha First ADs: Mike Topozian, Michele Ziegler Key Second ADs: Tracey Poirier, Xanthus Valan Basketball Coordinator: Mike Fisher Basketball Technical Advisor: Dell Demps Overall Visual Effects Supervisor: Boyd Shermis Supervising Stunt Coordinator: Jeffrey Gibson Stunt Coordinator - Spain: Jose Antonio Sanchez Basketball Double - Bo Cruz: Andrew Carber Acting Coach: Noelle Gentile Basketball Advisors: Joe Vecsey, Bobby Verdun Basketball Assts: Oliver Morton, Nicole Kornet Production Financial Controller: Mary Sunshine Production Supervisor: Jay Rogers Supervising Art Director: Stephanie Hamilton Art Directors: Alan Au, Bryan Felty, Ryan Heck First Assistant Art Director: Michael Scott Manne Second Assist Art Director: Marie Lynn Wagner Set Decorators: Claire Kaufman SDSA, David Schlesinger Lead Prop Masters: Tim Wiles, Dan Boxer, Janelle Jones Post Production Supervisor: William Howes First Assistant Editor: Jamie Keeney Senior Specialist Set Designer: Ron Fechtman Set Designers: Cameron Birnie, Victoria Ruskin Graphic Designer: Bryan Eddy Production Illustrator: Josh Fee Storyboard Artists: Justin Oon, Dan Sweetman Art Department Coordinator: Dana Michael Art Assists: Mallory Holloway, Stephanie Maskin A Cam/Steadicam Operator: Stew Cantrell SOC B Cam Operator - 2021 Shoot: Arthur Africano B Camera Op - 2020 Shoot: Quenell Jones SOC C Cam Operator/Second Unit DoP: Tim Sessler D & F Camera Operator: Kyle Rudolph Basketball Unit A Camera Op.: Stephen Andrich A & B Camera First Assistant: Troy Dobbertin A Camera First Assist - 2020 Shoot: Robert Lau B Camera First Assist - 2021 Shoot: Tysen Shen A Camera 2nd AC - 2020 Shoot: Autumn Moran A Camera 2nd AC - 2021 Shoot: Eve Strickman B Cam 2nd Asst - 2020 Shoot: Kimberly Herman B Camera Second AC - 2021 Shoot: Alec Freund C Camera First Assistant: Michael Toland C Camera Second Assistant: James McCann D & F Camera First Assistant: Michael Leonard D & F Camera Second Asst: Leon S. Sanginiti Jr Digital Imaging Technician: Thomas Wong Main Unit A/Second Unit C Loader: Ryan Baldwin B Camera Loader: D.C. Diaz C Camera Loader, 2020 Shoot: Daniel John Foley C Camera Loader, 2021 Shoot: Madeline King Shutter Ramp Technician: Edward Richardson Phantom Technician: Ian Edwards Still Photographer: Scott Yamano BTS Videographer: Jeff Bergman Picture Car Coordinator: Kia Steave-Dickerson Assist Prop Masters: Jeff Tanner, Charles J. Scott Third Prop Assistant: Damien Harrer In-House VFX Lead: Ariel Tafel Second AEs: Joshua AC Johnson, Greg Hollander Second AEs - New York: Tom Knight, Julie Carr Post Production Coordinator: Javian Le Editorial Assists: Dallas Hartman, Tony Sarandos Edge Arm Head Technician: Michael Nelson Edge Arm Operator: Dustin Keller Supervising Sound Editor: Elmo Weber Sound Designers: Russell Topal, Ruy Garcia Supervising ADR Editor: Catherine Harper Supervising Dialogue Editor: Benjamin Rauscher Supervising Foley Editor: John Sanacore Production Foley Editor: Jordan Aldinger Visual FX Production Manager: Adam Eshleman Overall Visual Effects Coordinator: Mason Weigel Visual Effects Matte Painter: Shannan Burkley Lead Data Wranglers: Nadia Bennac, Kim Fitch Production Data Wrangler: Corrine McAndrews Gaffer: William Almeida Rigging Gaffers: Clay Liversidge, Matt Imbrogno Stage Rigging Gaffer: John "JB" Billecci 2nd Second ADs: Harry Beckstead, Bob Riley Additional Second ADs: Donte Bouyer, Becca Rogers Holland, Joe Rodgey Main Unit & Second Unit Second Second AD: Ashley Gressen Senior Post Production Accountant: Jerry Lee Junior Post Prod Accountant: Ashton Blessing LMs: Troy Coffee, Patricia Taggart, Rob Frank Expo Stage Manager: Bill Arrowood Key Unit Assistant: Shaun Chico McGhen Camera Scenics: Mitch Landsman, Jacqueline Nowakowski Overall Special Effects Coordinator: Patrick White Overall Special Effects Foreperson: Timmy Lynch Special Effects Shop Foreperson: Jake Henry Basketball Consultants: Howard Wood, Steven Costalas Production Associate: Perry Sachs Basketball Cast Associate: Ella Mische Key Set PAs: Turner Andritz, Jason Bernett COVID Unit Production Manager: Donald Sparks COVID Manager: Matthew Howell-Clarke COVID Production Supervisor: Jennifer Teves Lead COVID Compliance Officer: Niema Dunbar COVID Production Coordinator: Charlotte Rapak COVID Assistant Prod Coord: Madeleine Centrella COVID 2nd Assistant Director: Lauren McGarry COVID Assistant Location Manager: Arica Olive Second Unit Directors - PL Second Unit: Luis Gerard, Nicholaus Goossen Philadelphia Second Unit Gaffer: Patrick Flanagan Philadelphia Second Unit First AD: Brian Moon Philly Second Unit Second AD: Chris O'Hara PL Second Unit Prop Master: Ben J. Woodward PL Second Unit DIT - 2021 Shoot: Ilya Akiyoshi PL Second Unit Loc Manager: Kaitlyn McAlister Spain Unit Executive Producer: Mike Day Spain Unit Line Producer: Yousaf Bokhari Unit Prod Manager - Spain Unit: David Ramon Spain Unit Assistant Prod Manager: Lucia Lobera Spain Unit Assistant Art Director: Lula Berger 2nd Unit DoP - Spain Unit: Kiko Prieto Spain Unit A Camera/Steadicam Op: Eric Bialas Spain Unit B Camera Operator: David Dominguez Spain Unit B Camera First Asst: Marcos Gutierrez Second Unit C First AC - Spain Unit: Rafi Miralles Spain Unit C Camera First Assist.: Juan Jo Marti Spain Unit A Camera Second AC: Jose Sologuren Spain Unit B Camera Second AC: Miquel Mayans 2nd Unit C 2nd AC - Spain Unit: Mel Rodriguez Spain Unit Add'l Camera Second Asst: Javier Puig Spain Unit Digital Imaging Technic: Ibon Esparza Spain Unit Data Wrangler: Fabio Verissimo Spain Unit 2nd Data Wrangler: Manu La Fuente Spain Unit Camera Trainee: Jaume Porcel Spain Unit Prop Master: Jose Maria Ortega Spain Unit Gaffer: Jose De La Fuente Spain Unit Rigging Gaffer: Fernando Megino Spain Unit Location Manager: Dani Samperdo Unit Manager - Spain Unit: Luis Vidal Vigil Spain Unit Location Coordinator: Rosa Cosmelli Spain Unit Key Set PA: Jose Redondo Lopez Spain Unit Floor Second AD: Cristina A. Watson Spain Unit Third ADs: Sandra Miguel, Dani Torre Jon First AD, AP - Philly & New York: John Rusk Location Manager, AP - New York: Patty Carey A Camera Operator, AP: Erin Henning SOC Location Manager, AP - LA: Nick Chandler A Camera Operator, AP - LA: Jeff Nolde Music Supervisor: Bryan Bonwell Technical Score Consultant: Clare Batteron ReDefine Visual FX Supervisor: Sameer Malik ReDefine Add'l VFX Supervisor: Viral Thakkar ReDefine Sr. Visual Effects Producer: Cassius Vas ReDefine Head of CG: Neelesh Gore ReDefine VFX Producer - India: Amit Naik ReDefine Compositing LP: Neha Parashar Savage VFX Supervisor: James Pastorious Savage Visual FX VFX Producer: Brice Liesveld Framestore Visual FX Supervisor: Shawn Hillier Framestore On-Set VFX Supervisor: Ivan Moran Framestore VFX 2D Supervisor: Hugo Gauvreau NetFX VFX Producer: Catherine Westgate NetFX VFX Supervisor: Luc Julien NetFX Compositing Supervisor: Nicole Glen NetFX Roto Supervisor: Chandresh Patel Lola | VFX Executive Producer: Thomas Nittmann Lola | VFX VFX Producer: Will Anderson Lola | VFX VFX Associate Producer: Jack Dorst Lola | VFX VFX Supervisor: Edson Williams Lola | VFX VFX Editor: Jake Metcalf Lola | VFX VFX Coordinator: Jon Anderson RCO Supervising Colorist: Seth Ricart RCO Color & Finishing Producer: Sheina Dao RCO Conform & Color Assist: Natasha Wong Cameras: Red Komodo, Monstro & Sony Venice Rialto (6K AXS-R7 & 6K/8K Redcode RAW) Lenses: Hawk Class-X AL Primes, Leitz Primes, Leica R 19mm, Voigtländer 21mm & Cooke Varotal 25-250mm Zoom AR: 2.39:1 (Anamorphic & 3-/4-Perf S35mm) Budget: 21 Million USD Score Recorded at: Air Studios, London UK Visual Effects by: ReDefine, Savage Visual Effects, Framestore, NetFX & Lola | VFX Color & Finishing Provided by: RCO Attribute: Camera Equipment Supplied by Technological Cinevideo Services
39. Spiderhead (2022)
R | 106 min | Action, Crime, Drama
In the near future, convicts are offered the chance to volunteer as medical subjects to shorten their sentence. One such subject for a new drug capable of generating feelings of love begins questioning the reality of his emotions.
Director: Joseph Kosinski | Stars: Chris Hemsworth, Miles Teller, Jurnee Smollett, Mark Paguio
Votes: 66,295
Director: Joseph Kosinski Producer: Chris Hemsworth Costume Designer: Amelia Gebler Score Composer, Orchestrator & Producer: Joseph Trapanese Film Editor: Stephen Mirrione ACE Production Designer: Jeremy Hindle Cinematographer: Claudio Miranda ASC ACC Executive Producer: Sarah Bowen Producer: Eric Newman Prods/Screenwriters: Rhett Reese, Paul Werneck Producers: Agnes Chu, Geneva Wasserman Producer/Unit Production Manager: Thom Harper Producer: Jeremy Steckler Key Unit Prod Manager/LP: Georgina Marquis First Assistant Director: Alex Gayner Second Assistant Director: Samantha McGrady Overall Visual Effects Supervisor: Ryan Tudhope Overall Visual Effects Producer: Lynzi Grant Supervising Stunt Coordinator: Kier Beck Assistant Stunt Coordinator: Nathan Lawson Post Production Supervisor: David E. Hall Associate Producer: Emily Cheung Production Accountant: Jill Rosenblatt Music Supervisor: Yvette Metover Production Visual Effects Producer: Steve Garrad Casting Associate: Josh Algie Production Consultant: Irene Dobson Supervising Art Director: A. Todd Holland Production Art Director: Bill Booth Assistant Art Director: Jim Millett Lead Art Department Coordinator: Susan Higgins Lead Art Department Coord (LA): Grace Hindle Production Set Decorator: Nancy McIlvaney Assistant Set Decorator: Lenny Holmdahl Shopper (LA): Kathy Lucas Set Dec Coordinator (LA): Canada Gordon Supervising Prop Master: Bob Booker Assistant Prop Master: Mary Robin Second Prop Assistant: Claire Bryant Action Vehicle Supervisor: Steve Taylor A Camera Operator: Tucker Korte B Ops: Richard Bradshaw, Margie McLymont A Camera First Assistant: Chris Child B Camera First Assistant: Jason Binnie C Camera First Assistant: Warren Lazarides A Camera Second Assistant: Audra Murray B Camera Second Assistant: Dermot McNamara C Camera Second Assistant: Emily Shaw Murray DIT: Lukas Davidson Truck Loader - Camera Dept.: Jake Malpass Truck Loader/DIT Assistant: Hamish Williams First Assist Editors: Richard Molina, Brian Uberg Second Assist Editors: Carmen Hu, Kenji Yasutaki VFX Editors: Latham Robertson, Patrick Smith First Apprentice Editor: Sean Carlsen On Set VFX Supers: Andy Brown, Aidan Fraser Visual FX Production Supervisor: Kris Sundberg VFX Coordinators: Joseph Lobato, Xin Yi Puah Key Composite Supervisor: Mark Domenic Rienzo Gaffer: Matt Slattery Senior Lighting Technician: Sami Gustafsson Rigging Gaffer: Brendan Madden Concept Artist/Set Designer: Eric Fehlberg Concept Artist: Adam Spychala Set Designer: Al Hobbs Illustrator / Set Designer: Dawn Brown Manser Graphic Designer: Ellen Lampl Etch-A-Sketch Designer: Jane Labowitch Art Department Electrician: Joshua Donoghoe Art Dept Assists: Larissa Vayro, Emily Garretto Art Department Runner: Ken Matsumoto Researcher (Art Department): Lauren Sandoval Costume Shopper (US): Dina Karmi Production Coordinator: JADE VAN DER LEI Assistant POCs: Jordan Tosto, Bethany Stoke Prod Secretaries: Britt McDonald, Angus Killalea Production Office Assistant: GENE CORSER Production Supervisor (US): Selena Carillo Travel Coordinator (US): Christina Trbovich EPK Supervisor: Drew MacDonald EPK Assistant: Shane Dwyer Second Second Assistant Director: Dan Cole Third ADs: Rebecca Keros, Shayla Girdler Set Dec Wrap Coordinator: Jenni Pattenden Standby Greens Supervisor: Les Landon Assistant Standby Greens Sup: Glen Margerison Lead Special Effects Supervisor: Julian Summers Special Effects Prep Supervisor: Brock Wareham Special Effects On Set Supervisor: Ceri Nicholls Special Effects Assist Supervisor: Steve Courtney Lead Special Effects Coordinator: Daniella Rigby Purchasing Officer (Special FX): John Anderson Sr Techs (SFX): Bernard Golenko, Gary Cameron Aerial Unit First Assistant Director: ROB BROWN Aerial Unit Second Asst Director: Rachael O'Brien Aerial Manager (Aerial Unit): Gregory Read Aerial Unit DoPs: Peter Beeh, Mike FitzMaurice Aerial Unit A Camera First Assistant: Brett Tracey Aerial Unit Heli Pilots: Scott Menzies, Kev LaRosa II Aerial Unit Head Technician: Dan Clapson Aerial Unit Shotover Technician: Jared Slater Aerial Unit Seaplane Pilot: Steve Pemberton Aerial Unit Script Supervisor: Lucy Sweeney Marine Unit Boat Wrangler: Andrew Mulville Post Production Sound Designer: Ren Klyce Sup Sound Editor/Re-Record Mixer: Tom Myers Re-Recording Mixer: Gary A. Rizzo CAS Los Angeles Unit Line Producer: Bryan Yaconelli LA Unit Art Dept Coord.: Stephanie Higgins Frey Los Angeles Unit Prop Master: Robbie Duncan LA Unit Asst Props Lead: Emma Verdugo LA Unit Splinter DP/A Operator: Mark Plummer Los Angeles Unit B Operator: Michael Merriman LA Unit A Camera First Assistant: Bob Smathers LA Unit B Camera First Assist: Steve MacDougall LA Unit C Camera First Assistant: Chris Toll LA Unit A Camera Second Assist: Eric Amundsen LA Unit B Camera Second Assist: Robbie Julian LA Unit C Camera Second Assist: Henry Nguyen Los Angeles Unit DIT: Rohan Chirakar LA Unit Digital Utility AC: Morgan Wilday Los Angeles Unit Camera Loader: Alex Macat Los Angeles Unit Gaffer: Chris Conway Los Angeles Unit Location Manager: Chris Kusiak LA Unit Key Assistant LM: Shelly Wilson LA Unit Casting Director: Jessica Sherman LA Unit Casting Associate: Angela Young LA Unit Prod Coordinator: Nicole Francisca Quiroz LA Unit Assistant Prod Coordinator: Dani Laiser LA Unit Second AD: Christophe Le Chanu LA Unit 2nd 2nd Assist Director: Esraa Darwish LA Unit Key Set Production Assist: Leslie Bellows Los Angeles Unit SFX Foreman: Ryan Amborn Los Angeles Unit H&S Supervisor: Chris Tave LA Unit Project Supervisor (Wētā): Jake Evill LA Unit Prod Manager (Wētā): Jenna Nuthall LA Unit Props & Model Making Sup: Marco Wuest Score Producer & Music Editor: Bryan Lawson Method Studios Head of VFX: Simon Rosenthal Method Visual Effects Exec Prod: Ineke Majoor Method Visual Effects Supervisor: Dominic Hellier Method Studios CG Supervisor: Nathan Ortiz Method Head of Production: Julian Dimsey Method VFX Producers: Samantha Thrupp, Tanya Ligertwood Method Visual Effects PM: Spriha Banik Lola | VFX Visual Effects EP: Thomas Nittmann Lola | VFX EP/Visual Effects Sup: Edson Williams Lola | VFX Visual Effects Prod: William Anderson Lola | VFX Visual Effects Sup: Jeremiah Sweeney Lola | VFX Visual Effects Coord: Kathy Meadows Lola | VFX Visual Effects Editor: Jacob Metcalf NetFX Visual Effects Supervisor: Jiwoong Kim NetFX Visual Effects Producer: Rebecca West NetFX Visual Effects Editor: Diego Manssur NetFX Visual FX PM: Yeri Isunza Casanova NetFX Visual Effects Coordinator: Julie Gascoine Blind Creative Supervisor: Andrew Booth Blind CG Producer: Helen Baker Blind Screen Graphs Designer: Charlie Middleton Blind App Developer: Stephen Morris CO3 EP/Sup Colorist: Stefan Sonnenfeld ASC CO3 Additional Colorist: Adam Nazarenko CO3 Producers: Erik Rogers, Rick Ramos CO3 Finishing Editor: Paul Carlin CO3 Image Scientist: John Quartel CO3 Technologist: Michael Chiado CO3 Color Assistant: John Tripp CO3 Finishing Executive: Jackie Lee CO3 HOPs: Laura Geucherian, Carl S.G. Moore Titles Producer: Darin Millett Filming Dates: November 2020 - January 2020 Camera: Sony CineAlta Venice (6K AXS-R7) Lenses: Panavision Primo SL Primes & Primo Artiste SL Primes AR: 2.39:1 (Super 35mm) Budget: 100 Million USD Post Production Sound Services by: Skywalker Sound Score Recorded at: Lyndhurst Hall, Air Studios, London Visual Effects, Computer Graphics Design & Animation by: Method Studios, Lola | VFX, NetFX + Blind LTD Specially Console & Props Manufacture by: Wētā Workshop Color & Finish Provided by: Company 3 Attribute: Filmed in Panavision
40. The Man from Toronto (2022)
PG-13 | 110 min | Action, Adventure, Comedy
The world's deadliest assassin and New York's biggest screw-up are mistaken for each other at an Airbnb rental.
Director: Patrick Hughes | Stars: Kevin Hart, Woody Harrelson, Jasmine Mathews, Kaley Cuoco
Votes: 59,453
Director: Patrick Hughes Producers: Todd Black, Steve Tisch Producer/Story Writer: Jason Blumenthal Co-Writer: Robbie Fox Screenwriter: Chris Bremner Exec Prods: Bill Bannerman, David Bloomfield Executive Producers: Jason Cloth, Aaron Gilbert Cinematographer/A Operator: Rob Hardy ASC Production Designer: Naomi Shohan Film Editor: Craig Alpert ACE Costume Designer: Virginia Johnson Composer: Ramin Djawadi CO3 Senior Colorist: Stefan Sonnenfeld ASC CO3 Senior Finishing Editor: Jason Saulog CO3 Dailies Colorist: Evan Spicer Cameras: Sony CineAlta Venice & Alexa Mini (3.4K ARRIRAW & 6K AXS-R7) Lenses: Panavision G-, T-Series AL Primes & Zeiss Supreme Primes AR: 2.39:1 (Anamorphic)(S35mm: Some Shots) Budget: 75 Million USD Dailies, Color & Finish Provided by: Company 3 Attribute: Filmed in Panavision
41. Hello, Goodbye and Everything in Between (2022)
TV-14 | 82 min | Comedy, Drama, Romance
After making a pact to break up before college, Claire and Aidan retrace the steps of their relationship on one last epic date, revisiting familiar and unexpected places as they question: stay together or say goodbye forever?
Director: Michael Lewen | Stars: Jordan Fisher, Talia Ryder, Ayo Edebiri, Nico Hiraga
Votes: 4,251
Director: Michael Lewen Cinematographers: Bryce Fortner, Andy Gordon Film Editor: Joe Landauer A Camera Operator: Craig Anderl A First Assistant: Andrew Marchand-Boddy A Camera Second Assistant: Alessio Trani B / Steadicam Operator: Björn Hermannes B Camera First Assistant: Sam Kellet Associate Film Editor: Blake Gingerich First Assistant Editor: Wendy Sit Key Grip: Dean Reca A Cam Dolly Grip: Chris DeVito A First AC, Add'l Photog: Steven K. Johnson Set Supervisor, Costumes - AP: Nicole Smigelski Ghost VFX Visual Effects Prod: Gillian Pearson Ghost VFX Digital Colourist: Max Horton CO3 Supervising Colorist: Jill Bogdanowicz ASC Company 3 Sr Finishing Colorist: Parker Jarvie Company 3 Senior Finishing Producer: Ray Horta Company 3 Senior Finishing Editor: John Diesso Company 3 Dailies Colorist: Frank Robinson Company 3 Dailies Producer: Kyle Sanborn AR: 2.39:1 (Anamorphic) On-Set Visual Effects Supervision by: Ghost VFX & Artifex Studios Dailies Color & Finish Provided by: Company 3
42. The Gray Man (2022)
PG-13 | 122 min | Action, Thriller
When the CIA's most skilled operative, whose true identity is known to none, accidentally uncovers dark agency secrets, a psychopathic former colleague puts a bounty on his head, setting off a global manhunt by international assassins.
Directors: Joe Russo, Anthony Russo | Stars: Ryan Gosling, Chris Evans, Ana de Armas, Billy Bob Thornton
Votes: 237,831
Director & Producer: Anthony Russo Director, Screenwriter & Producer: Joe Russo Screenwriters-EPs: Chris Markus, Steve McFeely Co-Writers: Anna Gregory, Charles Leavitt, Rhett Reese, Joe Schrapnel, Paul Wernick Producers: Jeff Kirschenbaum, Mike LaRocca, Joe Roth UPM (AP)/Producer/Key First AD: Chris Castaldi EP-Key Unit Production Manager: Patrick Newall EPs: Angela Russo-Otstot, Jake Aust, Zack Roth EP, A Camera & Steadicam Op: Geoff Haley SOC Cinematographer: Stephen F. Windon ASC ACS Cinematographer - Sky Diving Seq: Craig O'Brien Cinematographer - E.P.K.: Sean Ricigliano Cinematographer (AP - 2nd Unit): Chris Collette VFX Cinematographer - Lola VFX: Pat Flannery Production Designer: Dennis Gassner Film Editors: Pietro Scalia ACE, Jeffrey Groth ACE BFE Costume Designer: Judianna Makovsky Composer: Henry Jackman Music Supervisors: Manish Raval, Tom Wolfe Production Visual FX Supervisor: Swen Gillberg Production Associate Producer - VFX: Viet Luu Casting: Sarah Halley Finn CSA Second Assistant Director: Andrea Hachuel Second Unit Director: Spiro Razatos Supervising Stunt Coordinator-2nd Unit Director: James Young Second Second Assistant Director: R. Ben Parker Sup Art Director & Co-PD: Richard L. Johnson Co-Production Designer: Chris Lowe Supervising Set Decorator: Nancy Haigh International Line Producer: Benoit Jaubert UPM (PR Unit) & Co-Producer: Anthony J. Vorhies Co-Producer: Joseph Micucci, Dave Minkowski 2nd Co-Producer: Matthew Stillman Associate Producer: Page Rosenberg Marvin AP-Int'l Log. Super & Coord: Murtaza Kathawala Post Production Supervisor: Tim Pedegana Financial Controller: Christian Feldhaus Senior Sup Finishing Artist: Steven J. Scott ASC 1995 De-Age Double #1: Steven Sievert 2003 De-Age Double #4: Gordon Tarpley 2003 De-Age Double #1: Steffen Dziczek Stunt & Fight Coordinator: Daniel Hernandez 2nd Unit Stunt Coordinator: Jack Gill Fight Trainer - Ms. De Armas & 2nd Unit Stunt Coordinator: Don Thai Theerathada Stunt Rigging Coordinator: Rockey Dickey Skydive Stunt Coordinator: Luke Aikins Senior Art Director: Thomas O. Frohling Art Directors: Lauren Rosenbloom, Eric Sundahl Art Directors (EU): Neal Callow, Tim Browning 1st Assistant Art Director: Gregory F. Anderson 2nd Assistant Art Director: Sarah Lopez 1st Set Designers: Ernie Avila, Tristan Bourne 2nd Set Designers: David Chow, Allen Coulter 3rd Set Designers: Sarah Forrest, Noelle King 4th Set Designers: Tammy Lee, Richard Mays 5th Set Designers: David Moreau, Ansh Prasad 6th Set Designers: Shari Ratliff, Paul Sonski Graphic Designers: Clint Shultz, Laura Grant Conc. Illustrators: Kim Frederiksen, Steve Jung Concept Illustrator (EU): Qingling Zhang Production Model Maker: Jeff Frost Art Department Coordinator: Andrea Carter Art Department Researcher: Lance Malbon Assistant Set Decorator: Sara Philpott Set Decoration Coordinator: Jessica Ripka Set Decoration Researcher: Hanna Woltz Buyer - Set Decoration: Kathy Lucas Supervising Prop Master: Doug Harlocker 3rd Prop Assistant: Nick Capparelli Prop Coordinator & Researcher: Finley Harlocker B Camera Operator: Maurice Keith McGuire SOC A Camera First Assistant: Taylor Matheson B Camera First Assistant: Jeff Lorenz A Camera Second Assistant: Alexandra Matheson B Camera Second Assistant: Jerry Patton Camera Loader: Alexandra Coyle Digital Imaging Technician: Chris Cavanaugh Digital Utility Technician: Marshall Hendershot Add'l Camera Second Assistant: Paul Saunders Lead Safety Officer: Rich Brandt Production Coordinator: Erik K. Yun Assistant Production Coordinator: Sara Chaisson Stunt Office Coordinator: Alex Benevent Production CG Coordinator: Martin Garner Gaffer: Robert Krattiger Rigging Gaffer & Key Grip: Mike Anderson A Dolly Grip: Jim Leidholdt B Dolly Grip: Melvin Butch Vonbulow Assistant Costume Designer: Michelle Moon Associate Costume Designer: Michael Crow Costume Coordinator: Jenny Reyes Super. Payroll Accountant: Amy Denning Winfrey Production Payroll Accountant: Stacey Griffin Assistant Payroll Accountant: MJ Jensen Sr Post Production Accountant: Marisol Jimenez Jr Post Production Coordinator: Michael Tucker Supervising Location Manager: Robin A. Citrin Key Assist Location Manager #1: Leslie Thorson Key Assist Location Manager #2: Dorion Thomas Key Assist Location Manager #3: Francis Lucas Key Assist Location Manager #4: Michael Bryant Key Assist Location Manager #5: Michael Fricke Assistant Location Manager: Monica Cohen Production SPFX Supervisor: Michael Meinardus Production SPFX Coordinator: Chris Brenczewski Special Effects Shop Foreperson: Ryan Meinardus Production SPFX Designer: Thomas R. Homsher Moco Engineer - Special Effects: Arnold Peterson Picture Car Coordinator: Dennis McCarthy E.P.K. Field Producer-Unit Publicist: Nicola Harris Publicity Consultant: Rob Harris E.P.K. Producer: Brad Baruh Senior Casting Associate: Molly Doyle CSA Additional Casting - LA: Krista Husar CSA Aerial Unit Coord-Camera Pilot: Kevin LaRosa II Aerial Unit Director of Photog: Jason La Fargo Speed Drone Pilot - Aerial Unit: Johnny Schaer A Cam Drone Pilot - Aerial Unit: Cam Fitzmaurice B Cam Drone Pilot - Aerial Unit: Michael Blizzard Group Manager - Aerial Production: Stephen Ruiz Coordinator - Aerial Production: Chas Gauthier Equip. Manager - Aerial Prod: Brody Thompson Aerial Unit Ground Coordinator: Kevin LaRosa Sr Aerial Unit Technician: Patrick Moynahan C-130 Captain (Aerial Unit): Richard Rowlette Underwater Unit DoP: Pete Zuccarini Gaffer - Underwater Crew: Anson Beck Grip - Underwater Crew: Richard O'Neal 1st AC - Underwater Crew: Sean Gilbert Military Advisor: Craig Palmer Story Consultant: Matt Westbrook 2nd Unit Director - AP & Storyboard Artist: Anthony Leonardi III Key Set Production Assistant: Davey Sawitzky 2nd Unit Director of Photography: Greg Baldi 2nd Unit 1st Assistant Director: Matt Haggerty 2nd Unit 2nd ADs: Jeff Goodell, Trevor Tavares 2nd Unit Key Prop Master: Ron Licari 2nd Unit Assistant Prop Master: Manuel Baca 2nd Unit "A" Camera 1st Assistant: Tulio Duenas 2nd Unit "A" Camera 2nd Assistant: Kevin Sun 2nd Unit "A" Camera Digital Loader: Criss Davis 2nd Unit Digital Imaging Tech: Nate Kalushner 2nd Unit Ronin Technician: Josh Quiros 2nd Unit Gaffer: Tim Marshall 2nd Unit Special FX Coordinator: Michael Gaspar 2nd Unit SPFX Laborer: Joseph Wayne Jones 2nd Unit 2nd 2nd Asst Director: Gregory Santoro 2nd Unit Production Assistant: Mason Moore Prague Unit Line Producer: Silvia Janculova Prague Unit 1st Asst Director: Martin Hladik Prague Unit 2nd Asst Director: Matus Kukuca Prague Unit Stunt Coordinator: David Listvan PR Unit Sup. Art Director: Martina Ter-Akopowá PR Unit Standby Art Director: Theodora Akopowá PR Unit Action Vehicle Supervisor: Steve Taylor PR Unit Action Vehicle Coordinator: Nancy Poirier Prague Unit A Camera Operator: Milan Chadima Prague Unit VFX Data Wrangler: Filip Latel Prague Unit Location Manager: Robert Mehrle PR Unit PMs-Plate Unit: Ali James, Charlie Hayes PR Unit Special FX Supervisor: Pavel Sagner Prague Unit Sr Dailies Colorist: Shane O'Connor Post Production Coordinator: Quinn Kawata 1st Assistant Editors: John To, Jennifer Stellema 2nd Assistant Editor: Phillip Trujillo Supervising Visual Effects Editor: Thomas Cabela Production Visual Effects Editor: Jeff Mee 1st Assistant Visual Effects Editor: Joshua Steele Post Production P.A.: Andrew Pedegana Sound Super, Designer & Re-Record Mixer: Mark Binder Co-Sound Supervisor & ADR Mixer: Elliot Hartley Re-Recording Mixer: Trevor Cress Additional Re-Recording Mixer: Chris Goodes Sound Studio Producer: Daniel Kiselev Prague 2nd Unit DoP: Igor Meglic ZFS Prague 2nd Unit Prod Manager: Jana Hrbkova Prague 2nd Unit 1st AD: Stewart Hamilton Prague 2nd Unit Floor AD: Martin Pavlacky Prague 2nd Unit Stunt Coord.: Leos Stransky Additional Editor - 2nd Unit, PR: David Kern Scanline VFX 2nd Unit VFX Super.: Bryan Grill Visual Effects Assist Supervisor: Charlie Lehmer Additional Visual FX Supervisor: Olivier Sarda Associate Visual Effects Producer: Tessa Roehl Yard Senior VFX Supervisor: Laurens Ehrmann Yard Visual Effects Supervisor: Harry Bardak ILM Senior Visual Effects Supervisor: Paolo Acri ILM Associate VFX Supervisor: Goran Kocov ILM Sr Visual Effects Producer: Josiane Fradette ILM Executive Producer: Laurence Berkani Lola VFX Supervisor: Cliff Welsh Lola VFX Producer: Will Anderson Lola VFX Associate Producer: Katherine Meadows Lola VFX Executive Producer: Thomas Nittmann Territory Visual FX Supervisor: Jonathan Knight NetFX Visual Effects Supervisor: Luc Julien CO3 Senior Finishing Artist: Andre Rivas CO3 Sr Finishing Producer & HOP: Carl SG Moore CO3 Finishing Associate Producer: James Levine CO3 Senior Finishing Editor: John Diesso CO3 Image Scientist: John Quartel CO3 Finishing Executive: Jackie Lee CO3 Senior Technical Lead: Juan Flores CO3 Head of Production: Laura Geucherian CO3 Finishing EP: Stefan Sonnenfeld ASC Executive in Charge of Visual Effects: Paddy Kelly Filming Dates: March 1, 2021 - July 23, 2021 Cameras: Sony CineAlta Venice & Red Komodo (6K AXS-R7) Lenses: Leitz Primes & Angenieux Optimo Ultra Zooms AR: 1.85:1 (3-Perf S35mm: Shooting Ratio), 2.39:1 (Final Aspect Ratio)(6K Redcode RAW: FPV Shots) Budget: 200 Million USD Score Recorded at: Air Studios & Abbey Road Studios, London UK Visual Effects & Animation by: Industrial Light & Magic, Scanline VFX, NetFX, Territory Studio, Lola VFX + The Yard Color & Finish Provided by: Company 3 Attribute: Camera Equipment Provided by Otto Nemenz International
43. Purple Hearts (2022)
TV-14 | 122 min | Drama, Music, Romance
In spite of their many differences, Cassie, a struggling singer-songwriter, and Luke, a troubled Marine, agree to marry solely for military benefits, but when tragedy strikes, the line between real and pretend begins to blur.
Director: Elizabeth Allen Rosenbaum | Stars: Sofia Carson, Nicholas Galitzine, Chosen Jacobs, John Harlan Kim
Votes: 51,493
Director: Elizabeth Allen Rosenbaum Writers: Liz W. Garcia, Kyle Jarrow Prods: Amy Baer, Elysa Koplovitz Dutton, Leslie Morgenstein Cinematographer: Matt Sakatani Roe Film Editor: Ishai Setton Composers: Tony Kanal, Blake Neely Supervising Location Manager: Neal Prosansky Key Assistant Location Manager: Julie Karelitz Assistant LMs: Mitch Harrington, Kevin Shipley Production Location Scout: Justin Louie Military Adviser: James Dever Senior Supervising Colorist: Jill Bogdanowicz ASC Company 3 Finishing Colorist: Bryan Smaller Company 3 Senior Finishing Editor: John Diesso CO3 Finishing Accountant: Jeremy Hockman Filming Dates: August 2021 - October 2021 Cameras: Sony CineAlta Venice & Venice 2 (6K X-OCN ST)[AXS-R7] Lenses: Cooke S7/I Primes & Tribe7 Blackwing7 Primes AR: 2.00:1 (3-Perf Super 35mm) Budget: 2.8 Million USD Color & Finish Provided by: Company 3
44. Day Shift (2022)
R | 113 min | Action, Comedy, Fantasy
A hard-working, blue-collar dad just wants to provide a good life for his quick-witted 10-year-old daughter. His mundane San Fernando Valley pool cleaning job is a front for his real source of income: hunting and killing vampires.
Director: J.J. Perry | Stars: Jamie Foxx, Dave Franco, Natasha Liu Bordizzo, Meagan Good
Votes: 89,688
Director: JJ Perry Screenwriter: Shay Hatten Co-Writer: Tyler Tice Producer: Chad Stahelski Executive Producer: Jamie Foxx EP/Unit Product. Manager: Charles J.D. Schlissel Cinematographer: Toby Oliver ACS Production Designer: Greg Berry Film Editor: Paul Harb ACE Costume Designer: Kelli Jones Composer/Score Producer: Tyler Bates Composers - Add'l Music: Lorena Perez Batista, Jordan Lewis Music Supervisors: Jay Alexander, Justin Feldman Overall Visual Effects Supervisor: Bjorn Mayer Key Production Manager: Steven P. Saeta First Assistant Director: William Paul Clark Key Second Assistant Director: Kaylee Johnson Post Production Supervisor: Michael Tinger Lead Visual Effects Producer: Taylor W. Rockwell Key Stunt Coordinators: Justin Yu, Troy Robinson Fight Coords: Michael Lehr, Eric C. Brown, Felix Betancourt Production Supervisor/Assoc Prod: Tom Carson Overall Financial Controller: Maeve M. Mannion Production Accountant: Amy Smolev Supervising Art Director: Troy Sizemore Production Art Director: Gregory Hooper Assistant Art Director: Emma Rentz Art Department Coordinator: Madison Harvey Senior Set Designer: Justin Lang Graphic Designer: Wendy Stokes Production Set Decorator: Lynne Mitchell Set Dec Coordinator: Deborah Jarvis Supervising Prop Master: Mike Sexton Assistant Prop Master: Kevin Shaw A Camera Operator: Mark Goellnicht B Ops: Mick Froelich SOC, Billy O'Drobinak SOC C Camera Operator: Hugh Braselton A Camera First Assistant: Sean Moe B Camera First Assistant: Patrick Sokley C Camera First Assistant: Tom Jordan A Second Assts: Vicky Warren, William McConnell B Camera Second Assistant: Katrienne Soulagnet C Camera Second Assistant: Dwayne Green Digital Utilities: Najee Rawlins, Liz Metz DIT: Jonathan Carbonaro Gaffer: Paul Hazard Rigging Gaffer: Mike P. Tyson Lighting Console Programmer: Zach Tharp Key Grip: Michael R. Duarte A Dolly Grip: J. Moose Howery B Dolly Grip: Evan Russell C Dolly Grips: R. Patrick Valler, Clay Caldwell Assistant Costume Designer: Allie Vernick Costume Coordinator: Ayide Borges SMUFX Department Head: Christopher Nelson Production Coordinator: Tyler Smith Assist Production Coordinator: Jordan Dickinson Sr Post Production Accountant: Brandon Linville Jr Post Production Accountant: Liza Fryman Supervising Location Manager: Kyle Hinshaw Production Location Coordinator: Kris Gray Production Location Scouts: Carri Gibbs Lead Special Effects Coordinator: Richie Schwalm Production Special Effects Purchaser: Jen Picard Additional SFX Creator: JD Schwalm Picture Car Captain: Mark Bush 2nd 2nd ADs: Meaghen Gillenwater, Tyler Vaughn Set Teacher/Child Labor Coord.: Tovah Shraga Los Angeles Unit Prod. Coordinator: Drew Grant Los Angeles Unit Assistant PC: Rylee Axner Los Angeles Unit Set Decorator: David A. Cook LA Unit Set Dec Coordinator: Sonia Giacomazzi Los Angeles Unit Prop Assistant: Joshua Simpson Los Angeles Unit C Operator: Damian Upchurch Los Angeles Unit C First Assistant: Brian Udoff Los Angeles Unit C Second Asst: Genna Palermo Los Angeles Unit D Cam Operator: Tobin Oldach Los Angeles Unit D First Assist: Lorenzo Porras Los Angeles Unit D Second Assist: Jesse Barba Los Angeles Unit Digital Loader: Gerardo Leon Los Angeles Unit DIT: Zach Madden Los Angeles Unit Drone Producer: Dave Radin LA Unit Heavy Lift Drone Pilot: Drew Roberts LA Unit Heavy Lift Drone Cam Op: Jake Capistron LA Unit HL Drone 1st AC/Tech: Late Labruzza LA Unit HL Drone Visual Observer: Nick Lantz Los Angeles Unit FPV Drone Pilot: Tommy Tibajia LA Unit FPV 1st ACs: Ben Stefanides, Michael Kretovics LA Unit FPV Visual Observers: Rick Howarth, Max Friedman Los Angeles Unit Rigging Gaffer: Vince Young LA Unit Light Console Programmer: Greg Ladwig Los Angeles Unit Key Grip: Alexander Griffiths Los Angeles Unit A Camera Dolly Grip: Ken Davis Los Angeles Unit B Cam Dolly Grip: Bill Adegar Los Angeles Unit C Dolly Grip: Kawika Ahuna Los Angeles Unit LM: Alison A. Taylor First Assistant Editor: Nick Coker Second Assistant Editor: Nick Rucka Production Visual Effects Editor: Brian Bautista Post Production Music Editor: Roger Kosteck Post Production Coordinator: Matthew Walsh Third Editorial Assistant - Atlanta: Ron Emile Third Editorial Assist - Los Angeles: Madison Njos Dialogue ADR Supervisor: Michele Perrone Score Co-Producer: Joanne Higgenbottom Conductor & Sup Orchestrator: Timothy Williams VFX Production Manager: Josh Carlton Production VFX Coordinator: Becky Collins VFX IO Coordinator: Allen Sanders Crafty Apes VFX Supervisor; Steve Dinozzi Crafty Apes VFX Producer: Bobby Tucker Crafty Apes Composite Supervisor: Michael Viera Crafty Apes CG Supervisor: Christopher Higgins Crafty Apes Animation Supervisor: Burke Roane Crafty Apes FX Supervisor: Andrew Furlong Crafty Apes Sup Matte Painter: Brandon Kachel Crafty Apes CG Production Manager: David Hirsh Crafty Apes Tracking Supervisor: Toby Watson Crafty Apes CG Coordinator: Kate Smith Crafty Apes Anim. Coordinator: Courtney Brewer Crafty Apes Tracking Coordinator: Asia Minor Crafty Apes Project Coordinator: Natalie Barton Crafty Apes Head of Studio, ATL: Mark Ledoux Crafty Apes EPs: Chris Ledoux, Matt Akey Pixomondo VFX Supers: Sebastian Butenberg, Stuart Cripps Pixomondo Head of Production Nicole Watt Pixomondo VFX Producer: Kathrin Lang Pixomondo VFX Assoc. Producer: Andrew Turner Pixomondo VFX Coords: Mary Carr, Amir Sorouri Pixomondo Associate Producer: Colin De Andrade NetFX Producer: Catherine Westgate NetFX VFX Supervisor: Luc Julien NetFX Production Manager: Amanda Barrios Additional Visual Effects Designer: Gavin Carlton FCS Senior Finishing Colorist: Alastor Pan Arnold FCS Digital Intermediate Editor: Jude Chacon FCS VP & Lead Digital Inter. Producer: Jose Parra FCS Sr Digital Inter. Producer: Susan Alexander Filming Dates: 19 April 2021 - 22 August 2021 Cameras: Red Komodo & Ranger Monstro (6K & 8K Redcode RAW) Lenses: Zeiss Supreme Primes & DZOFILM Vespid Primes AR: 2.39:1 (3-Perf Super 35mm) Budget: 100 Million USD Visual Effects by: Crafty Apes, Pixomondo & NetFX Attribute: Camera Package Supplied by Alternative Rentals
45. Lou (I) (2022)
R | 107 min | Action, Adventure, Crime
A storm rages. A young girl is kidnapped. Her mother teams up with the mysterious woman next door to pursue the kidnapper, a journey that tests their limits and exposes shocking secrets from their pasts.
Director: Anna Foerster | Stars: Allison Janney, Jurnee Smollett, Logan Marshall-Green, Ridley Asha Bateman
Votes: 33,401
Director: Anna Foerster ASC Co-Writer: Maggie Cohn Screenwriter: Jack Stanley Prods: J.J. Abrams, Jon Cohen, Hannah Minghella Exec. Producers: Allison Janney, Jurnee Smollett Exec. Prods: Cory Bennett Lewis, Lindsey Weber EP/Unit Production Manager: Brendan Ferguson Executive Producer: Braden Aftergood Cinematographer: Michael McDonough ASC BSC Cinematographer (AP): Walter Lindenlaub ASC Production Designer: Brent Thomas Production Designer (AP): Martin Laing Film Editors: Matt Evans, Paul Tothill ACE Costume Designer: Tish Monaghan Costume Designer (AP): Leah Butler Composer, Conductor & Non-Traditional Vocalist: Nima Fakhrara Casting Director: Rich Delia CAN Casting: Errin E. Lally CSA, Annalese Tilling CSA Production Manager: Adrienne Sol First Assistant Director: James Bitonti Second Assistant Director: Benjamin Cairns Stunt Coordinator: Dan Shea Fight Choreographer: Daniel Bernhardt Stunt Rigging Coordinator: Andres Dominguez Overall Visual Effects Supervisor: Stefano Trivelli Post Production Supervisor: Lisa Rodgers Associate Producer: Jeannette Francis Art Director: Bridget McGuire Set Decorator: Elizabeth Wilcox Assistant Art Director: Lisa Van Velden Assistant Set Decorator: Michael Billings A Camera / Steadicam Operator: John Clothier B Camera Operator: Scott MacDonald C Camera Operator: Ian Levine A Camera First Assistant: Larry Portmann B Camera First Assistant: David Edwards C Camera First Assistant: Jeff Sayle A Camera Second Assistant: Kathie Singh B Camera Second Assistant: Curtis Nicholls C Second Assts: Nadia Baptista, Cheyenne Mickle Camera Loader: Adriene Wise Digital Image Technician: Mark Allan Camera Trainee: Jarvis Killoran Libra head Technician: Cary Cooper Sup. Sound Editors: Sean McCormack, Branden Spencer Re-Recording Mixers: Tateum Kohut, Greg Orloff First Assistant & Overall VFX Editor: Ken O'Keefe First Assistant Editor, UK: Tony Trompetto Supervising Prop Master: Bryan D. Korenberg Gaffer: Stuart Haggerty Rigging Gaffer: Sean Oxenbury Ultimate Arm Car Chase Operator: Randy Ennis Ultimate Arm Camera Operator: Chris Wiseman Ultimate Arm Technician: Andrew Chybisov Video Assist Coordinator: George Collins Supervising Location Manager: Ann Goobie Key Assistant Location Manager: Paul Giordano Assistant Location Manager: Cole Boughton Production Location Scout: Joel Hurley Production Coordinator: Jerami Pergel Third Assistant Directors: Joel Cyr, Robyn Ledoux Trainee Assistant Director: Megan Will Art Department Coordinator: Negin Armani Set Designers: Peter Rzazewski, Michael Corrado Set Dec Coordinator: Britt Bancroft Storyboard Artist: Colin Lorimer Lead Special Effects Coordinator: Paul Benjamin Bad Robot Executive: Chrysta Marie Burton Picture Car Wrangler: Ramone Defazio Aerial Unit Director of Photog.: John Trapman Aerial Unit Helicopter Pilot: Steve Gray Aerial Unit Assistant: Dane Bjerno Drone Unit Pilot: Tyler McDougall Drone Unit A Camera Operator: Brad McGregor Drone Unit Technician: Michelle Yardley Safety Consultant: Sarah Sparks Edge Safety Supervisor: Nadene Beckham Post Production Sound Designer: Paul Pirola Supervising Music Editor: Scott Hedrick Temp Music Editor: Richard Ziegler Music Supervisor: Charles Scott Production Visual Effects Producer: Tolly Swallow VFX Coords: Albert Whitemore, Celine Villagran Bad Robot Visual Effects Super.: Pauline Duvall Crafty Apes Visual Effects Sup: Phil Nussbaumer Crafty Apes Visual Effects Producer: Emily Deere Crafty Apes Digital Prod Manager: Todd Whalen Crafty Apes Visual Effects Coord: Zach Groves Crafty Apes Compositing Super: Tilman Paulin Crafty Apes Lead Compositor: Mauri Valderrama Crafty Apes CG Supervisor: Sean Ritchie Crafty Apes Lead Animator: Paul Zeke Crafty Apes Rigging Lead: Vincent Delay Crafty Apes Visual Effects Editor: Grant Storrie Crafty Apes IO Coords: Paulo Mariles, Tony Corsi Crafty Apes Head of Production: Tara Conley Crafty Apes Head of Studio: Dave Morley Crafty Apes Executive Producer: Matt Akey DNEG Visual FX EP: Melinka Thompson-Godoy DNEG Visual Effects PRODUCER: Monica Rho DNEG VFX Supervisor: Kunal Ghosh Dastider DNEG VFX CG Sups: Tony D'Souza, Habeeb Ahmed DNEG Visual Effects PM: Yogita Narsian DNEG Compositing Supervisor: Arijit Ghosh DNEG Digital Effects Lead: Shal Joseph DNEG Digital Lighting Supervisor: Viren Shah DNEG Visual Effects Prod Asst: Arianne Pacibe Temp VFX Prods: Christine McDermott, Kenhalo Bernet Temp VFX Visual Effects Super: Raoul Bolognini Temp VFX Visual FX Manager: Dragos Berghia Temp VFX Visual Effects Coord: TJ Ballesteros CO3 Digital Intermediate Sr Colorist: Tim Stipan CO3 DI Producers: Erik Rogers, Ricardo Ramirez Company 3 Senior Producer: Marigna Bright CO3 DI Senior Conform Editor: Jason Saulog Company 3 Dailies Colorist: Jaan Spirka Company 3 Dailies Operator: Marianne Morin Company 3 Dailies Producer: Elise McMullen Company 3 Dailies Coord: Morgan Parker-Carney Line Producer (AP): Jack Murray Filming Dates: June 2021 - August 2021 Shooting Format: Anamorphic & Spherical Cameras: Alexa LF & Mini LF (4.5K ARRIRAW) Lenses: Cooke Anamorphic/I Full Frame Plus Primes (1.8x Squeeze) AR: 2.00:1 (Second & Third Acts), 2.39:1 (First 27 Minutes & Last 18 Minutes) Visual Effects by: Temperamental VFX, DNEG & Crafty Apes Dailies & Digital Intermediate by: Company 3 Attribute: Camera & Lenses Provided by Keslow Camera
46. Blonde (2022)
NC-17 | 167 min | Drama, History
The story of American actress Marilyn Monroe, covering her love and professional lives.
Director: Andrew Dominik | Stars: Ana de Armas, Lily Fisher, Julianne Nicholson, Tygh Runyan
Votes: 71,821
Director & Screenwriter: Andrew Dominik Prods: Brad Pitt, Dede Gardner, Jeremy Kleiner Producer & Unit Prod. Manager: Tracey Landon Producer & First Assist. Director: Scott Robertson Cinematographer: Chayse Irvin ASC CSC Film Editor: Adam Robinson Prod Design/Sup. Set Decorator: Florencia Martin Costume Designer: Jennifer Johnson Composer & Score Performer: Nick Cave Composer, Score Performer & Mixer: Warren Ellis Casting Director: Victoria Thomas CSA Co-Producer: Ana De Armas Second Assistant Director: Aaron C. Fitzgerald Production Choreographer: Denna Thomsen Assistant Choreographer: Jamie Donovan Stunt Coordinator: Tracy Keehn-Dashnaw Production Art Director: Peter Andrus Production Set Decorator: Erin Fite Assistant Set Decorator/Buyer: Allison Isenberg A Camera/Steadicam Operator: Dana Morris A Camera/Steadicam 1st AC: Jimmy Ward A Camera 2nd Assistant Camera: Sean Kisch A Additional 2nd Assistant Camera: Max DeLeo A Camera Loader: Farisai Kambarani A Camera Digital Utility: Iain Trimble Video Assist Operator: David D. Scott Chief Lighting Technician: Cody Jacobs Assist Chief Lighting Technician: Brandon Wilson Lighting Console Programmers: Mark Stuen, Jake LaPeire LTs: Mark Farney, Jordan Holtane, Marty Ulbrich Rigging Chief Lighting Technic.: John Manocchia Rigging Assistant Chief LT: Jerry Gregoricka Rigging LTs: Vince Manocchia, Jeffrey Schrage Make-Up Department Head: Tina Roesler Kerwin Overall Special Effects Coordinator: Jeremy Hays Sr. Special Effects Foreman: Jonathan Kombrinck Overall Special Effects Technician: Ryan Thoutte Lux Virtual Production Supervisor: Wyatt Bartel Supervising Prop Master: Joshua Bramer Assistant Prop Master: Raphael Di Febo Second Prop Assistant: Brittany Ruiz Supervising Location Manager: David Conway Key ALMs: Christina Conway, Rachel S. Nelson Assistant LMs: Colin DeMartini, DuJuan Johnson Production Supervisor: Liv Roush Production Coordinator: Charlotte Rapak Assistant Production Coordinator: Joanne Ramos Office Prod Assts: Madeline Centrella, Ben Thorn Art Department Coordinator: Janet Kim Unit Publicist: Spooky Stevens Still Photographer: Matt Kennedy SMPSP Casting Associate: Bonnie Grisan CSA Dialect Coach to Ana De Armas: Jessica Drake Intimacy Coordinator: Jean Franzblau Second Second Asst Director: Spencer L. Taylor Key Set Production Assistant: Conrad T. Curtis Post Production Supervisor: David Scharf Add'l Film Editors: Jennifer Lame ACE, John Paul Horstmann, Andrea Norby Production VFX Editor: James LeSage First Assistant Editor: Brett Roberts Second Assistant Editor: Fred Brown II Third Assistant Editor: Zach Wiegmann Fourth Assistant Editor: Eric Schusterman Sound Design/Re-Recording Miser: Leslie Shatz Supervising Dialog/ADR Editor: Josh Hielbronner Production Dialogue Editor: Eliza Paley Production Foley Editor: Dan Ward Production Sound Effects Editor: Jon Flores APS Studio Manager: Chantalle Millman Score Producer & Mixer: Jake Jackson Score Arrangements & Conductor: Ben Foster Music Supervisor: Rachel Fox Production Music Editor: Jahn Sood Overall Visual Effects Supervisor: Phillip Moses Visual Effects Prod/Sup: Raoul Yorke Bolognini CO3 Finishing Colorists: Tom Poole ASC, Andrew Geary, Jake White CO3 Additional Colorist: Dustin Wadsworth CO3 Finishing Editors: Gina Kalim, John Diesso Company 3 Sr. Finishing Producer: Michael Maida Company 3 Associate Producer: Laura Hickerson Company 3 Color Assistant: Ben White Company 3 Deliverables Producer: Joe Monge CO3 Deliverables Technician: Jason Robinson Company 3 Finishing Executive: Jim Gardner Company 3 Head of Production Margaret Lewis CO3 Executive Producer: Stefan Sonnenfeld ASC EFilm Color Scientist: Joachim Zell ASC EFilm Dailies Producer: Arthur Tremeau EFilm Dailies Assoc. Producer: Shawna Barbera EFilm|CO3 Dailies Colorist: Ben Estrada EFilm Dailies Operator: Chris McDonald EFilm Dailies Senior Engineer: Terry Morrison EFilm Dailies Coordinator: Georgia Ringelberg EFilm Business Dev Manager: Marc Ross EFilm Dailies Manager: Leeza Diott Very Special Thanks: Michael DeLuca Casting Consultant: Laray Mayfield CSA Special Thanks: David Fincher Panavision SVP of Opt. Engineering: Dan Sasaki ASC Filming Dates: August 2019 - July 2021 Shooting Format: Full Frame Super 35mm & Anamorphic Cameras: Sony CineAlta Venice & Alexa XT Monochrome (2.8K, 3.4K ARRIRAW, 4K & 6K AXS-R7) Lenses: Panavision Primo SLZ11 24-275 Zoom, APO Panatar 1.25x AL 50mm, PVintage SL Primes, Ultra Speed MKII SL Primes, Close Focus Macro SL 90mm, H-Series SL 12mm, D-Series AL 40mm, Petzval Primes (58mm, 85mm) & Leitz Summilux-C SL Primes AR: 1.00:1 (Some Shots), 1.37:1 (Most Scenes), 1.85:1 (Some Shots) Budget: 20-22 Million USD Virtual Production Services Provided by: Lux Machina Score Recorded at: Air Studios, London Score Mixed at: Masterchord Studios, London Visual Effects Management by: Temprimental VFX - Los Angeles & Switch VFX Digital Intermediate & Dailies by: Company 3 NY & EFilm CA Attribute: Filmed in Panavision
47. Mr. Harrigan's Phone (2022)
PG-13 | 104 min | Drama, Horror, Mystery
When Mr. Harrigan dies, Craig, the teen who befriended and did odd jobs for him, puts his smart phone in his pocket before burial. When the lonely youth sends his dead friend a message, he is shocked to get a return text.
Director: John Lee Hancock | Stars: Donald Sutherland, Jaeden Martell, Joe Tippett, Colin O'Brien
Votes: 38,087
Director/Writer: John Lee Hancock Prods: Ryan Murphy, Jason Blum, Carla Hacken Cinematographer: John Schwartzman ASC Production Designer: Michael Corenbluth Film Editor: Robert Frazen ACE Composer: Javier Navarrete CO3 EP/Senior Colorist: Stefan Sonnenfeld ASC Company 3 Additional Colorist: Parker Jarvie Company 3 Finishing Editor: Joe Ken Company 3 Color Assistant: Frankie Hudson CO3 Producers: Erik Rogers, Ricardo Ramirez Filming Dates: 20 October 2021 - 22 Dec. 2021 AR: 2.39:1 Color & Finish Provided by: Company 3
48. The School for Good and Evil (2022)
PG-13 | 147 min | Action, Comedy, Drama
Best friends Sophie and Agatha find themselves on opposing sides of an epic battle when they're swept away into an enchanted school where aspiring heroes and villains are trained to protect the balance between Good and Evil.
Director: Paul Feig | Stars: Kit Young, Sophia Anne Caruso, Cate Blanchett, Liam Woon
Votes: 35,983
Director/Screenwriter/Producer: Paul Feig Screenwriter: David Magee Prods: Laura Fischer, Jeff Kirschenbaum, Joe Roth, Jane Startz Cinematographer: John Schwartzman ASC Production Designer: Andy Nicholson Film Editor: Brent White ACE Production Visual Effects Supervisor: Erik Nordby Composer: Theodore Shapiro Production Visual Effects Producer: Rich Yeomans Narrator: Cate Blanchett CO3 Supervising Colorist: Stefan Sonnenfeld ASC CO3 Additional Finishing Colorist: James Slattery CO3 Senior Finishing Editor: Thomas Lambert CO3 Producers: Leigh Meyers, Gemma Saunders DNEG VFX SUPERVISOR: Anelia Asparuhova DNEG VFX PRODUCER: Vikram Chadha Image Engine VFX Supervisor: Christian Irles NetFX VFX Supervisor: Luc Julien Camera: Millennium DXL2 (8K Redcode RAW) Lenses: Panavision Primo 70 Series SL Primes, Sphero 65 Primes & H-Series Spherical Primes AR: 2.00:1 (Panavision S70 & 3-Perf S35mm) Visual Effects by: Double Negative & Framestore Dailies, Color & Finish Provided by: Company 3
49. All Quiet on the Western Front (2022)
R | 148 min | Action, Drama, War
A young German soldier's terrifying experiences and distress on the western front during World War I.
Director: Edward Berger | Stars: Felix Kammerer, Albrecht Schuch, Aaron Hilmer, Moritz Klaus
Votes: 244,694
Director/Screenwriter: Edward Berger Screenwriters/Prods: Ian Stokell, Lesley Paterson Producers: Daniel Brühl, Clive Barker Cinematographer: James Friend ASC BSC Film Editor: Sven Budelmann Composer: Volker Bertelmann Overall Visual Effects Supervisor: Frank Petzold Cine Chromatix VFX Supervisor: Markus Frank Cameras: Alexa 65 & Mini LF (4.5K & 6.5K ARRIRAW) Lenses: Arri Prime DNA & Prime 65 S AR: 2.39:1 (4-Perf Super 35mm & Arri 765) Visual Effects Provided by: Cine Chromatix & UPP
50. Enola Holmes 2 (2022)
PG-13 | 129 min | Action, Adventure, Crime
Now a detective-for-hire, Enola Holmes takes on her first official case to find a missing girl as the sparks of a dangerous conspiracy ignite a mystery that requires the help of friends - and Sherlock himself - to unravel.
Director: Harry Bradbeer | Stars: Millie Bobby Brown, Henry Cavill, David Thewlis, Louis Partridge
Votes: 100,265
Director, Story Writer & EP: Harry Bradbeer Executive Producer / Co-Writer: Jack Thorne Producers: Mary Parent, Alex Garcia, Ali Mendes Producers: Millie Bobby Brown, Robert Brown Executive Producer: Joshua Grode Executive Producer / Key UPM: Michael Dreyer Executive Producers: Paige Brown, Jane Houston Cinematographer/A Cam Op: Giles Nuttgens BSC Cinematographer, B Roll: Charley Brown Cinematographer, EPK: Peter Marsden Production Designer: Michael Carlin Film Editor: Adam Bosman Costume Designer: Consolata Boyle Composer/Score Producer: Daniel Pemberton Casting Director: Orla Maxwell CDG Overall Visual Effects Supervisor: Michael Ellis Unit Production Manager: James Grant First Assistant Director: Zoe Liang Key Second Assistant Director: Gayle Dickie Supervising Stunt Coordinator: Jimmy O'Dee Assistant Stunt Coordinator: Steve McQuillan Production Fight Choreographer: James Embree Stunt Department Coordinator: Nora Henderson Stunt Kit Wrangler: Conor Parish Head Stunt Rigger: Ben Mahoney Production Choreographer: Francesca Jaynes Assistant Choreographer: Dale Mercer Production Coordinator: Joshua Darby Asst. Prod. Coordinator: Alisha Kinkead-Weekes Production Secretary: Max Hartney Floor Second Assistant Director: Eloise Loach Crowd Second Assistant Director: Corrin Allen Key Third Assistant Director: Jamie Lewis Crowd Third Assistant Director: Georgia Lewis Crowd PA: Joey Hiscocks Supervising Art Director: James Lewis Senior Art Director: Will Coubrough Third Art Directors: Luke Whitelock, Kate Hunter Standby Art Director: Pete James Asst Art Directors: John Adkins, James McClellan Art Dept. Coordinator: Merixell Lombana McNulty Lead Graphic Designer: Chris Kitisakkul Graphic Designer: Isobel McKenzie Assistant Graphic Designer: Lois Williams Draughtsperson / Model Maker: Olavo Abrantes Storyboard Artist: Sav Akyuz Concept Artist: Randolph Watson Illustrator / Art Director: Jonathan Houlding B Camera / Steadicam Operator: Paul Edwards First Assistant A Camera: Anna Benbow Second Assistant A Camera: Thomas Barber Camera Trainee, A Camera: Samuel Lawson First Assistant B Camera: James Harrison Second Assistant B Camera: Alistair King Camera Trainee, B Camera: Katie Titchener DIT: Luke Williams DIT Assistant: Rebecca Gillespie Stills Photographer: Alex Bailey Video Operator: Richard Shean Video Assistant: Lucas Murray-Reynolds Gaffer: Lee Knight Rigging Gaffer: Edward Knight Production Special Effects Supervisor: Mark Holt Special Effects Floor Supervisor: David Caunce Special FX Workshop Supervisor: Mark Vanstone Senior SFX Technicians: Luke Corbyn, Nick Kool Asst Special Effects Technician: Christopher Gray Health & Safety Technician, SPFX: Peter Treece Sr. SFX Designers: Andy Roberts, William Wyatt Supervising Location Manager: Tom Howard Location Department Coordinator: Charles Burke Unit Manager: Joe Kirby Assistant Unit Manager: Joshua Renshaw Unit Assistant: Jodie Payne Studio Unit Manager: Charlotte Peters Studio Assistant: Dan Lesczynski Key Location Assistant: Francesca Forster Head of Security: Kyle David Supervising Prop Master: Ben Johnson Assistant Prop Master: Adrian Platt Production Props Coordinator: Amber Daniels Production Armourer: Edward Smith Production Horsemaster: Adam Francis Supervising Set Decorator: Lisa Chugg Senior Assistant Set Decorator: Camila Huggs Assistant Set Decorator: Charlie Murray Set Decoration Coordinator: Arabella Wunderlich Set Coordinator: Violet Elliot Set Decoration Assistant: Isobel Murray Costume Supervisor: Marion Weise Assistant Costume Supervisor: Bethany Sparkes Daily Costume Assistant: Stephanie Edgerton Hair & Make Up Designer: Peter Swords King Crowd Hair & Make Up Supervisor: Emma Bailey Post Production Supervisor: Emma Zee Additional Film Editor: Paolo Magni First Assistant Editor: Emanuele Giraldo Production Visual Effects Editor: Chris Lloyd Visual Effects First Assistant Editor: Laura Saimre Post Production Coordinator: Scott Fraser Second Visual Effects Supervisor: Michael Ellis Production Visual Effects Producer: Helen Judd Visual Effects On Set Supervisor: David Simpson Production Visual Effects Data Wrangler: Ed Rigg Assist Visual Effects Data Wrangler: Sam Cooper Visual Effects Production Manager: Garry Frost Sr. Visual Effects Coordinator: Nikoleta Slezakova Visual Effects Assist Coordinator: Toni Winston Unit Publicist: Nikola Graydon Publicity Consultant: Robert Harris Covid / Health & Safety Supervisor: Sean Bailey Covid Coordinator: Nye James Assistant Covid Coordinator: Christina Olutola Second Unit Director: James O'Donnell Production Manager, Second Unit: Ali James Second Unit Assistant PC: Chris McGarry Second Unit First Assistant Director: Dan Lizaitis Second Unit Third Assistant Director: Nic White Second Unit DoP: Hamish Doyne-Ditmas Second Unit A Ops: Mark Moriarty, Peter Wignall Second Unit First Assistant A Cam: Mike Green Second Unit A Second AC: Sandra Pennington Second Unit DIT: Alex Golding Second Unit A Camera Trainee: Joe Medlock Set PA, Second Unit - Dailies: Ben Bailey Music Supervisors: Peter Afterman, Alison Litton Music Coordinator: Jane Berry Head of Music Legal Services: Christine Bergren Score Recordist & Mixer: Sam Okell Score Recordist: Andrew Dudman Score Orchestrator & Conductor: Matt Dunkley Digital Score Recordist: Andy Maxwell EVP of Physical Production: Herbert W. Gains SVP of Production Finance: Michael J. Balog SVP of Post Production: Valerie Flueger Veras Post Production Executive: Caitlin Atherton Post Production Manager: Kristin Anger Post Production Coordinator: Taylor Hanley Post Executive of Digital Assets: Dom Koletes SVP, Visual Effects & 3D Production: Damien Carr Overall Visual Effects Executive: Craig Andujar Lead Visual Effects Coordinator: Meghan Horgan Spin VFX President/VFX Supervisor: Nieshaw Ali Spin VFX Executive Producer: George Macri Spin VFX Visual Effects Supervisor: Eddie Taylor Spin VFX Visual Effects Producer: Brandy Drew VFX Prod Manager, Spin VFX: Julia Blackwell VFX Production Assistant, Spin VFX: Cait Sullivan Spin VFX CG Supervisor: Matt Philip Spin VFX Comp Dept Supervisor: Andrew Scott Yard VFX Visual Effects Super: Laurens Ehrmann Yard VFX Visual Effects Producer: Elisa Perez Yard VFX CG Supervisor: Aymeric Aute Yard VFX Compositing Supe: Sébastien Fauchère GPP Digital Colorist: Rob Pizzey Goldcrest Head of VFX: Dolores McGinley Goldcrest VFX Producer: Charine Bederar Titles/Graphics/Animation Designer: Matt Curtis Graphics Production Supervisor: Matt Lawrence Filming Dates: 5 October 2021 - 7 January 2022 Cameras: ALEXA LF & Mini LF (4.5K ARRIRAW) Lenses: Arri Signature Primes AR: 2.39:1 (Super 35mm) Horses & Animals Supplied by: The Devil's Horsemen + Birds & Animals Score Recorded at: Abbey Road Studios, London Visual Effects by: Spin VFX & The Yard VFX Made at: Shepperton Studios, London, England Attribute: Captured with ALEXA
51. The Wonder (I) (2022)
R | 108 min | Drama, Mystery, Thriller
A tale of two strangers who transform each other's lives, a psychological thriller, and a story of love pitted against evil.
Director: Sebastián Lelio | Stars: Florence Pugh, Tom Burke, Kíla Lord Cassidy, Niamh Algar
Votes: 44,085
Director & Screenwriter: Sebastián Lelio Screenwriter: Alice Birch Co-Writer & EP: Emma Donoghue Producers: Ed Guiney, Tessa Ross, Julie Howell, Andrew Lowe Executive Producer: Danny Cohen Cinematographer/A Operator: Ari Wegner ACS Production Designer: Grant Montgomery Film Editor: Kristina Hetherington Costume Designer: Odile Dicks-Mireaux Co-Producer: Angus Lamont Composer: Matthew Herbert Line Producer: Patrick O'Donoghue Production Manager: Lorraine Hewson First Assistant Director: Jonathan Shaw Second Assistant Director: Neil Guerin Supervising Art Director: Daryn McLaughlan Art Directors: Til Frohlich, Lesley Oakley Standby Art Director: Curnan O'Connell Set Decorator: Margot Cullen Steadicam / B Camera Operator: Mick O'Rourke A Camera First Assistant Camera: Simon Culliton B Camera First Assistant Camera: Louise MacEllin A Camera 2nd Assistant Camera: Howard Jones Digital Imaging Technician: Olaya Chesneau DIT Assistant: Stephen Dolan Camera Trainee: Richard Deering Camera Assistant Trainee: Leah O'Toole Video Operators: Andrew Gallivan, Ben McMahon First Assistant Editor: Giles Burgess Gaffer: Garret Baldwin Special Effects Sups: Kev McManus, Rob Rowley Production Prop Master: Lyndon Johnston Graphic Designer: Victoria A. Carney Art Department Trainee: Shauna Mahon Smyth 2nd Unit DOP: Burschi Wojnar Second Unit B First Assistant Camera: Karl Walsh Production Music Editor: Connor Hughes Music Supervisor: Sarah Giles Score Conductor / Orchestrator: Hugh Brunt Copyist/Add'l Orchestrator: Ananda Chatterjee Additional Score Orchestration: Talia Morey Score Engineer: Jeremy Murphy Digital Intermediate Colourist: Vanessa Taylor Netflix Production Executive: Jasmine Torbati Element Pictures Production Exec: Emer O'Shea AR: 2.39:1 (Super 35mm) Score Performed by: The London Contemporary Orchestra
52. Slumberland (2022)
PG | 117 min | Adventure, Comedy, Drama
A young girl discovers a secret map to the dreamworld of Slumberland, and with the help of an eccentric outlaw, she traverses dreams and flees nightmares, with the hope that she will be able to see her late father again.
Director: Francis Lawrence | Stars: Jason Momoa, Marlow Barkley, Chris O'Dowd, Kyle Chandler
Votes: 32,963
Director & Producer: Francis Lawrence Screenwriters/EPs: Mike Handelman, Dave Guion Prods: Pete Chernin, Jenna Topping, Dave Ready Executive Producer / Unit PM: Ray Angelic Co-Producer: Cameron MacConomy Cinematographer: Jo Willems ASC SBC Cinematographer, Underwater & Second Units/ B Camera Operator: Ian Seabrook Cinematographer, British Columbia Unit: Brian Johnson Production Designer: Dominic Watkins Film Editor: Mark Yoshikawa ACE Costume Designer: Trish Sommerville Composer / Score Producer: Pinar Toprak Production Visual Effects Supervisor/Second Unit Director: Adrian De Wet Production VFX Producer: Eve Serena Fizzinoglia Casting Director: Denise Chamian CSA Co-Executive Producer: Jason Momoa Unit Production Manager: Greg Denny Key First AD / Co-Producer: Christopher Surgent Second Assistant Director: Sarah Campbell Marlow Barkley Photo Double: Abigail White Supervising Stunt Coordinator: Scott J. Ateah Jason Momoa Stunt Double: Ryan Tarran Marlow Barkley Stunt Double: Juliana Potter Stunt Rigging Coordinator: Kai Hirvonen Stunt Riggers: Nicholas Longhurst, Tim Cody Stunt Utility Assistant: Lloyd Cunningham Production Choreographer: Melissa Mitro Assistant, Melissa Mitro: George Absi Canadian Casting Director: Robin D. Cook CSA Financial Controller: Ilana McAllister Supervising Art Director: Tom Reta Overall Concept Artist: Tim Browning Art Department Coordinator: Lindsay Gilmer Trainee Assistant Art Director: Tristan Trotman Architectural Engineer: Jeff Archbold Set Decorators: Jeffrey Melvin, Daniel Birt Assistant Set Decorator: Byron Patchett Set Decoration Coordinator: Angel Winstl Set Decoration Wireman: Larry Smith Prop Masters: Kevin Lise, Rowena O'Connor Assistant Prop Master: Sarah Bailey Production Prop Buyer: Theresa Buckley A / Steadicam Operator: David J. Thompson SOC A Camera First Assistant: Dean Stinchcombe B Camera First Assistant: Ben Smith A Camera Second Assistant: Matthew Reid B Camera Second Assistant: Aaron McMurtry Camera Utility Assistant: Keren Hitterman DIT: Jeffrey Bowes DMT: Sarah Warland A Camera Trainee: Jacquelyn Cooney B Camera Trainee: Liam Forde Underwater Unit Camera Technician: Chris Chung Script Supervisor: Elizabeth Tremblay Production Sound Mixer: Glen Gauthier Overall Boom Operator: Alan Zielonko Sound Boom Operator: Jason McFarling Audio Playback Assistant: John "Wheels" Hurlbut Video Coordinator: Stephanie Girard-Hamelin Video Assistant: Kelly Hearns Gaffer: R. Scott Phillips Best Electrician: Jerry Borris Rigging Gaffer: Nikki Holmes Best Rigging Electrician: Dean Muto Key Board Operator: Desiree Lidon Rigging Board Operator: Aldis Sukse Generator Operator: Lee Ionson Key Grip: Rico Emerson Assistant Key Grip: Sean Bourdeau Key Rigging Grip: John Vrakking Best Rigging Grip: Rick Scott A Camera Dolly Grip: Robert Cochrane B Dolly / Second Unit Key Grip: Patrick Krauter Remote Head Technician: Ryan Myler Techno Crane Technicians: John Stubbings, Mike Yabuta Costume Supervisors: Cori Burchell, Joe Cigliano Assist Costume Designers: Renee Fontana, Corey Deist Costume Coordinator / Tracker: Gerri Gillan Costume Buyer / Background Coordinator: Will Ng On Set Costume Supervisor: Isabel De Biasio Production Coordinator: Ainslee Kennedy 1st Assistant Production Coordinator: Meaghan Carey 2nd Assistant Production Coordinator: Aaron Kinnersley Travel Coordinator: Karla Trujillo Villon Third Assistant Accountant: Kathleen Abbott Trainee Assistant Accountant: Hailey Johnson Senior Post Accountant: Faleshia Lo Supervising Location Manager: Marty Dejczak Construction Coordinator: Brian Van De Valk CNC Programmer: Kyle Van De Valk CNC Operator: Kurt Van De Valk Key Scenic Coordinator: Cameron S. Brooke Scenic Lead: Dave Rosa Location Scenic Lead: Chris Hanson On Set Scenic Lead: Glenn Locke Production Special Effects Supervisors: Andrew Verhoeven, Mike Vézina Production Special Effects Coordinator: Michael Innanen Production Special Effects Buyer: Kaz Kobielski Special Effects Gag Lead: Scott Treliving Special Effects Key Rigger: Jolon Warrior Special Effects Lead Fabricator: Ray Comiso Overall Special Effects Fabricator: Erik Bloomer Overall Special Effects Tracker: Cara Anderson Special Effects, Picture Cars & Stunts Tracker: Julie Cochrill Picture Vehicle Coordinator: Billy Boyd Picture Vehicle Captain: Gord Drennan Picture Vehicle Mechanic: Andrew Bowditch Unit Manager: David McIlroy Asst Unit Managers: Jordan Denomy, Kati Moore Unit PA: Mathieu Diotte PPE Distro Lead: Ashley Gruner Unit Publicist: Lisa Shamata Still Photographer: Alan Markfield EPK A Camera Operator: Ben Martin-Cocher US Casting Associate: Liz Luwitzke Canadian Casting Associates: Jonathan Oliveira, Ashley Gray Casting Assistant: Kelly Boaz Background Casting Director: Zameret Kleiman Background Casting Assistant: Lawrence Black Add'l Second ADs: Drew McLean, Byron Ingram Third ADs: Missy Morris, Ambrose Wong Fourth Assistant Director: Monica Simpson Cast Assistant: Michelle Fairburn Office PA / Second Unit 2nd Assistant Production Office Coordinator: Jamie Flynn Office Production Assistant: Vasili Manikas Production Covid Supervisor: Shanya Dajczak Covid Health & Safety Supervisor: Carter Stowar Overall Covid H&S Manager: Samantha Brown Health & Safety Consultant: Keith Hightower Covid Compliance Coordinator Assistant: Derek Robertson Covid Compliance Officer: Jordana Lieberman On Set PPE Cast Handler: Trelawnie Mead Covid Lead Coordinator: Dylan Black Animal Wrangler: Paul Rutledge Second Unit First Asst Director: Andrew Robinson Second Unit Second Assist Director: Aric Dupere Second Unit On Set Dresser: Matthew Conrad Second Unit Props Master: Michael Huschka Second Unit A Camera First Assist.: Ryan Prouse Second Unit B Camera First Assistant: Kevin Hall Second Unit A Second Assistant: William Scheffel Second Unit B Second Assistant: Madison Hayes Second Unit Camera Utility Asst: Ryley Huston Second Unit DIT: Sandra Lombardi Second Unit DMT: Daniel Tacchino Second Unit Script Supervisor: Douglas Rotstein Second Unit Sound Mixer: Trevor Goulet Second Unit Boom Operator: Evan Gillman Second Unit Video Coord.: Mark Patrick Moher Second Unit Video Assistant: Tristan Williams Second Unit Gaffer: Christian McKendrick Second Unit Best Electrician: Stephen Langer Second Unit Generator Operator: Bob Rodgers Second Unit Best Grip: Joe Schroeder Second Unit B Camera Grip: Craig McWade Second Unit Assistant Loc Manager: Coralie Nott Second Unit Precision Driver: Mark Cabbidu Second Unit Remote Head Technician: Oleksiy Zolotarov Second Unit Russian Arm Crane Operator: Nikita Zolotarov Second Unit Drone Pilot: Chris Bacik Second Unit Drone Head Op: Brett Linesman Second Unit Drone Safety Asst: Konrad Robinski Second Unit Camera Car Operator: Bob Harper Second Unit On Set Scenic Lead: Scott Warren Second Unit Special Effects Coordinator: Paul Noel Second Unit SFX Technicians: Chris Card, Brad Jenkins Second Unit Transport Captain: Shelley Mansell Second Unit Transportation Co-Captain: Robert Steenson Second Unit Additional Second AD: Nick Lopez Third AD - Stunt/Aerial & Second Unit: Rony Valencia Second Unit Fourth Assistant Director: Menelik King Second Unit Covid Medical Advisor: Josh Van Altenberg UPM, British Columbia Unit: Brendan Ferguson British Columbia Unit First AD: James Bitonti British Columbia Unit Second AD: Ben Cairns British Columbia Unit Prod Coord: Jerami Pergal British Columbia Unit 1st Asst PC: Sam Marshall British Columbia Unit Assistant Accountant / Payroll: Hayley Paradis British Columbia Unit A First AC: Doug Lavendar British Columbia Unit A Second AC: Carrie Wilson British Columbia Unit DIT: Mitch Bax British Columbia Unit Loc Manager: Mark Voyce Second Unit Assistant LM, British Columbia Unit: Meredith Hodder British Columbia Aerials Unit DoP: John Trapman British Columbia Aerial Unit 1st AC: Dane Bjerno British Columbia Aerial Unit Heli Pilot: Steve Gray British Columbia Aerial Unit Drone Pilots: Tyler MacDougall, Pat Weir British Columbia Aerial Unit Drone Camera Op.: Tommy Douglas British Columbia Unit Water Safety Lead: Jeff Hotte British Columbia Unit Lead Boat Wrangler: Sam Swinwood British Columbia Unit Transportation Coord: Mark Angus British Columbia Unit Covid H&S Manager: Lorie Gibson British Columbia Unit H&S Assist: Jolene Bradley British Columbia Unit H&S Admin Assistant: Neshe Delici Toronto Aerial Unit Director of Photography: Mike Darby Toronto Aerial Unit Heli Pilot: Dame Tommasini Toronto Aerial Unit Ground Crew: Rama Rahimi, Jerry Andreana Post Supervisors: Jeffrey Harlacker, Jason Miller Post Production First AE: Fulvio Valsangiacomo Post Second Assistant Editor: Davis Reynolds Production Visual Effects Editor: Peggy Eghbalian Visual Effects First Assistant Editor: Mark Phillips Post Production Assistant: Milan Ayala WB Supervising Sound Editor / Designer & Re-Recording Mixer: Jeremy Pierson WB Supervising Sound Editor: Thomas Jones WB Re-Recording Mixer: Skip Lievsey WB Assistant Sound Editor: Sarah Bourgeois WB Production FX Editor: Greg Ten Bosch WB Foley Supervisor: Mark Pappas WB Mix Technician: Geraldo Gutierrez WB Stage Engineer: Byron Williams WB Foley Mixer: David Jobe Music Editor: Shie Rozow Supervising Score Orchestrator: Jonathan Beard Heads of Music Prep: Jordan Cox, James Regan Additional Score Programming: Tyler Durham Score Conductor: Anthony Parthner Score Recordist & Mixer: Alan Meyerson Digital Score Recordist: Chris Barrett Studio Manager, Air Studios: Alison Burton Visual Effects Production Manager: Becca Burnett Visual Effects Senior Coordinator: Anthony Cally Overall Visual Effects Coordinator: Jake Heggan Overall Visual Effects Accountant: Andrew Brown Visual FX Production Coordinator: Kait O'Leary Additional On-Set Visual Effects Supervisor: Lisa Sepp-Wilson Visual Effects Production Assist: Brady Stanfield DNEG VFX Supers: Tristan Myles, Michael Grobe, Oliver Atherton DNEG Visual FX Producers: Janet Yale, Max Rees DNEG CG Supervisors: Rhys Salcombe, Fabio Bonvicini, Eve Levasseur-Marineau DNEG VFX Production Managers: Brian Iankovs, Nihad Joshi DNEG VFX Editors: Ty Gibson, Ajay Patidar DNEG VFX Department Compositing Supervisor: Tiago Santos DNEG VFX Department FX Supervisor: Yashdeep Sawant DNEG VFX Department Mocap Supervisor: Daniel Kunz DNEG Sr. Visual FX Colourist: Aurora Shannon Framestore Visual Effects Supervisor: Joao Sita Framestore VFX Producer: Perdita Carvil Framestore Anim Supervisor: Fernando Lopes Herrera Framestore 2D Supervisor: Jeremie Ducrocq Framestore CG Supervisor: Victor Pillet Framestore VFX Editor: Lachlan McKinlay Scanline VFX Visual FX Supervisor: Sue Rowe Scanline VFX Visual Effects Producer: Georgina Poushkine Scanline VFX Digital Production Manager: Emily Deere Scanline VFX DFX Supervisor: Jessica Harris Scanline VFX CG Supervisors: Frederik Lillelund, Matthew Praveen Scanline VFX Comp Supervisor: Francisco Pozas, Brent Prevatt, Cameron Thomas Scanline VFX Dept. Lead / Rigging Supervisor: Azadeh Iranban Scanline VFX Department Lead/Add'l Supervisor: Dann Tarmy Outpost VFX Visual FX Supervisor: Richard Clegg Outpost VFX Prod Coordinator: Aytan Huseynova Outpost VFX Executive Producer: Tom Barber Outpost VFX Lead R / P Supervisor: Jay Joshi Company 3 Senior Digital Colorist: Dave Hussey Company 3 Sr. Finishing Producer: Christina De Guzman CO3 Producers: Eric Rogers, Ricardo Ramirez Company 3 Senior Finishing Editor: Joe Ken Company 3 Image Scientist: John Quartel Company 3 Color Assistant: Aaron Bennett Company 3 Finishing Executive: Jackie Lee CO3 Head of Prod, Color & Finish: Carl Moore CO3 President: Stefan Sonnenfeld ASC CO3 Finishing Accountant: Jeremy Hockman Company 3 Dailies Colourist: Evan Spicer Company 3 Dailies Producer: Shane Allen CO3 Dailies Supervisors: Rui Martins, Kelly Milligan Company 3 Imaging Supervisor: Nick Paulozza Company 3 Head of Prod, Dailies: Mike Patterson Imaginary Forces Design & Art Direction: Karin Fong Imaginary Forces Animator: Merrill Hall Imaginary Forces Editor: Lexi Gundvalson Imaginary Forces Producer: Nicky Maser Imaginary Forces Coordinator: Megan Catoe Research, Clearance & Product Placement Consultant: Mara McSweeny Visual Research Consultant: Aleks Cvetojevic Filming Dates: 9 November 2020 - 5 Feb 2021 Cameras: ALEXA 65, Mini LF & SONY Venice (4.5K + 6.5K ARRIRAW & 6K AXS-R7) Lenses: Arri Prime DNA, Leitz Thalia SL Primes & Tokina Cinema Vista Primes AR: 2.00:1 (Arri 765 & 3-Perf Super 35mm) Budget: 150 Million USD Sound Services by: Warner Bros Post Production Creative Services Score Recorded at: Air Studios, London UK Visual Effects & Animation by: DNEG, Scanline VFX, Framestore, Ghost VFX, Important Looking Pirates, Outpost VFX & Rodeo FX Color & Finish + Dailies by: Company 3 Toronto Main-On-End Titles Designed & Produced by: Imaginary Forces Attribute: Filmed in Panavision®
53. Troll (2022)
TV-14 | 101 min | Action, Adventure, Drama
Deep in the Dovre mountain, something gigantic wakes up after a thousand years in captivity. The creature destroys everything in its path and quickly approaches Oslo.
Director: Roar Uthaug | Stars: Ine Marie Wilmann, Kim Falck, Mads Sjøgård Pettersen, Gard B. Eidsvold
Votes: 49,075
Director / Story Writer: Roar Uthaug Writer: Espen Aukan Producers: Espen Horn, Kristian Strand Sinkerud Cinematographer: Jallo Faber FSF FNF Production Designer: Ulle Axen Film Editors: Chris Heie, Jens Peder Hertzberg Composer: Johannes Ringen Prod. Visual Effects Supervisor: Esben Syberg Prod. Visual Effects Producer: Mikael Windelin Production Previz Supervisor: Alf Løvvold Company 3 Colourist: Jean Clement-Soret Company 3 Colour Producer: Ellora Soret Company 3 Finishing Producer: Cody Cardarelli Company 3 Finishing Editor/Flame Artist: Nick Pratt CO3 Colour Assists: Theresa Crooks, Gareth Thomas CO3 Data I/O Operator: Viktorija Tupikaite Filming Dates: August 2021 - November 2021 Lenses: Hawk65 LF Anamorphic Primes AR: 2.39:1 (Anamorphic) Visual Effects by: Ghost VFX, Gimpville, Copenhagen Visual & Swiss Visual Effects Color & Finish Provided by: Company 3 London Produced by: Motion Blur Lenses Provided by: Vantage Film
54. Bardo: False Chronicle of a Handful of Truths (2022)
R | 159 min | Comedy, Drama
An acclaimed documentarian goes on an introspective journey through surreal dreamscapes to reconcile with the past, the present and his Mexican identity.
Director: Alejandro G. Iñárritu | Stars: Daniel Giménez Cacho, Griselda Siciliani, Ximena Lamadrid, Íker Sánchez Solano
Votes: 14,970
Director/Writer/Producer/Film Editor/Composer, Original Score: Alejandro G. Iñárritu Writer: Nicolás Giacobone Producer: Stacy Perskie Kaniss Executive Producer: Mary Parent Executive Producer: Karla Luna Cantu Cinematographer: Darius Khondji ASC AFC Cinematographers, AP - CDMX Plates: Ariana Romero, Javier Zarco Cinematographer, LA Unit Additional Camera: Alex Carr Production Designer: Eugenio Caballero Co-Film Editor: Monica Salazar Costume Designer: Anna Terrazas Hair & Makeup Designer: Lucy Betancourt Composer/Original Score Producer/Orchestrator & Conductor: Bryce Dessner Composer, Add'l Music/Score Producer & Mixer: Camilo Friodeval Composer, Additional Music/Score Producer: Dan Zlotnik Composer & Orchestrator, Add'l Music: Gustavo Santaolalla Casting Director: Luis Rosales Sound Designers & Supervisors: Nicolas Becker, Martin Hernandez Production Visual Effects Supervisors: Guillaume Rocheron, Olaf Wendt Key First ADs: Sebastian Barrera, Javier Clave Line Producer: Gildardo Martinez Associate Producer: Natalia Gonzalez Guzman Casting Director, USA: Francine Maisler CSA Casting Dir's, Spain: Yolanda Serrano, Eva Leira Carmena Dance Choreo & Casting Dir.: Priscila Hernandez Team Choreographer: Mary Jo Perez-Salazar Assistant Musical Choreographer: Juan Moreno Key Assistant Choreographer: Daniela Valverde Assistant Choreographer: Perla Escutia Second Assistant Choreographer: Berch Skerly Key Stunts Coordinators: Gerardo Moreno, Cesar Vigne Assistant Stunts Coordinator: Jose De Jesus A Camera /Steadicam Operator: Ari Robbins SOC Lead On Set Colorist: Gabriel Kolodny On Set Colorist: Jesus Dominguez Key First Assistant A Camera: David Seekins First AC, A Camera/Steadicam: Ariana Romero Key Second Assistant A Camera: Arturo Bidart Second AC, A / Steadicam: Saul Cervantes A / Steady Additional ACs: Jorge Gabriel Pereda, Marbella De La Cruz, Camila Mejia, Mario Haw, Louis Faber Gaffers: Thorsten Kosellek, Andres Medina Key Grips: Richard Guinness, Rafael Mejia Dolly Grips: Joseph Belschner, Hector Colorado Best Boy Grip: Marco Antonio Perez Post Producer: Carlos Morales Post Production Supervisor/Associate VFX Editor: Melanie Haslam Key 2nd ADs: Fernando Rivero, Eric Calatayud Production Supervisors: Ernesto Gabarito, Dalia Sierra Production Manager: Ixchel Coutiño Unit Managers: Israel Mijangos, Ivan Muñoz, Alejandro Sanchez Unit Manager, Principal Photography & AP: Dante Casas Production Coordinator: Adriana Enriquez Script Supervisor: Natalia Moguel Storyboards Supervisor: Edgar Clement Music Supervisor: Lynn Fainchtein Sound Mixers: Jon Taylor, Frankie Montaño Sound Mixer & Designer: Ken Yasumoto Sound & Music Editor: Carolina Santana Sound Recording Technician: Bill Meadows Key Supervising Art Director: Carlos Y. Jacques Art Directors: Ezra Buenrostro, Carlos Cosio Supervising Art Director: Roberto Bonelli Key Decorator: Daniela Rojas Mont Set Decorator: Luis Jacques Decoration Coordinator: Araceli Martinez Assistant Décor Coordinator: Martha Martinez Art Coordinator: Jimena Contreras Assistant Art Coordinator: Emiliano Sanchez Assistant to Eugenio Caballero: Luz Montero Extras Costume Supervisor: Andrea Manuel Costume Coordinator: Jorge Rebollar Assist. Costume Coordinator: Patricia Larragoiti Assistant Extras Supervisor: Mireille Fernandez Prosthetics Designer: Mike Hill Production MFX Coordinator: Yiye Gomez Production Special Effects Supervisor: Alejandro Vasquez Prod. On Set Special Effects Coordinator: Karen Vasquez Special Effects Office Lead: Lorena Diaz Production VFX Producer: Ivy Agregan Production VFX Editor: Lawrence Klein On Set VFX Supervisor: Charlie Iturriaga On Set VFX Supervisor - Mexico: Camila D'Acosta On Set VFX Production Assistant: Erick Romero Additional Sound Designer: Lena Esquenazi Additional Sound Assistant: Lorena Magaña Additional Sound Pre-Mixer: Pablo Lach Production ADR Editor: Daniel Douglass EPost Post Prod. Supervisor: Vanessa Hernandez EPost Graphic Designer: Carla Maceda EPost Post Prod. Assistant: Libertad Hernandez Credits Designer: Neil Kellerhouse Scarlet Letters Designers: Ben Schoen, Josh Schoen Spanish to English Translator: Adrian Nate West Script Translator: Gabriela Jaruegui Subtitles Supervisor: Carmen Govea Camera Operator, AP: Felipe Perez Burchard Still Photographer: Seo Ju Park Documentary & Making Of Producer: Sebastian Hoffman Additional Unit Manager: Mariana Lopez Rigging Gaffer: Roberto Melo Additional VTR Operator: Pablo Martinez Data Manager & Dailies Colorist: Laura Cortes Street Artist: Juan Gonzalo Lugo Animal Wrangler: Rocio Ortega Supervising Locations Manager: Ruben Figueroa Central Locations Manager: Isaias Galicia Locations Manager, San Luis Potosi: Patricia Cano Loc. Manager, Baja California: Horacio Rodriguez Loc. Coord., Baja California: Fabiola Maldonado Post Production Accountant: Pete Hayes Cinetica Motion Capture Supervisors: Jonathan Mehraban, Lionelle Mehraban LA Unit Line Producer: Michel Rangel Hendrick Unit Manager, Los Angeles Unit: Jerry Trehorst LA Unit Production Coordinator: Shannon Glaser LA Unit Production Secretary: Cullum Andrews LA Unit Production Office Assist: Brandon Kops LA Unit 1st Assist Director: Francisco Hernandez LA Unit 2nd Assistant Director: Gustavo Pena LA Unit 2nd 2nd Assistant Director: Ryan Leveille LA Unit Key Production Assistant: Jenny Choi LA Unit A Camera Operator: Sion Michel ACS LA Unit B Camera Operator: Eric Robbins LA Unit A Cam Additional Operator: Max Penner LA Unit B Additional Operator: Seth Gallagher LA Unit First Assistant "B" Camera: Ryan Rayner LA Unit 2nd Assist "A" Camera: Chris McGovern LA Unit Film Loaders: Rio Zumwalt, Oliver Ponce LA Unit DITs: Ben Hopkins, Matthew Love, Steve Harnell, Dan Skinner, Steve Freebairn LA Unit Gaffers / CLTs: Michael Ambrose, Jarek Gorczycki, Jason Popieiuck LA Unit Chief Electrical Assistant: Jeffrey Taylor LA Unit Dolly Operator: Adam Baker LA Unit Head Libra Technician: Jon Philion MPC / TCS Consultant & EP: Christian Robertson MPC VFX Producer: Christoph Roth MPC On Set VFX Supervisor: James McQuaide MPC VFX Supervisors: Ruslan Borosov, Izet Buco MPC VFX Associate Producer: Natasha Brown MPC PMs: Sebastian Paniagua, Girish Kakade MPC Animation Supervisors: Ferran Domenech, Christopher Potter MPC CG Supervisors: Matthew Owens, Kostas Strevlos, Victor Lizarraga Hijar MPC Characters Supervisor: Giles Davies MPC Assets Supervisors: Rudresh N. Naik, Subhash Sureshan MPC Comp Supervisors: Suryakanta Mahunta, Mohammed Aseem MPC Layout Lead: Inaki Gegundez Vicente MPC Lighting Lead: Clifford Moller El Ranchito VFX Supervisors: Guillermo Orbe, Ezequiel Larru El Ranchito VFX Producers: Sofia Balestrini, Edgiannid Figueroa Abreu El Ranchito VFX Coordinators: Jaume Ortiz, Marcosacido Lechap El Ranchito Head of Editorial: Anibal Del Busto El Ranchito Creative Supervisor: Rafa Solorzano El Ranchito Head of Production: Nike Alonso El Ranchito Head of 2D: Carlos Trijueque O2 CEO: Paulo Barcellos O2 VFX Supervisors: Felipe Nascimento, Marcell Hernandez, Saulo Silva, Victor Valencia, Walter Peruchi O2 VFX Producer & 3D Coordinator: Bidu Madio O2 VFX Coordinators: Carlos Cunha, Nubia Teixeira, Rita Machado O2 Assistant VFX Coordinator: Nuara Santos O2 3D Supervisors: Felipe Cappelini, Ricardo Mantoan O2 3D VFX Assistant: Paulo Marini O2 VFX QC Lead: Edu Igawa O2 IT Supervisor: Mario De Oliveira Additional Graphic Designer: Cesar Puebla Special Thanks: Paul Thomas Anderson, Alfonso Cuaron, Guillermo Del Toro Cinematography Consultants: Emmanuel Lubezki ASC AMC, Greig Fraser ASC ACS, Rodrigo Prieto ASC AMC, Bradford Young ASC Editorial Consultant: Stephen Mirrione ACE Production Design Consultant: Patrice Vermette Dedicated to: Erik Cordero HPC LA Colorist: Damien Van Der Cruyssen HPC LA Associate Colorist: Robert Crosby HPC LA DI Producer: Robert E. Phillips HPC LA DI Associate Producer: Kayla Uribe HPC LA Conform Finishing Artist: Melissa Bávaro Panavision® SVP, Opt. Engineering: Dan Sasaki ASC Filming Dates: 3 March 2021 - September 2021 Camera: Alexa 65 (6.5K ARRIRAW) Lenses: Panavision® 65 Vintage Primes & Tribe7 Blackwing7 Primes AR: 2.39:1 (Panavision® Super 70 & Arri 765) Printed on: Kodak Vision 2383 Post Production Services Provided by: EPOST Roller Credits Designed by: Scarlet Letters Motion Capture by: Cinetica Visual Effects by: MPC/Technicolor Creative Studios, El Ranchito & O2 Digital Intermediate Color by: Harbor Picture Company, Los Angeles (CA) ALEXA 65 Supplied & Provided by: ARRI Rental Attribute: Filmed in Panavision®
55. Glass Onion (2022)
PG-13 | 139 min | Comedy, Crime, Drama
Tech billionaire Miles Bron invites his friends for a getaway on his private Greek island. When someone turns up dead, Detective Benoit Blanc is put on the case.
Director: Rian Johnson | Stars: Daniel Craig, Edward Norton, Kate Hudson, Dave Bautista
Votes: 440,082
Director, Writer & Producer: Rian Johnson Director, Aerial Photography Greece Unit: Jeremy Braben BSC Producer & Key Unit P.M.: Ram Bergman EP/Key Unit Production Manager: Tom Karnowski Cinematographer / RON Production Visual Effects Supervisor: Steve Yedlin ASC Cinematographer, 2nd Unit: Jaron Presant ASC Cinematographer, Splinter Unit: Angus Hudson Production Designer: Rick Heinrichs Film Editor: Bob Ducsay ACE Composer: Nathan Johnson Costume Designer: Jenny Eagan Co-Producers: Nikos Karamigios, Leopold Hughes Casting Directors: Mary Vernieu CSA, Bret Howe First Assistant Director: Josh Robertson Second Assistant Director: David Keadell Special Appearance/Dedicatee: Angela Lansbury Dedicated to: Stephen Sondheim Stunt Coordinator: Lee Sheward Unit Production Manager: Elena Zokas Production Controller: Gary Jones Hair & Makeup Designer: Jeremy Woodhead Prod. Visual Effects Supervisor: Giles Harding Production Visual Effects Producer: Tim Keene First Assistant Editor: Sam Bollinger Supervising Sound Editor: Matthew Wood Supervising Sound Editor / Designer: Josh Gold Re-Recording Mixers: Tim LeBlanc, Juan Peralta Music Editor: Joseph Bonn Production Visual Effects Editor: Vaughn Bien Post Production Supervisor: Jim Jensen Production Supervisor: Ana Biskupljanin Supervising Art Director: Andrew Bennett Production Set Decorator: Elli Griff Senior Art Directors: John Dexter, Su Whitaker, Mark Harris Art Director / Engineer: Paul Duff Art Directors: Dragan Kaplarevic, Branimir Babic Set Designers: Masako Masuda, Nevena Dilparic, Milica Gruicic Art Department Coordinator: Jenn Murphy Assistant Art Directors: Shari Ratliff, C. Scott Baker, Srdan Nedeljkovic Additional Art Department Coordinator: Ivana Stefanovic Concept Illustrator: Rodolfo Damaggio Keyframe Artist: Kurt Van Der Basch Key Props Illustrator: Daren Dochterman Model Maker: Dusan Bozic Researcher, Art Department: Lance Malbon Art Department PAs: Mihailo Moshesku, Marija Mandic A Camera Operator: Dale Myrand First Assistant A Camera: Dan Schroer Second Assistant A Camera: Garrett Hanson B Camera Operator: Radan Popovic First Assistant B Camera: Mihailo Dobric Second Assistant B Camera: Aljosa Sipetic Mini LF Camera Utility 2nd AC: Mladen Tomasevic Alexa Mini LF Loader: David Laposi Script Supervisor: Sue Field Overall Still Photographer: John Wilson Assistant Still Photographer: Jack Boniface Production Sound Mixer: Drew Kunin Boom Operator: Patrick Martens Sound Utility Assistant: Ryan Baker Key Video Operator: Attila Szilagyi Assistant Video Operator: Nikola Cojcic Assistant Costume Designer: Jessica Albertson Costume Supervisor: Emily Egge Costume Coordinator: Haley Vigil Key Costumer: Claire Sandrin Cast Costumer: Duska Nesic Supervising Prop Master: Kris Peck Co-Prop Master: Alan Bailey On-Set Props Master: Marko Milosevic Chief Lighting Technician: Carlos Baker Assist. Chief Lighting Technician: Carlos Fregoso Rigging Gaffer: Srdan Gojkovic Best Boy Rigging Electric: Milos Vidakovic Key Grip: J. Patrick Daily Best Boy Grip: Andy Simmons Crane Operator: Adriano Vukadin Grip Trainee: Milan Ilic Key Rigging Grip: Marko Lekovic Best Boy Rigging Grip: Filip Mladenovic Supervising Unit Manager: Ravi Dube Second Second Assistant Director: Danni Lizaitis Third Assistant Director: Georgia Lewis Supervising Prod. Coordinator: Darija Pejovic Senior Assistant Set Decorator: Mojca Crnic Set Dec Art Director: John McHugh Set Dec Coords: Susan Gibson, Sonja Stojanovic Graphic Design Leads: Laura Grant, Carol Kupisz Graphic Designer: Uros Stojanovic Practical Lighting Specialist: Rory Everett Practical Lighting Supervisor: Damien Heffernan Payroll Accountant, US: Susan Haley Unit Publicist: Linda Gamble EPK Camera Operator: John Moers Prod Special Effects Supervisor: Paul Stephenson Floor Supervisor, Special Effects: David Stewart Prod. Special Effects Coordinator: Szucs Adam Production SFX Technician: Luan W. Groenevald Production SFX Buyer: Gruber Gergely SFX Workshop/Prep Supervisor: Ruan Liebenberg Pyro Supervisor, SFX: Sebastian Csaba Kiss Production SFX Driver: Akos Megyeri Health & Safety Supervisor: Jacob Saltzman Infection Preventionist: Avacet Shelar COVID Testing Supervisor: Kya Koplin Intimacy Coordinator: Yarit Dor Third Assist Director, Basecamp: Maja Jovanovic Casting Associate: Benjamin Bermudez Casting Assistant: Skyler Zurn 2nd Unit First Asst Director: Bruce Wayne Gillies 2nd Unit A First Assistant Camera: Wade Whitley 2nd Unit A Second Asst Camera: Milan Mihajlovic 2nd Unit Key Grip: Bence Farago 2nd Unit Prod. Sound Mixer: Stefanos Efthimou 2nd Unit Data Wrangler: Bence Pribojszki 2nd Unit Video Operator: Janos 'Jampi' Szabados 2nd Unit Additional DoP: Angus Hudson BSC 2nd Unit Script Supervisor: Ed Dorman 2nd Unit Second Assistant Director: Mimi Gillies Serbia Unit Head of Prod.: Andelka Vlaisavljevic Unit P.M., Serbia Unit: Aleksander Tadic Serbia Unit Production Coord.: Dasa Kodemo Serbia Unit H&S Coordinator: Katarina Popovic Serbia Unit On Set Art Director: Sanja Bulat Serbia Unit Gaffer: Rado Ivancevic Serbia Unit Location Manager: Tamara Pesic Unit Manager, Serbia Unit: Aleksander Dedakin Serbia Unit Prop Master: Maja Vasic Serbia Unit Casting Director: Nenad Pavlovic Serbia Unit Asst H&S Coordinator: Luka Mudrinic Serbia Unit Health & Safety Manager: Ron Flores Greece Unit Head of Production: Kostas Kefalas Unit P.M., Greece Unit: Dimitris Birbilis Greece Unit Loc. Mgr.: Stefanos Koutsardakis Greece Unit Prod Coordinator: Christos Hoularios Greece Unit Second 2nd AD: Manos Gasteratos Greece Unit Art Director: Anna Georgiadou Greece Unit Art Dept. Assistant: Flora Kontemiri Greece Unit Aerial Tech & Drone Camera Assist: Sam Thurston Greece Unit Drone Pilot: Henry Bridges Greece Unit Drone Observer: Penny Perganti Greece Unit Rigging Gaffer: Brian Dennis Greece Unit Loc. Coordinator: Nikos Sfakianakis Greece Unit Assistant Loc. Mgr.: Teta Apostolaki Greece Unit Assist Unit Mgr.: Michalis Kotsifakis Unit Assistant, Greece Unit: Panagiotis Machairas U.S. Unit Production Supervisors: Joseph White, Mackenzie Luzzi, Tina Yeh, Johanna L. Williams, Andrew Nadkarni U.S. Unit Location Manager: DJ Campbell U.S. Unit First ADs: Derek Peterson, Louis Guerra U.S. Unit Second ADs: Jakub Porembski, Aton Roberts, Ryan "Mac" McInerney U.S. Unit Art Directors: Deana Sidney, Dave Lieber U.S. Unit Set Decorator: Liz Flood U.S. Unit Assist Location Manager: Mike Riviera U.S. Unit A First Assistant Camera: Tony Coan U.S. Unit B First Assistant Camera: Greg Frank U.S. Unit A Second Assist Camera: Connie Huang U.S. Unit B Second Assistant Camera: Dave Ross U.S. Unit A Camera Loader: Caleb Murphy U.S. Unit B Camera Loader: Dan Rodriguez U.S. Unit SFX Technicians: Pete Wright, Heather Rogan Visual Effects Production Mgr.: Adrianna Davies Visual Effects Coordinators: Georgia Benjamin, Hermione Francis, Lee Maher Lead Data Wrangler, Visual FX: Felix Pomeranz Data Wrangler, Visual Effects: Callum Ruddleston Post Production Coordinator: Elena Nunez Post Production Accountant: Julie Hansen Visual Effects PAs: Alfie Bazley, Gabriel Rose In-House Leads, VFX: Travis Baumann, Ben Beckett, Lucie Brant, Heather Costa Ice Sculpturer, VFX: Mat Chanler Music Supervisor: Julie Glaze Houlihan Character Watercolors Designer: Vanessa McKee Title Cards Designs: Marke Johnson, Adam Blake Storyboards Supervisor: Zachary Johnson 'Mona Lisa' Reproduction Design: James Gemmill Skywalker Sound Effects Editor: J.R. Grubbs Skywalker Sound ADR Editor: Ryan Cota Production Foley Supervisor: Christopher Flick Assistant Supervising Sound Editor: Trey Turner Skywalker Sound Foley Mixer: Scott Curtis Skywalker Sound HOP Finance & Planning: Mike Peters Skywalker Head of Engineering: Steve Morris Skywalker Sound Head of Production: Jon Null Skywalker Sound General Manager: Josh Lowden Score Recordists & Mixers: Peter Cobbin, Kristy Whalley Score Orchestrator: Jeff Kryka Score Conductor: Cliff Masterson Score Editor: Chris Barrett Score ProTools Recordist: Dan Hayden FCS Finishing Colorist: Philip Beckner FCS Finishing Conform Editor: Claire Iannelli FCS Finishing Producers: Pamela Scott-Farr, Roberto Garcia FCS Finishing Coordinator: Morgan Walker FCS Lead Software Engineer: Eric Cameron FCS Lead Post Production Engineer: Alex Oreman FCS Workflow Pipeline Engineer: Noel Albornoz FCS Lead IO Operator: Jeff Smith FotoKem NextLAB® Dailies Colorist: Jon Rocke NextLAB® Dailies Operator: Albert Gutierrez NextLAB® Dailies Producer: Dariane Nabor NextLAB® Dailies Operations Manager: Jackie Mata NextLAB® Deployment Manager: Tyler Foster NextLAB® Engineers: Brian Golder, Kyle Peters, James Bebenroth, Phil Dennison DNEG VFX Consultant: Chas Jarrett DNEG Senior VFX Supervisor: Boyd Shermis DNEG VFX Supervisor: Sameer Malik DNEG VFX EXECUTIVE PRODUCER: Philipp Wolf DNEG VFX PRODUCER: Cassius Vaz DNEG Sr. CG Supervisor: Aleksander Opalnchuk DNEG CG Supervisor: Amjad Ahmed Shaikh DNEG FX Supervisors: Eric Araujo, Matt Presti DNEG Associate Producers: Nisar Shaikh, Katie-Leigh Murray DNEG Associate Supervisors: Lee Sullivan, Jon Bowen, Giovanni Casadei, Fabricio Baessa, Prateek Kaushal Wētā FX Senior Visual Effects Supervisors: Erik Winquist, Simon Jung Wētā FX Visual Effects Production Supervisor: Natalie Fritz Wētā FX Executive Visual Effects Producer: David Conley Wētā FX Composite Supervisor: Hirofumi Takeda Wētā FX Shots Production Manager: Aga Neter Wētā FX Motion Lead: Benjamin Folkman BUF Visual Effects Supervisor: Geoffrey Basquin BUF Visual Effects Producer: Philippe Lepine BUF Visual Effects Coordinator: Justine Long BUF FX TD: Francois Cote-Paguet Lola|VFX Visual FX Supervisor: Edson Williams Lola|VFX Visual Effects Producer: Will Anderson Lola|VFX Visual Effects Associate Producer: Jack Dorst Lola|VFX Visual FX Coordinator: Jon Anderson Lola|VFX Executive Producer: Thomas Nittmann Lola|VFX Head of Accounting: Carlos Moreno Outpost VFX Supervisor: David Sadler-Coppard Outpost VFX Visual Effects Producer: Matt Knight Outpost VFX Visual Effects Editor: Elliot Best Outpost VFX Head of Editorial: Sonny Menga Outpost VFX CG Generalist: Zoya Ziaullah Outpost VFX FX Lead: Daniel Larrosa Outpost VFX Lighting Lead: Kleisi Begaj Mackevision VFX Supervisor: Emmanuel Fuchs Mackevision Associate Supervisor: Gus Martinez Mackevision Compositing Supervisor: Mauricio Oliveira Mackevision VFX Producer: Iggy Rau Nineteen-Twenty Visual Effects Supervisors: Ludo Fealy, Chrys Aldred Nineteen-Twenty 2D Comp Lead: Robert Lilley Motion GFX Supervisor: Abi Tomasiewicz Moworks Senior VFX Producer: Russ Culligan Moworks Line VFX Producer: Chee Yen Wang Digikore Senior Visual Effects Producer: Abhishek More Filming Dates: 28 June 2021 - 13 Sept. 2021 Camera: Alexa Mini LF (4.5K ARRIRAW) Lenses: Panavision® Arri Supreme Primes AR: 1.85:1 (4-Perf Super 35mm) Budget: 40 Million USD Printed on: Kodak Vision 2383 Serbia Unit Production Services Provided by: Work In Progress Greece Unit Production Services by: Faliro House Title Cards Designed by: The Made Shop Post-Production Sound Services by: Skywalker Sound Score Recorded at: Abbey Road Studios, London, England Film Prints, Color Grading & Mastering + Dailies by: FotoKem Creative Services & FotoKem NextLAB® Visual Effects & Motion GFX by: DNEG, Wētā FX, BUF, Lola|VFX, Outpost VFX, Mackevision, Nineteen-Twenty, Moworks, Digikore Studios & Rows Of Numbers Conceptual Art Development by: Industrial Light & Magic + Framestore Previsualization by: The Third Floor, London Attribute: Filmed in Panavision®
56. White Noise (I) (2022)
R | 136 min | Comedy, Drama, Horror
Dramatizes a contemporary American family's attempts to deal with the mundane conflicts of everyday life while grappling with the universal mysteries of love, death, and the possibility of happiness in an uncertain world.
Director: Noah Baumbach | Stars: Adam Driver, Greta Gerwig, Don Cheadle, Madison Gaughan
Votes: 44,431
Director, Writer & Producer: Noah Baumbach Producers: David Heyman, Uri Singer Executive Producers: Brian Bell, Leslie Converse Cinematographer: Lol Crawley BSC Production Designer: Jess Gonchor Film Editor: Matthew Hannam Production Visual Effects Supervisor: Ivan Moran Composer: Danny Elfman Casting Director: Douglas Aibel CSA Production Supervisor: Gary Martyn Key First AD/Co-Producer: Jonas Spaccarotelli First Assistant Director: Micheal King Key Second Assistant Director: Katie Valovcin Overall Visual Effects Producer: Theresa Corrao Sup Stunt Coord/Second Unit Dir: Brian Machleit Stunt Coordinator: Rene Mousseux Supervising Art Director: Chris Farmer Production Set Decorator: Claire Kaufman A Camera Operator: Erin Henning Additional A Camera Operator: Janice Y. Min A Camera First Assistant: Anthony DeFrancesco B Camera First Assistant: Riley Keeton A Camera Second Assistant: Marc Loforte B Second Assists: Alec Nickel, Brendan Russell F Camera Second Assistant: Jakob A. Friedman Film Loaders: Becky Hewitt, Billy Holman Camera Utility Assistant: Sam Neff Aerial Unit A Camera Operator: Dan Godar Aerial Unit A 1st Assist Camera: Cole Needham Aerial Unit Add'l 1st Assist Camera: Brad Wilder Drone Unit Producer: Tony Carmean Drone Unit Pilot: Loic Maheas Drone Unit Co-Pilot: Malin Hiles Drone Unit Technician: Aaron M. Kahn Drone Unit RF Technician: Jason Hooper First Assistant Editor: Mae Sussman Chief Lighting Technician: Larry Sushinski Lighting Technicians: Matt Hawkins, Matt Urbanic Fixtures Foreman/Foreperson: Michael Lemmon 1st Unit Grip: Eric Martin Rigging Gaffer: Glenn E. Moran Rigging Electrician: Najada Davis Rigging Programmer: Cody Sherman Key Rigging Grip: Dan Jarrell Rigging Grips: Kevin Parker, Adam Sudtell Arch Head Technician: James Spud Danicic Edge Crane Operator: John Carone Spydercam Rigger: Evan Krogh Overall Special Effects Supervisor: Elia P. Popov Overall Special Effects Coordinator: Mark Koivu Special Effects Set Coordinator: Kai Shelton Production Special Effects Foreman: Kelly Kerby Sr Special Effects Engineer: Gregory Oren Bryant SPFX Technicians: Julia Hiroko Howe, Justin Sofio Special Effects Stunt Driver: Chance Robertson Pyrotechnics Coordinator, SPFX: Andi Sowers Pyrotechnic Effects Coordinator: Schuyler White Overall Pyrotechnic Effects Foreman: Caius Man Additional 2nd ADs: Matthew Kramer, Jeff Pitman Second Second Assistant Director: John Carney Second 2nd AD (Film Segments): Secret Harris Supervising Location Manager: Ron Kupferwasser Key Assistant Loc Manager / Scout: Alex Starke Key Location Assistant: Graham Emerson Beck 2nd Unit Production Supervisor: Don Reynolds Jr. 2nd Unit First ADs: Tony Evanovich, Dave Waters 2nd Unit Second Assist Director: Pete Farnsworth 2nd Unit Director of Photog: Bruce McCleery ASC Second Unit Art Director: Stephen Dudro A Operator, 2nd & Splinter Units: Milan Janicin Second Unit A Operator: Maurice K. McGuire SOC 2nd Unit A 1st Assts: John Holmes, Dave Seekins Second Unit B First Assistant: Philip Shanahan Second Unit "B" Second Assistant: Jared Jordan Second Unit Film Loader: Taylor Kennedy 2nd Unit Gaffers: Patrick Hoeschen, Shane Kelly 2nd Unit Best Boy: Wally Rowell 2nd Unit Location Manager: Daniel Tresca Exec. In Charge of Post Prod.: Michael Morgan Jr. Post Production Executive: Emily Matthews Key Visual Effects Consultant: Jasmine Newton Add'l Visual Effects Supervisor: Javier Marcheselli Overall Visual Effects Coordinator: Leah Sargent Visual Effects Data Wrangler: Omar Nadir VP Supers: Dmitry Kovalev, Sam Nicholson ASC Virtual Production Producer: Bryan Binder Digital Imaging Technician, VP: Skylar V. Smith Framestore CG Supervisor: Ellithy Mahmoud Framestore VFX Coordinator: Mathieu Ktistakis Framestore Vis Dev Supervisor: Owen Jackson Framestore FX TDs: German De Benito, Lucas Stringhetti Framestore Lighting TD: Amaury Rospars Framestore VFX Colourist: Colin P. Brown Method Visual Effects EP: Sabrina Gagnon Misc. Visual Effects Producer: Katy Mummery Misc. Visual Effects Editor: Gediminas Vajega AB VFX Visual Effects Producer: Abhishek Kumar Nexodus Visual Effects Producer: John Baer Nexodus Comp Sups: Tony Kramer, Rob Rossello Nexodus Visual Effects Coord: Cindy Ormondroyd Nexodus VFX Pipeline Developer: Don Strubler Jr. Turncoat Pictures VFX Sup Producer: Ryan Urban Turncoat Pictures Visual Effects Sup: Troy Moore Turncoat Pictures Tracking Sup: Mike G. Jackson Turncoat Pictures Digital PM: Ashley Leitner Turncoat Pictures Visual FX Coordinator: Yun Oo Turncoat Pictures Visual Effects PA: Tyra Victor Rocket Science VFX Head Of Prod: J.P. Giamos Nant Studios Head of VP: Martin Rushworth CAS 3D Scanning Lead: Sarah Foley CAS Lidar Manager, US: Joe Warner Jr. CAS Senior Capture Technician: Tyler Unzicker Supervising Digital Colorist: Peter Doyle ASC DI Visual Effects Producer: Brett Meyers Company 3 Head of Editorial: Brandon Rosser Music Scoring Mixer: Noah Scot Snyder Shooting Formats: 4-Perf 35mm Anamorphic & Spherical, 3-Perf Super 35mm & Arri 765 Cameras: Arricam LT, ST, Arriflex 435, 235, 765 & Alexa 65 (35mm Kodak Vision3 250D 5207, 500T 5219, 65mm 5219 & 6.5K ARRIRAW) Lenses: Cooke Anamorphic/I SF Primes AR: 2.39:1 Budget: 80 Million USD Printed on: Kodak Vision 2383 Visual Effects by: Framestore, Method Studios, Misc. Studios, Nexodus & Turncoat Pictures Picture Post Production by: Warner Bros. De Lane Lea Editorial Services Provided by: Company 3
57. The Pale Blue Eye (2022)
R | 128 min | Crime, Horror, Mystery
A world-weary detective is hired to investigate the murder of a West Point cadet. Stymied by the cadets' code of silence, he enlists one of their own to help unravel the case - a young man the world would come to know as Edgar Allan Poe.
Director: Scott Cooper | Stars: Christian Bale, Harry Melling, Simon McBurney, Timothy Spall
Votes: 124,311
Director, Writer & Producer: Scott Cooper Executive Producer: Louis Bayard Producer: Christian Bale Producers: John Lesher, Tyler Thompson EP/Unit Production Manager: Tracey Landon Executive Producer: Dylan Weathered EPs: Chris Sharp, Jennifer Lamb, Emily Hunter Salveson, Ryan Donnell Smith Co-Producer / Post Production Supervisor / Prod. Visual Effects Producer: Catherine Farrell Co-Producer / Key First AD: Christopher Surgent Cinematographer/A Camera Operator: Masanobu Takayanagi ASC Cinematographer, VFX: Tony Cutrono Cinematographer, New Orleans Unit: Kiran Katpalli Production Designer: Stefania Cella Production Designer/Art Director: Corey Sweazen Film Editor: Dylan Tichenor ACE Costume Designer: Kasia Walicka-Maimone Production Visual Effects Supervisor: Jake Braver Composer, Score Producer & Orchestrator: Howard Shore Music Supervisor: Randall Poster Casting Director: Francine Maisler CSA Second Assistant Director: Takahide Kawakami Stunt Coordinator/Second Unit Director: Adam Hart Stunts: Doug Coleman, Jimmy Hart, Dan Pera, Daniel Stevens Co-EPs: Dylan Bond, Joshua Ryan Dietz, Cary Anderson, Vincent Grashaw, Buddy Patrick Key Production Supervisor: Corey Sklov Associate Film Editor: Christina Mar Supervising Art Director: Troy Sizemore Production Art Director: Michael E. Goldman Assistant Art Director: Allison Klein Set Designers: Kate Bechak, Kate Dougherty, Justin Lang Graphic Designers: Raquel Bouvy, Susan Burig Concept Artist: Jason Horley Storyboard Artist: Patrick Campbell Art Department Coordinator: John Finnell Set Decorator: Jane Madden Set Dress Buyers: Jami Gardner, Barbie Pastorik Set Dressing Leadperson: Justin Pelissero Set Gang Boss: Logan Allison Shop Gang Boss: NIcholas Von Krusenstiern On Set Dresser: Jennifer Bechak Additional On Set Dresser: Max Pavel Supervising Prop Master: Kris Peck Asst Prop Masters: Dan Spaulding, Tom Garrigan Prop Coordinators: Lucas Esteves, Erin Dunn Firearm Specialists: Steve Auvenshine, Frank House Production Prop Assistant: Kyle Rawlinson B Camera / Steadicam Operator: Dana Morris A Camera First Assistant: James Apted B Camera First Assistant: Rick Crumrine A Camera Second Assistant: Jeremiah Kent B Camera Second Assistant: William Crumrine Mini LF Camera Loader: Matt Beran Digital Imaging Technician: Daniel Hernandez A Camera Utility Assistant: Kayla Lukitsch B Camera Utility Assistant: Vincent Depinto Script Supervisor: Scott Peterson Production Sound Mixer: Tom Williams Boom Operator: Joel Riedy Sound Utility Assistant: Bobbi-Jo Napolitano Additional Sound Utility Assistant: Marena Farrel Video Assist Operators: Chris Moran, Jose Segura Video Asst Utilities: Harley Wilson, Sara Thornton Gaffer: Jay Kemp Best Boy Electrician: Sean McClellan Rigging Gaffer: Zach Mulhivill Genny Operator/VFX Unit Gaffer: Tom Morrison Fixtures Foreman: Todd Roberts Fixtures Lead: Charles Simonic Key Grip: John Janusek Best Boy Grip: John Shine Key Rigging Grip: Keith Seymour Key Stage Rigging Grip: Tom Ankley Best Boy Rigging Grip: Chris Muchow Best Boy Stage Rigging Grip: Dave Dwyer A Camera Dolly Grip: Jaxx Nagro B Camera Dolly Grip: Greg Edwards Assistant Camera Crane Technician: Paul Gorof Reliant Car Operator: Tom Scott Reliant Quad Car Operator: Michael Scott Associate Costume Designer: Patrick Wiley Costume Supervisor: Darcie Butterbaugh Costume Coordinator: Olivia Becker Key Truck Costumer: Victoria Musial Key Set Costumer Main & New Orleans Units: Angela Vesco Department Head / Hair Stylist: Lori Guidroz Co-Department Head Hair Stylist: Melissa Yonkey Key Hair Stylist: Jason Renner Department Head Makeup Artist: Autumn Butler Co-Dept. Head / Makeup Artist: Ned Neidhardt Makeup Artist to Mr. Bale: Christopher Gallaher Key Makeup Artist: Rachel Kick Medical Consultant: Pylyp Zolotarov Production Supervisor: Evelyn Chafin Production Coordinator: Lisa Smith-Reed Travel Coordinator: Kim Tipton Production Secretary: Jim Kateluzos Post Production Accountant: Kelsey Schuyler Assistant Post Accountant: Stephanie Del Toro Overall LMs: Kent Jeckson, Shawn Boyachek Key Assistant Location Manager: Jake Silver Overall Location Coordinator: Rebecca Markuson Lunchbox Operator / Driver: Richard Jacobson Prod. Special Effects Supervisor: Jeremy Hays Prod. Special Effects Coordinator: Ray Tasillo Prod. Special Effects Foreman: Joe Montenegro Special Effects Set Key Technician: Jake Hays Special Effects Shop Key Tech: Michael Garvin Production Special Effects Buyer: Teresa Moore Special Effects Snow Foreman: Brady Pritcher Head Animal Wrangler: Christine Pitcairn Gang Boss Animal Wrangler: Ryan Peterson Unit Publicist: Peter J. Silberman Stills Photographer: Scott Garfield Casting Associate: Kathy Driscoll-Mohler Local Casting Director: Nancy Mosser CSA Local Casting Assistant: Tim McNellie Extras Casting Director: Katie Shenot CSA Extras Casting Associate: Sara Speedy Extras Casting Assistant: Bradley Fisher Second Second Assistant Director: Jordan Weir Additional Second AD/Second Unit First AD: Ana Drasinover Office PAs: Kailee Greb, Simon Barracchini Post Covid Compliance Supervisor: Ivan Arroyo Historical Consultant: Michael Diaz Medical History Consultant: Douglas Arbittier Military Advisors & Historians: John Nawoichyk, Michael Mazzocco Historical Gaming Consultant: Mike Shackleford Underwater Unit Advisor: Liz Parkinson Occult Consultant: Mark Waddell Latin Linguist: Ellen Lee French Linguist: Maxime Bey-Rozet Dialect Coach: Jessica Drake Second Unit Key First AD: Alyssa Batchelor Second Unit Second Asst Director: Jon Madeiros Second Unit Additional DoP: Kiran Reddy WRA Drone Operator, Second Unit: Drew Roberts WRA Drone Camera Operator, Second Unit: Jake Capistron Drone First Assistant Camera, Second Unit: Nate Labruzza Drone Executive Producer, Second Unit: Melissa Dimeglio Unit Production Manager, VFX Unit: Jake Brown VFX Unit A 1st Assistant Camera: Graham Burt VFX Unit B 1st Assistant Camera: Keith Jones VFX Unit Drone 1st Assistant Camera: Tony Coan VFX Unit A 2nd Assistant Camera: John Walker VFX Unit B 2nd Assistant Camera: Dan Sotek VFX Unit DITs: Mike Kellogg, Jon Osterman, Patrick Cecilian VFX Unit A Camera Loader: Jamir Olive VFX Unit B Camera Loader: Raffaele Dilullo VFX Unit VA Ops: Drew Cerria, Doug Stanczak VFX Unit Script Supervisor: Jessica Wasserlauf VFX Unit Genny Operator: Bill Walsh VFX Unit Best Boy Electrician: Adam Grant VFX Unit Lighting Programmer: Nick Waller VFX Unit Dolly Grip: Brian Buzzelli VFX Unit Location Scout: Paul Brophy FMA Drone Operator, VFX Unit: Dexter Kennedy FMA Drone Pilot, VFX Unit: Jon Graham FMA Drone First Assistant Camera, VFX Unit: Leo Gomez FMA Drone Technician, VFX Unit: Andrew Peister Unit PM, New Orleans Unit: Seth Hansen New Orleans Unit First AD: Sonia V. Torres Insert Unit Production Supervisor, New Orleans Unit: Catherine Gittings New Orleans Unit Prod. Coord.: Josh Nadelman New Orleans Unit A First A.C.: Lisa Lengyel New Orleans Unit A Second A.C.: Tyler Carmody New Orleans Unit Mini LF Loader: Dylan Kenny New Orleans Unit Gaffer: Brad Garrison New Orleans Unit Best Boy Electric: Austin Riotte New Orleans Unit Dimmer Op: Sean McKinney New Orleans Unit Key Grip: Mike Rushing New Orleans Unit Best Boy Grip: Christian Hardy New Orleans Unit A Dolly Grip: Reith Gibson New Orleans Unit Key R.G.: Barry Williamson New Orleans Unit Best Boy R.G.: Brandon Bolds New Orleans Unit Prop Master: Stephen Noell New Orleans Unit SPFX Consultant: Donnie Dean New Orleans Unit SPFX Coord.: Robert Benavidez New Orleans Unit STFX Tech: David Cooley New Orleans Unit Set Designer: Adie Kaplan New Orleans Unit Set Dec Key: Gretchen Gattuso New Orleans Unit Set Leadman: Ryan Kutch New Orleans Unit On-Set Dresser: Adam Kynch Post Production Coordinator: Lauren Cunfer Post Production Assistant: Attiyya Settle First Assistant Editor: Christina Mar Second Assistant Editor: Emily Denker Supervising Music Editor: James Sizemore Production Music Editor: Chad Birmingham Company 3 Head of Editorial: Brandon Rosser Supervising Sound Editor / Re-Recording Mixer: Skip Lievsey Supervising Dialogue & ADR Editor: Mike Feuser Sound Designer/Re-Recording Mixer: Chris Chae Production Sound Effects Editor: Wyatt Sprague Production Foley Lead: Jay Peck Production Foley Mixer: Micah Blaichman Production Foley Supervisor: Matt Haasch Foley Editors: Heather Gross, William Sweeney Assistant Sound Editor: Elle Rinaldi Sound Mix Engineers: Kyle Miller, Nina Littenberg Score Conductor: Ludwig Eicki Additional Score Conductor: Bernhard Wunsch Score Recordist: Tom Rusbuldt Music Mixer: Sam Okell Music Production Manager: Alan Frey Music Programming Sound Design: Kyle Feehan Head of Music Preparation: Bobbie Lee Chow III Head of Additional Music Prep: Michael Elderkin Music Librarian Head: Max Knoth Source Music Consultants: Ralph Dudgeon, John Laverty, Michael O'Connor Production Visual Effects Editor: David A. Smith Visual Effects Production Manager: David Sales Visual Effects Data Wranglers: Shawn Wayman, Nick Curdy, Brandon Endy Prod. Visual Effects Assistant: Matthew Brendle ILM Visual Effects Supervisor: Scott Pritchard ILM Visual Effects Producer: Duncan Ramsay ILM Executive Visual Effects Producer: Stefan Drury ILM Lead Production Coord.: Lily A. Anderson ILM Sr Prod Coordinator: Catherine Postlethwaite ILM Production Line Producer: Kathleen Turner ILM Art Dept Senior Prod Coord: Ashley Bradford ILM Art Dept. Jr. Concept Artist: Daniel McGarry ILM Art Dept Senior Art Director: Stephen Tappin ILM General Manager: Janet Lewin ILM Creative Director / Sr. VFX Supervisor: Ben Morris ILM VP, Business Development: Luke O'Byrne ILM Leads: Claudio Bassi, Samuel Dawes, Guy Williamson, Michael Wilbourn Phosphene Visual Effects Supervisor: Tim Van Horn Phosphene Sup/Head of Visual Effects: John Bair Phosphene Executive Producer: Vivian Connolly Phosphene Visual Effects Producer: Steve Weigle Phosphene Effects Coordinator: Rashida Nasir Phosphene Effects/CG Supervisor: Vance Miller Phosphene Lead Compositors: June Han, Joseph Brigatti Pixomondo Supervisors: Arek Komorowski, Bojan Zoric Pixomondo Executive Producer: Benoit Touchette Pixomondo FX Producers: Ashlee Wismach, Mona Mohr Pixomondo Project Managers: Shaoyu Siao, Dave Nicol Pixomondo Coordinator: Vanessa Garcia Acosta Pixomondo Comp Supervisor: Kodie Mackenzie Pixomondo FX Supervisor: Alexander Feigin Pixomondo CG Supervisor: Nemanja Stavric Pixomondo Asset Supervisor: Ganesh Pooiari Pixomondo T&M Supervisor: Mayur Manoj Kawale Pixomondo Roto/Paint Supervisor: Karine Fortin Pixomondo Animation Lead: Julien Segreto Pixomondo Compositing Lead: Marion Donio Pixomondo Lighting Lead: Matthieu Paugam Pixomondo Roto/Paint Lead: Lauren Degrain Pixomondo Digital Matte Painting Lead: Benoit Vervier Pixomondo Editorial Lead: Kelly Noordermeer Pixomondo Editorial Additional Lead: Oleg Jiliba MPC Visual Effects Supervisor: Vadim Turchin MPC FX Producers: Chris Barnes, Nicole Melius MPC Effects Production Manager: Sanchit Soi MPC Line Prods: Lokesh Balaji Chandrashekhar, Rushikesh Shelar MPC Associate Producer: Courtney Brooks MPC PCs: Debolina Chatterjee, Mohit Bhomia, Neelam Terdalkar MPC Comp Supervisors: Anthony Jones, Rajesh Kaushik MPC CG Supervisor: Aritra Kumar Sarkar MPC DMP Lead: Radhakrishnan R. MPC Asset Lead: Jaspreet Kaur Dua MPC FX Lead: Umesh Namdev MPC Lighting Lead: Trinath Sarkar MPC Comp Lead: Venkata Sivakumar Mannepalli Cadence FX Senior Supervisor: Craig Crawford Cadence FX Senior Producer: Jeremy Beadell Cadence FX 2D Supervisor: Peter Steffan Cadence FX 3D Supervisor: Travis Pinsonnault Additional Visual Effects Flame Artist: Bridget Fullan Company 3 Supervising Colorist: Tom Poole ASC Company 3 Colorist: Dustin Wadsworth Company 3 Finishing Editor: Nicholas Figueroa Company 3 Finishing Producer: Zac Gobetz Company 3 Associate Producer: Alexandra Ortiz Company 3 Associate Co-Producer: Julia Ward CO3 Color Assistants: Andrew Mirmanesh, Mena Smith Company 3 Deliverables Producer: Joe Monge CO3 Deliverables Techs: Jason Robinson, Steven Sosa CO3 Deliverables Coordinator: Morgan Conroy Company 3 Finishing Executive: Jim Gardner Company 3 Heads of Production: Michael Maida, Krystle Annand CO3 Executive Producer: Stefan Sonnenfeld ASC Company 3 Dailies Producer: Marissa Chen Company 3 Dailies Colorist/Op: Greg Lomasney Company 3 Dailies Operator: Alex Kaufman CO3 Digital Dailies Supervisor: Olivier Girard Company 3 Head of Dailies: Andrew Dearnley BFD Title Design Producer: Randall Balsmeyer Title Calligraphy Supervisor: Bernard Maisner Special Thanks: Jocelyne Cooper, Ava Cooper, Stella Cooper, Jesse Plemons, Tom McCarthy Panavision SVP, Opt. Engineering: Dan Sasaki ASC Filming Dates: 29 November 2021 - Jan. 2022 Camera: Alexa Mini LF (4.5K ARRIRAW) Lenses: Panavision T-Series LF 1.85x AL Primes AR: 2.39:1 (Anamorphic) Budget: 72 Million USD Prosthetics & Cadavers Design + Creation by: Morot FX Studio Post Production Accounting by: Trevanna Post VFX Unit & Second Unit Aerial Drones Provided by: Wild Rabbit Aerial & Flying Monster Aerial Editing Systems, Color & Finish Provided by: Company 3 New York Audio Post Production Services Provided by: WB Sound NY Visual Effects by: Industrial Light & Magic, Phosphene, Pixomondo, MPC, Cadence FX, Savage Visual Effects, Studio 8 & Lola Title Design Provided by: Big Film Design Camera, Lighting & Grip Equipment Supplied by: The Camera Department, Cinelease & Iron City Grip Attribute: Filmed in Panavision
58. Jung_E (2023)
TV-14 | 98 min | Action, Adventure, Drama
On an uninhabitable 22nd-century Earth, the outcome of a civil war hinges on cloning the brain of an elite soldier to create a robot mercenary.
Director: Yeon Sang-ho | Stars: Kang Soo-youn, Kim Hyun-joo, Ryu Kyung-Soo, Park So-yi
Votes: 10,662
Director: Sang-ho Yeon
59. You People (2023)
R | 117 min | Comedy, Romance
Follows a new couple and their families, who find themselves examining modern love and family dynamics amidst clashing cultures, societal expectations and generational differences.
Director: Kenya Barris | Stars: Jonah Hill, Lauren London, Eddie Murphy, Julia Louis-Dreyfus
Votes: 62,623
Lenses: Panavision T-Series Anamorphic Primes AR: 2.00:1 (Anamorphic) Attribute: Filmed in Panavision
60. Your Place or Mine (2023)
PG-13 | 109 min | Comedy, Romance
Two long-distance best friends change each other's lives when she decides to pursue a lifelong dream and he volunteers to keep an eye on her teenage son.
Director: Aline Brosh McKenna | Stars: Reese Witherspoon, Ashton Kutcher, Zoë Chao, Jesse Williams
Votes: 38,973
61. The Mother (2023)
R | 115 min | Action, Thriller
While fleeing from dangerous assailants, an assassin comes out of hiding to protect the daughter she left earlier in life.
Director: Niki Caro | Stars: Jennifer Lopez, Lucy Paez, Omari Hardwick, Joseph Fiennes
Votes: 46,956
Director: Niki Caro Screenplay, Story Writer/Producer: Misha Green Screenplay Writers: Andrea Berloff, Peter Craig Producers: Jennifer Lopez, Elaine Goldsmith-Thomas, Benny Medina Producers: Roy Lee, Miri Yoon Producer: Marc Evans Executive Producer: Molly Allen Director of Photography: Ben Seresin ASC BSC Production Designer: Jean-François Campeau Film Editor: David Coulson ACE Costume Designers: Jeriana San Juan, Bina Daigeler Co-Producer/Key Unit Production Manager: Susan Towner Co-Producer/First Assistant Director: Liz Tan Co-Producer: Courtney Baxter Composer: Germaine Franco Music Supervisor: Stephanie Diaz-Matos Production Visual Effects Supervisor: John Andrew Berton Jr Casting Director: Nancy Nayor CSA Second Assistant Director: Chad Belair Production Manager: Abraham Fraser Second Unit Director: Jeff Habberstad Post Production Supervisor: Liz Richards Production Visual Effects Producer: Elaine Essex Thompson HOD Stunt Coordinators: Darren Counts, Stephen Pope Stunt Coordinator (Canada): Dan Rizzuto Stunt Coordinator (CI): Dacio Caballero Fight Coordinator: Tara Macken Jennifer Lopez Stunt Double: Vanessa Vander Pluym Jennifer Lopez Fight Stunt Doubles: Monica Lopez Aleman, Amy Johnston Jennifer Lopez Motorcycle Stunt Doubles: Crystal Levesque, Jolene Van Vugt Jennifer Lopez Stunt Double (CI): Tamiko Brownlee Covert E-Bike Rider: Regis Harrington Stunt Riggers: Anders "Chili" Dominguez, Raquel Dominguez, Christian Dominguez, Ian Richard Binnie, Ryan Bilodeau Re-Recording Mixers: Anna Behlmer, Ron Bartlett Supervising Sound Editor: Per Hallberg MPSE Canadian Casting Director: Tiffany Mak CSA Production Supervisor: Sarah Spearing Production Controller: Karen Bergen Supervising First Assistant Editor: James Andrykowski First Assistant Editors: Johnny Winograd, David J. Stone Second Assistant Editor: Mark Perzely Production Visual Effects Editor: Latham Robertson Music Editor: Thomas A. Carlson Supervising Art Director: Andrew Berry Art Directors: Andrew Li, Sandra Nieuwenhuijsen Assistant Art Directors: Shannon Courte, Randy Hutniak Set Designers: Andrew Lima, Jim Ramsay Graphic Designer: Harold Chavarria Storyboards: Benton Jew, John Lund, Adrien Van Viersen Art Department Coordinator: Nadine Sekora Art Department Assistant: Ana Pappajohn Unit Manager: Rhonda Taylor Set Decorators: Shannon Gottlieb Assistant Set Decorators: Mike Keel, Kelly McLeod Set Dec Coordinator: Brenda Chometsky Overall Prop Master: Michelle Hendriksen Assistant Prop Masters: Max Matsouka, Dean Goodine, Haida Harper, Robin Stooshinov Prop Truck Supervisor: Neil Colango Props Builder: David Inkster Armourers: Rob Fournier, Craig Myers, Gerald Le Mercier A Camera / Steadicam Operator: Sasha Proctor B Camera Operator: Matthew Tichenor A Camera First Assistant: Simon England B Camera First Assistant: Alex Martinez Additional First Assistant: Joshua Marcoux A Camera Second Assistant: Paola Cernicchiaro B Camera Second Assistant: Curtis Nicholls DIT: Simon Jori Mini LF Digital Utility: Abiel Yohannes Camera Trainee: Alex Lemmon Script Supervisor: Susan Lambie Production Sound Mixer: Chris Questerdiek Boom Operator: Ian Ferguson Sound Utility: Elaine Hoekstra Video Assist Coordinator: Justin Johns Video Assist Assistant: Ryan Stander Video Playback Supervisor: Gladys Tong Playback Coordinator: Johana Wong Playback Operations Lead: David Warren Gaffer: Stuart Haggerty Best Electric: Niall Fraser Board Operator: Smail Bestybay Generator Operators: Mike Stroman, Gilbert Jamault Rigging Gaffer: Sean Oxenbury Best Rigging Electrics: Armand Santos, Christian Kozak, Spencer Village Rigging Board Operator: Spencer Norita A Dolly Grip: Jack Cruikshank B Dolly Grip: Lee Wagner Key Rigging Grip: Scott Bonner Best Rigging Grips: Jesse Gigli, Boris Juracic Libra Head Technician: Randal W. Morton Crane Technician: Adrian Mallabon Drone Unit Pilot: Chris Curtis Drone Unit Operator: Chris Oben Drone Unit Tech: Leo Leiner Assistant Costume Designers: Benjamin Toner, Jaida Hay Costumer for Ms. Lopez: Kelly Johnson Makeup Artist for Ms. Lopez: Kate Best Makeup Artist for Mr. Hardwick: Merc Arceneaux Makeup Artists: Pearl Louie, Marjorie Wood, Emanuela Daus MUFX Designer / Supervisor: Toby Lindala Key MUFX Coordinator: Andy Stockman Production MUFX Coordinator: Cayley Giene Supervising LSFX (Builds): Emersen Ziffle LSFX Assistant Foreman (Builds): Emily Herriott Key MUFX Artist: Katie Goett MUFX Artists: Jennifer Latour, Shannon Laliberte Hair Department Head: Debra Wiebe Hairstylist for Ms. Lopez: Lorenzo Martin Assistant Hairstylist for Ms. Lopez: Emma Abrahamson Production Office Coordinators: Deana Kittson, Mara Perez Assistant Production Office Coordinators: Dacen McAmmond, Lydia Yeo, Cassidy Kennedy, Claire Welch Immigration Coordinator: Jerami Pergel Second Assistant Production Office Coordinator: Elliott Best Stunt Office Coordinator: Katy Lew Script Coordinator: Karen Nielsen First Assistant Accountants: Jacqueline Dallamore, Krista Huppert US Payroll HOD: Keely Johnson Canada Payroll HOD: Amy Laidlaw Background Payroll HOD: Natasha Muir Second Assistant Accountants, Andrea Rana, Maggie Li, Corinna Johnson Accounting Clerks: Ewa Rojek, Bonnie Dale Senior Post Production Accountant: Saundra Marie Ardito Junior Post Production Accountant: Liza Fryman Post Production Accounting Clarks: Diane Lynn Romero, Dannick Elsa Boyogueno Location Managers: Rino Pace, Dan Kuzmenko Location Scouts: Diane Patrick, Courtney Ashforth Trainee Assistant, Locations: Anna McBarron Construction Coordinator: Jesse Joslin Production SPFX Coordinator: Paul Benjamin SPFX First Assistant: Stephen Hepworth SPFX Shop Foreman: Glen Marinello Production SPFX Buyer: Michelle McLeary SPFX Snow Coordinator: Clay Orr SPFX Set Leads: Lawrence Wray, Mark Hughes, Mike Kruper, Richard Marmion Production SPFX Fabricators: Chris Brennan, Day Lapell, Jeremy Duncan, Rob Carter Production SPFX Assistants: Amy Yurkewich, Cam Andress, Colin Evans, Colton Friesen, Martin Testa, Michael Leinweber, Richard Connor, Rocky Pow, Tevin Maker, Doug Beard, Dustin Janz Security for Ms. Lopez: Darren Ling Security Captain: Franco Debiase Security Co-Captain: Richard Urrea Second Second Assistant Directors: Darcie Parkhurst, Kameron Dodaly Third Assistant Directors: Chris Morris, Haley Lauten Trainee Assistant Director: Jill Wilson Transportation Coordinator: Mark "Blue" Angus Transportation Captain: Chuck Greig Transportation Co-Captains: Matt Brown, Jason Born Transportation Office Coordinator: Corey Longeway DOT Administrator: Kaycee Paulsen Office Driver: Mia Wong Driver for Ms. Lopez: Jeff Bellamy Driver for Ms. Caro: Tiku Ahlawali Cast Drivers: Ross Murdoch, Scott Carpenter, Lori James Picture Car Coordinator: Tom Katinic Picture Car Office Coordinator: Jessica Hoyles-Vincent Picture Car Wranglers: Ralph Eugster, Robert Todd, Gregory Reynolds, Slate Swain Picture Car Mechanics: Dustin Iggulden. Mery Zerr, Bryan Barlow, Blair Donison Unit Publicist: Lorraine Jamison Still Photographers: Doane Gregory, Eric Milner EPK Producers: Jason Bergh, Goran Basaric, Alex Shamku US Casting Associate: Jenna Bamberger US Casting Assistants: Cassidy Thornton, Nancy McManus Canadian Casting Coordinator: Heather McGowan Canadian Casting Assistants: Lauren Au, Alycia Rose Extras Casting Director: Andrea Brown Extras Casting Associate: Annabel Green Key Production Assistants: Sean Giordano, Charles Collins, Kyle Davies Health & Safety Supervisor: Lifi Fisher Health & Safety Unit Manager: Morgan Brady Health & Safety Coordinator: Abigail Flint Health & Safety ALM: Juraj Slivarich Testing Coordinators: Geoffrey Ashton, Saige Carlson, Kirsten Ovstaas Red Zone Monitors: Crystal Wilson, Holly Pinder Serrano Catering Chef: David Lee Animal Coordinator: Molly O'Neill Supervising Dialogue & ADR Editor: Will Riley MPSE Production Sound Designer: Ann Scibelli MPSE Supervising Foley Editor: Willard J. Overstreet First Assistant Sound Editor: Philip D. Morrill Sound Effects Editors: Nancy MacLeod, Michael W. Mitchell, Alan Rankin, Daniel Pagan MPSE Dialogue Editors: Fred Stahly, Jesse Pomeroy Production ADR Editor: Daniel Saxlid Overall Foley Editor: D. Chris Smith MPSE Foley Artists: Alicia Stevenson, Katie Rose Foley Mixer: David Jobe Temp Music Editor: Robin Whittaker Additional Music Editor: Sherry Whitfield Post Production Coordinator: Dean Tsalickis Assistant Post Production Coordinator: Hazel Hering Visual Effects Sr. Coordinators: Jose Velazquez, Curtis Corona Production Visual Effects Coordinator: Nicole Saucerman Visual Effects Production Assistant: Arthur Stanley In-House Compositor: Jorge Macias Visual Effects Supervisors - 2nd Unit: Kent O'Connor, John Cherniak Production Data Wrangler: Derek Lang Additional Visual Effects Supervisor: Paul Linden Additional Visual Effects Production Supervisor: Paula Nederman Second Unit Additional Second Unit Director: G.A. Aguilar Second Unit Director of Photography: Lukasz Jogalla Second Unit First Assistant Director: Eric Glasser Second Unit Second Assistant Director: Benjamin Cairns Second Unit Prop Master: Jerry Staar Second Unit Assistant Prop Master: Tyler Waring Second Unit Truck Supervisors: Jennifer Miller, Michael Stover Second Unit Armourer: Santino Barile Second Unit A Camera Operator: Dean Heselden Second Unit B Camera Operator: Jan Belina Second Unit A Camera First Assistant: Dan Morrison Second Unit B Camera First Assistant: Spencer Ennis Second Unit A Camera Second Assistant: Frankie Sharper Second Unit B Camera Second Assistant: Vincent Stander Second Unit DIT: Mark Allan Second Unit Digital Utility Technicians: Brian Groz, Jacob Roberts Second Unit Mini LF Loader: Luze Rubio Second Unit Camera Trainee: Robinson Bancroft Second Unit Script Supervisor: Ana Oparnica Sebal Second Unit Video Assists: George Collins, Mark Moner Second Unit Sound Mixer: Adam pisani Second Unit Boom Operator: Jon Lavender Second Unit Gaffer: Mark G. Alexander Second Unit Best Electric: Craig Jones Second Unit Generator Operators: Jay Anderson, David Anderson, Hugh Meikle Second Unit Board Operator: Melissa Johansen Second Unit Electricians: Joe Papp, Cole MacLachlan, Nando Chu, Robin West, Brian Crosbie Second Unit Key Grip: Kim Olsen Second Unit Best Grip: Dubin Kim Second Unit Dolly Grips: Wes Grycki, Ryan Marcoux Second Unit Grips: Drew David, Alan McIndoe, Janco Mynhardt Second Unit Technocrane Technicians: Sasha Chrosciewicz, steve whitford Second Unit Libra Head Technician: Cary Cooper Second Unit Key Makeup Artists: Vincenza Celentano, Megan Harkness Second Unit Key Hairstylists: Alyssa Myers, Heather Tilson Second Unit Assistant Location Manager Otto Mak Second Unit SPFX Coordinator: Adam Tayler Second Unit SPFX Technicians: Brett Yavis, Thomas Mitchell, Anthony Proulz Second Unit Transportation Captains: Tommy Streeter, Andrew Gray Second Unit Transportation Co-Captain: Mark Wilk Second Unit Aerial DOP/Operator: John Trapman Aerial Unit Pilot, Second Unit: Kelsey Wheeler Aerial Unit Shotover Technician, Second Unit: Dane Bjerno Aerial Unit Ground Safety HOD, Second Unit: Alvaro Lopez Second Unit Second Second Assistant Director: David Thomson Second Unit Third Assistant Directors: Redan Kosior, Robyn Ledoux Second Unit Trainee Assistant Director: Patrick Germain Second Unit Health & Safety Supervisor: Audrey McLellan Second Unit Health & Safety Manager: Carmen Siegers Second Unit First Aid/Craft Service HODs: Fabio Novitsky, Yasmeen Arruchi-Mullen SDC Chef, Second Unit: Barbara Foster SDC Assistant Chefs, Second Unit: Cameron Caskie, Jaroslav Vanek, Jacob Ball, Jeremy Ringer, Pierre Alexander-Babnt Sur-Film Line Producers: Andreas Wentz, Juan Cano Trujillo Key Production Manager, Main Unit - Canary Islands: Karl McMillan Sur-Film Production Managers: Alberto Poveda, Nico Tapia Production Office Coordinators, Main Unit - Canary Islands: Stefania Monetti, Mónica Ramos Warehouse Manager, Main Unit - Canary Islands: Laura Milheiro Assistant Production Office Coordinators, Main Unit - Canary Islands: Emma Clarke, Ruben Ramallo Travel & Accommodation Coordinator, Main Unit - Canary Islands: Clara Salas Travel Assistant, Main Unit - Canary Islands: Carola Lago Production Secretary, Main Unit - Canary Islands: Ama Calvo Production Accountants, Main Unit - Canary Islands: Daniel Perez, Michael Vasquez Payroll Accountant, Main Unit - Canary Islands: Paty Avila Payroll Assistant, Main Unit - Canary Islands: Marta Hiploa Cashier, Main Unit - Canary Islands: Tina Duarte Cashier Assistants, Main Unit - Canary Islands: Javier Zhu, Jacinto Cirbian Gomez First Assistant Accountant, Main Unit - Canary Islands: Elena Martin Second Assistant Accountants, Yolanda Placeras Correa, Juan Nogueira, David Martinez, Javier Murillo, Hecma Arellanos Art Directors, Main Unit - Canary Islands: Felicity Nove, Maria Fernanda Muñoz Graphic Designer, Main Unit - Canary Islands: Carla Lachman Graphic Assistant, Main Unit - Canary Islands: Clara Valle Art Department Coordinator, Main Unit - Canary Islands: Lucia Azcue Assistant Set Dec Buyer (Madrid): Alejandra Gutierrez Romero Set Decorator Assistants, Main Unit - Canary Islands: Carmela Garcia Torres, Deborah Hewitt On-Set Dresser, Main Unit - Canary Islands: Konrad Betschart On-Set Dresser Assistant, Main Unit - Canary Islands: Ana Carolina Santorum Set Dresser Assistants, Main Unit - Canary Islands: Laura Curbello Vallejo, Natalia Alonso, Maria Teresa Ramirez Sosa, Sergio Del Toro Set Dec Carpenter, Main Unit - Canary Islands: Raul Sotelo Assistant Set Dec Painter, Main Unit - Canary Islands: Orlando Santana Carballo Draper Assistant, Main Unit - Canary Islands: Izaskun Canales Set Decorator, Main Unit - Canary Islands: Laura Musso Leadman, Main Unit - Canary Islands: Rafael Castro Esposito Set Dec Buyers, Main Unit - Canary Islands: Miriam Ardura, Beatriz Garcia Assistant Set Dec Buyer, Main Unit - Canary Islands: Heriberto Bernandez Set Decorator / Coordinator, Main Unit - Canary Islands: Sofia Arnott Storeman, Main Unit - Canary Islands: Lois Rodriguez Assistant Storeman, Main Unit - Canary Islands: Maria Castillo Set Dressers, Main Unit - Canary Islands: Angel Sarrión, Jose Luis Katu Fernández, Roman F. Labrador Sierra, Jose Luis Orive Gomez, Oscar Garcia Ruiz, Juanma Jurado Set Dec Painter, Main Unit - Canary Islands: Rudy Mercado Draper, Main Unit - Canary Islands: Carlos Saponi Set Dec Labourer, Main Unit - Canary Islands: Manuel Quintana Prop Master, Main Unit - Canary Islands: Vera Bauluz Standby Props, Main Unit - Canary Islands: Carrie Bond Standby Props Assistant, Main Unit - Canary Islands: Fracisco Javier Martin Dieguez Prop Buyer, Main Unit - Canary Islands: Selene Gonzales Delgado Props Runner, Main Unit - Canary Islands: Claudia Quinteiro Ferrera Picture Vehicles Supervisor, Main Unit - Canary Islands: Danny Triphook Picture Vehicles Office Assistant, Main Unit - Canary Islands: Tai Cruz Picture Vehicles Mechanic, Main Unit - Canary Islands: Andres Suarez Valiente Armoury Supervisor, Main Unit - Canary Islands: Federico Cueva Weapon Assistants, Main Unit - Canary Islands: Lorenzo Posada, Alex Fernandez Marti, Daniel Anfruns Bonet Picture Vehicles Captain, Main Unit - Canary Islands: Anna Ros Picture Vehicles Senior Mechanic, Main Unit - Canary Islands: Juan Carlos De León Pérez Picture Vehicles Technician, Main Unit - Canary Islands: Daniel Lopez Sola Picture Vehicles Set Assistants, Main Unit - Canary Islands: Javier Agullo, Hugo Alonso Gonzales A Camera Second Assistant, Main Unit - Canary Islands: Jessyca Caracci B Camera Operater, Main Unit - Canary Islands: Andrew Rowlands SOC B Camera First Assistant, Main Unit - Canary Islands: Tyler Woeste B Camera Second Assistant, Main Unit - Canary Islands: Justin Zaffiro C Camera Operator, Main Unit - Canary Islands: Peter Byrne Central Loader, Main Unit - Canary Islands: Marshall Rendershot Camera Trainee, Main Unit - Canary Islands: David Olivas Script Supervisor, Main Unit - Canary Islands: Kerry Lyn McKissick Sound Mixer, Main Unit - Canary Islands: Gary Dodkin First Assistant Sound/Boom Operater, Main Unit - Canary Islands: DASH Mason-Malik Second Assistant Sound, Main Unit - Canary Islands: Alayn Crespo Cable Man, Main Unit - Canary Islands: Miguel Herrera Gaffer, Main Unit - Canary Islands: Ville Penttilä Best Boy (Office), Main Unit - Canary Islands: Volmer Kliimand Best Boy (Set), Main Unit - Canary Islands: Venmo Kornak Key Board Operator, Main Unit - Canary Islands: Timo Tald Electricians, Main Unit - Canary Islands: Teddy Puusepp, Janis Kokk, Freddy Saunanen, Andrus Ilp, Sten-Johan Vain Karl, Robert Vain Practical Electrician, Main Unit - Canary Islands: Meelis Saar Rigging Gaffer, Main Unit - Canary Islands: Kalle Penttilä Key Best Boy, Main Unit - Canary Islands: Dan Sykes Rigging Electricians, Main Unit - Canary Islands: Vladimir Krestjanoff, Tatu Tuminen Board Operator, Main Unit - Canary Islands: Velio Sakkos Key Rigger, Main Unit - Canary Islands: Aki Laulajainen Key Grip, Main Unit - Canary Islands: Jonathan Lee Best Boy, Main Unit - Canary Islands: Adrian Petanas De La Vera Electrical Riggers, Main Unit - Canary Islands: Eeto Helenius, Arta Kultalahti, Juno Jouppila, Indrek Raag Dolly Grip A Camera, Main Unit - Canary Islands: John Mang Dolly Grip B Camera, Main Unit - Canary Islands: Hannes Hober Grips, Main Unit - Canary Islands: Paul Mirai Mateias, Christopher Lee Libra Head Technicians, Main Unit - Canary Islands: Michele Puricelli, David Hideg Crane Technicians, Main Unit - Canary Islands: Markus Pluta, Felix Witte Electric Car Buggy & Foxy Technician, Main Unit - Canary Islands: Mark Valloosera E-Bike Head Technician, Main Unit - Canary Islands: Duncan More A-Frame & Vehicle Precision Driver, Main Unit - Canary Islands: Antonio Gimenez Montero Buggy Precision Driver, Main Unit - Canary Islands: Jaume Illa Canal U-Crane Head Technician, Main Unit - Canary Islands: Nerea Osuna Sarcia-Valino B-Crane Precision Driver, Main Unit - Canary Islands: Marc Roca Fontanet G-Crane Operator, Main Unit - Canary Islands: Hamid Elghoul Assistant Costume Designer, Main Unit - Canary Islands: Dodo Kuhlawy Costume Supervisors, Main Unit - Canary Islands: Susanne Strom, Nuria Pascual-Andujar Costume Truck Supervisor, Main Unit - Canary Islands: Alexandra Stanle Costume Coordinator, Main Unit - Canary Islands: Sara Cabrera Key Principal Costumer, Main Unit - Canary Islands: Mitra Saffari Key Principal Set Assistant Costumer, Main Unit - Canary Islands: Carlos Cabido Principal Costumer, Main Unit - Canary Islands: Gara Hamad Assistant Set Supervisor, Main Unit - Canary Islands: Paula Cavalieri Breakdown Artist, Main Unit - Canary Islands: Leticia Palomeras Costumer Buyer, Main Unit - Canary Islands: Elena Roca Background Pre-Costumers, Main Unit - Canary Islands: Santiago Palacios, Rosa Masague, Tania Sanz, Nuria Santos Tailer, Main Unit - Canary Islands: Enric Marti Seamstress, Main Unit - Canary Islands: Rita Arbelo Key Costume Truck Assistant, Main Unit - Canary Islands: Sara Castane Background Set Assistant Costumer, Main Unit - Canary Islands: Ruben Martin Costume Trainee, Main Unit - Canary Islands: Pablo Garcia Carril Costume Assistant, Main Unit - Canary Islands: Rosa Lopez Key Makeup Artist, Main Unit - Canary Islands: Maria Falcon Camacho Makeup Artist, Main Unit - Canary Islands: Jezabel De Leon Carballo Makeup Trainee, Main Unit - Canary Islands: Susana Perez Hair Artist & Department Coordinator, Main Unit - Canary Islands: Elena Perez Artiles Hair Artist, Main Unit - Canary Islands: Selmo Del Campo Pesquera Barber for Mr. Hardwick, Main Unit - Canary Islands: Christopher Daniel Supervising Location Manager, Main Unit - Canary Islands: Janice Polley Location Manager, Main Unit - Canary Islands: Priscila Calero Assistant to Location Manager, Main Unit - Canary Islands: Martin Yarza Unit Manager, Main Unit - Canary Islands: Benjamin Lobbert Key Assistant Location Manager, Main Unit - Canary Islands: Julia Renner Assistant Location Managers, Main Unit - Canary Islands: David Bienes Faz, Belen De La Barrera Locations Coordinator, Main Unit - Canary Islands: Laura G. Corredera Office Location Assistant, Main Unit - Canary Islands: Libertad Benavent Assistant Unit Manager, Main Unit - Canary Islands: Kike Amat Key Set Production Assistant, Main Unit - Canary Islands: Oliver Perez Electricians, Main Unit - Canary Islands: Miguel Ramirez, Francisco Benitez Security, Main Unit - Canary Islands: Alberto Gallazzi, Gilbert Cruz, Pablo Peralta Greens Manager, Main Unit - Canary Islands: David Carr Assistant Greens Manager, Main Unit - Canary Islands: Abel Jiminez First On-Set Greens Lead, Main Unit - Canary Islands: Diego Picco Second On-Set Greens Lead, Main Unit - Canary Islands: Jose Bernal Gonzalez Greensman, Main Unit - Canary Islands: Andreas Schiffler Assistant Greensmen, Main Unit - Canary Islands: Manuel Alvarez Bernal, Sergio Balaguer Ortega Second Assistant Director, Main Unit - Canary Islands: Andy Garcia Mijailov Third Assistant Directors, Main Unit - Canary Islands: Joel Cyr, Emmanuel Granados Joel Marquez Villar, Sara Coll Barragan Transport Office Coordinator, Main Unit - Canary Islands: Cristina Lozano Shipping & Machinery Coordinator, Main Unit - Canary Islands: Yana Grech Machinery Equipment Drivers Wrangler, Main Unit - Canary Islands: Darren Peter Holvey Facilities HOD, Translux (Main Unit - Canary Islands): Lucian Oros SPFX Supervisor, Main Unit - Canary Islands: Franco Ragusa SPFX Floor Supervisor, Main Unit - Canary Islands: Jaime Fortea SPFX Technicians, Main Unit - Canary Islands: Ezio Sabelli, Hugo Nunes, Ivan Caprio, James Paradis Key Second Assistant Directors, Main Unit - Canary Islands: Callie Powers, Crystal Munson Transport & Logistics Manager, Main Unit - Canary Islands: Henry Dray Transport Captains, Main Unit - Canary Islands: Colin Hingston, Phillip Nicholson Transport Captain Assistant, Main Unit - Canary Islands: Glenn Marcos, Mustose Trujillo Assistant Transport Office Coordinator, Main Unit - Canary Islands: Laura Amago Cienfuegos Shipping & Machinery Assistant, Main Unit - Canary Islands: Yurena De Carmen Jorge Transport Office Assistants, Main Unit - Canary Islands: Albert Mella Villena, Amanda Romero Melguizo, Marta Garcia Cleaners, Main Unit - Canary Islands: Vanessa Nerea Perez Vallejo, Maria Lorena Perez Vallejo Blocker Coordinator, Main Unit - Canary Islands: Ruben Tavio Company 3 Colorist: Kath Raisch Company 3 Finishing Producer: Kelsea Williams Company 3 Associate Finishing Producer: Jenna Ellis Company 3 Finishing Editor: Chris Doerr Company 3 Image Scientist: Michael Kannard Company 3 Color Assistant: Cat Rowe Farquharson Company 3 Finishing Executive: Dave Grove Company 3 Head of Production: Chris Taft CO3 President: Stefan Sonnenfeld ASC Company 3 Portal Manager: Ian Krassner Company 3 Portal Producer: Kevin Beier Company 3 Portal Technician: Mary Quan Company 3 Portal Support Lead: Martin Avitia CO3 VAN Dailies Colorist: Jaan Spirka CO3 VAN Dailies Producer: Stuart Hoy CO3 VAN Dailies Coordinators: Ryan Ewasko, Marnie Spelsberg CO3 VAN Dailies Supervisors: Quin Vota, Marc Dela Cruz CO3 VAN Dailies Operators: Drew Quin, Syafiq Jaafar, Ren Manlolo CO3 VAN Data / IO Supervisor: Marc Wang CO3 Vancouver IO Operator: Jeong-A Jang CO3 VAN Dailies Engineer: Kwong Chi Wong CO3 VAN Dailies Shipping Leads: Barry Perih, Alexander Parada Cantillo CO3 VAN Head of Production: Caroline Simpson CO3 VAN VP, Sales: Lindsay-Elizabeth Donovan CO3 LA Dailies Colorist: Richard Flores Jr CO3 LA Dailies Producer: Alexis Ross CO3 LA Dailies Location Engineer: Liam Donaghy CO3 LA Dailies Technician: India Master CO3 LA Dailies Workflow Specialist: Jon Mendenhall Panavision SVP, Opt. Engineering: Dan Sasaki ASC Editorial Consultant: Paul Rubell ACE Dedicatee: Claire McLintock Filming Dates: 4 October 2021 - 28 January 2022 Camera: Alexa Mini LF (4.5K ARRIRAW) Lenses: Panavision Primo ALZ11 Zoom, ALZ3 Hubble Zoom, SLZ11 Zoom, SLZ3 Hubble Zoom, Ultra Vista AL Primes, H-Series SL Primes & Petzval Primes AR: 2.39:1 (Anamorphic)(S35mm: Some Shots) Extras Casting by: Andrea Brown Casting Inc. Catering by: Serrano Catering Post Production Sound Editorial Services Provided by: Formosa Features Second Unit Catering by: Simply Divine Catering Production Services in the Canary Islands Provided by: Sur-Film Color and Finish Provided by: Company 3 Digital Dailies by: Company 3 Vancouver & Los Angeles End Roller Provided by: Scarlet Letters Avid Editing Systems Provided by: EPS-Cineworks Camera Equipment Supplied by: Panavision Vancouver & Panavision Hollywood
62. Extraction II (2023)
R | 122 min | Action, Crime, Thriller
After barely surviving his grievous wounds from his mission in Dhaka, Bangladesh, Tyler Rake is back, and his team is ready to take on their next mission.
Director: Sam Hargrave | Stars: Chris Hemsworth, Golshifteh Farahani, Adam Bessa, Tornike Gogrichiani
Votes: 146,879
63. Heart of Stone (I) (2023)
PG-13 | 122 min | Action, Crime, Thriller
An intelligence operative for a shadowy global peacekeeping agency races to stop a hacker from stealing its most valuable and dangerous weapon.
Director: Tom Harper | Stars: Gal Gadot, Jamie Dornan, Alia Bhatt, Jing Lusi
Votes: 58,918
64. Pain Hustlers (2023)
R | 123 min | Crime, Drama
Liza dreams of a better life for herself and her daughter. Hired to work for a bankrupt pharmaceutical company, Liza skyrockets with sales and into the high life, putting her in the middle of a federal criminal conspiracy.
Director: David Yates | Stars: Emily Blunt, Chris Evans, Catherine O'Hara, Chloe Coleman
Votes: 42,826
65. Nyad (2023)
PG-13 | 121 min | Biography, Drama, Sport
The remarkable true story of athlete Diana Nyad who, at the age of 60 and with the help of her best friend and coach, commits to achieving her life-long dream: a 110-mile open ocean swim from Cuba to Florida.
Directors: Jimmy Chin, Elizabeth Chai Vasarhelyi | Stars: Annette Bening, Jodie Foster, Anne Marie Kempf, Carolyn McCormick
Votes: 36,309
66. The Killer (2023)
R | 118 min | Action, Adventure, Crime
After a fateful near-miss, an assassin battles his employers and himself, on an international manhunt he insists isn't personal.
Director: David Fincher | Stars: Michael Fassbender, Tilda Swinton, Charles Parnell, Arliss Howard
Votes: 181,508
67. Leave the World Behind (2023)
R | 138 min | Drama, Mystery, Thriller
A family's getaway to a luxurious rental home takes an ominous turn when a cyberattack knocks out their devices, and two strangers appear at their door.
Director: Sam Esmail | Stars: Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la
Votes: 194,229
Director, Screenplay Writer & Producer: Sam Esmail Producer: Julia Roberts Film Editor: Lisa Lassek Director of Photography: Tod Campbell Production Visual Effects Supervisor: Chris Harvey Production Visual Effects Producer: Dione Wood Framestore VFX Supervisor: Avi Goodman Company 3 Finishing Colorist: Tom Poole ASC Company 3 Additional Color: Dustin Wadsworth Company 3 Finishing Editor: Chad Schermerhorn Company 3 Finishing Producer: Michael Maida CO3 Finishing Coordinators: Anthony Romaguera, Miguel Nascimento Color Assistant: Mena Smith Company 3 Deliverables Producer: Joe Monge Company 3 Finishing Executive: David Feldman CO3 Executive Producer: Stefan Sonnenfeld ASC Company 3 Dailies Producer: Ray Stanton Company 3 Digital Dailies Supervisor: Olivier Girard Company 3 Dailies Supervisor: India Master Company 3 Head of Dailies: Andrew Dearnley AR: 2.39:1 (Anamorphic) Visual Effects & Animation by: El Ranchito, Framestore & Distillery VFX Color and Finish & Dailies by: Company 3 New York Attribute: Filmed in Panavision®
68. Maestro (2023)
R | 129 min | Biography, Drama, History
This love story chronicles the lifelong relationship of conductor-composer Leonard Bernstein and actress Felicia Montealegre Cohn Bernstein.
Director: Bradley Cooper | Stars: Carey Mulligan, Bradley Cooper, Matt Bomer, Vincenzo Amato
Votes: 60,134
69. Rebel Moon - Part One: A Child of Fire (2023)
PG-13 | 133 min | Action, Adventure, Drama
When a peaceful settlement on the edge of a distant moon finds itself threatened by the armies of a tyrannical ruling force, a mysterious stranger living among its villagers becomes their best hope for survival.
Director: Zack Snyder | Stars: Sofia Boutella, Djimon Hounsou, Ed Skrein, Michiel Huisman
Votes: 106,247
Director, Cinematographer, Producer & Co-Writer: Zack Snyder Casting Director: Kristy Carlson CSA Production VFX Supervisor: Marcus Taormina Costume Designer: Stephanie Portnoy Porter Prod Designers: Stefan Dechant, Stephen Swain Executive Producer: Sarah Bowen EP/Unit Production Manager: Bergen Swanson EP/Co-Writer: Kurt Johnstad EP/Screenwriter: Shay Hatten Producers: Deborah Snyder, Wesley Coller Second Assistant Director: Jon Recher Supervising Stunt Coordinator: Damon Caro Stunt Fight Coordinator: John Koyama Fight / Stunt Coordinator: Freddy Bouciegues Fight Coordinator: Ryan Gray stunt Rigging Coordinator: Hugh Aodh O'Brien Prod Supervisors: Lindsay Feldman, Ali Griffith Sup. Art Dir's: Julien Pougnier, Brett McKenzie VFX Art Director: Angran Li Set Decorator: Claudia Bonfe Specialist Set Designers: J. André Chaintreuil, Forest P. Fischer Conceptual Set Designer: Scott Schneider A Camera Operator: John Clothier First Assistant "A" Camera: Braden Batsford Second Assistant "A" Camera: Mike Prior B Camera Operator/2nd Unit DP: Jac Fitzgerald First Assistant "B" Camera: Eric Guerin First Assistant Editor: Carlos M. Castillón Assistant VFX Editor: Yufei Skylar Zhang Visual Effects On-Set Supervisor: Kevin Rafferty VFX Production Supervisor: Rizza Go Senior Visual Effects Coordinator: Anthony Cally Lead Special Effects Supervisor: Michael Gaspar Production Special Effects Coordinator: Eric Cook Wētā Workshop Creative Lead: Richard Taylor Wētā Workshop Project Supervisor: Ben Fairless Wētā Workshop Production Manager - Manufacture: Rita Maxim Wētā Workshop Art Director: Stephen Crowe Wētā Workshop Senior Concept Artists: Christian Pearce, Vaughan Flanagan, Adam Anderson Wētā Workshop Concept Artists: Iona Brinch, Sierra Wang Wētā Workshop Senior Production Manager - Design: Brooklyn Dineen Wētā Workshop Production Manager - Design: Yalda Armian Wētā Workshop Lead 3D Modeller: Jack Taylor Wētā Workshop 3D Modelling Artists: Jonathan Van Den Brink, Nathaniel Castro Wētā Workshop Props & Modelmaking Supervisor: Marco Wuest Wētā Workshop Props & Modelmaking Leads: Dominic Di Leva, Grace Bowen Isaac Robertson, Pati A. Sue, Paul Van Ommen Wētā Workshop Moldmaking Supervisor: Will Toft Wētā Workshop Moldmaking Lead: Brett Butt Wētā Workshop Casting Supervisor: Niam Lynch Wētā Workshop Casting Lead: Craig James Second Unit Director: Eli Snyder Second Unit Director of Photography: Tucker Korte Second Unit First Assistant Director: Stuart Valberg Second Unit Second Assistant Directors: Peter McGrew, Aaron Moskal Second Unit Property Masters: Theresa Corvino, Jaymee Christopherson Second Unit Assistant Property Masters: Ian McMains, John Welch Second Unit Script Supervisors: Lori Denil, Ana Maria Quintana Second Unit A Camera Operator: Milan Janicin Second Unit Sound Mixers: Glenn Berkovitz CAS, Robert Anderson CAS Second Unit Key Video Assists: Evan Hare, Greg Mitchell, Justin Geoffr Second Unit Chief Lighting Technician: Erica Kim Second Unit Assistant Chief Lighting Technician: Dylan Mayberry Second Unit Lighting Programmer: Joel Sutherland Second Unit Key Grip: Tomislav Culina Framestore Visual Effects Supervisor: Rob Winter CO3 Executive Producer / Colorist: Stefan Sonnenfeld ASC Company 3 Additional Colorist: Adam Nazarenko Company 3 Finishing Producer: Loan Phan Company 3 Associate Producer: Zach Watkins Company 3 Finishing Editor: Matthew Johnson VES Company 3 Image Scientist: John Quartel Company 3 Color Assistant: Frankie Hudson Company 3 Finishing Executive: Jackie Lee Company 3 Head of Production: Laura Geucherian Company 3 Dailies Colorist: Shane O'Connor Company 3 Additional Colorist, Dailies: Tom Klane Company 3 Dailies Senior Producer: Alexis Ross CO3 Dailies Workflow Specialist: Jon Mendenhall Company 3 Dailies Manager: Leeza Diott Company 3 Dailies Account Executive: Marc Ross CO3 Vice President of Global Dailies: Hunter Betts RED Camera Designer: Jarred Land ASC Filming Dates: 20 April 2022 - 2 December 2022 Camera: Red V-Raptor ST & XL (8K Redcode RAW) Lenses: Leitz Elsie Primes & Summiscope AL Primes AR: 2.39:1 (Anamorphic & S35mm) Visual Effects Provided by: Framestore Dailies, Color & Finish by: Company 3 Los Angeles Attribute: Filmed in Panavision
70. Society of the Snow (2023)
R | 144 min | Adventure, Biography, Drama
The flight of a rugby team crashes on a glacier in the Andes. The few passengers who survive the crash find themselves in one of the world's toughest environments to survive.
Director: J.A. Bayona | Stars: Enzo Vogrincic, Agustín Pardella, Matías Recalt, Esteban Bigliardi
Votes: 129,329
71. Lift (I) (2024)
PG-13 | 107 min | Action, Comedy, Crime
Follows a master thief and his Interpol Agent ex-girlfriend who team up to steal $500 million in gold bullion being transported on an A380 passenger flight.
Director: F. Gary Gray | Stars: Kevin Hart, Gugu Mbatha-Raw, Sam Worthington, Vincent D'Onofrio
Votes: 37,540
Director/Executive Producer: F. Gary Gray Writer: Daniel Kunka Producers: Kevin Hart, Brian Smiley, Matt Reeves, Adam Kassan, Simon Kinberg, Audrey Chon Director of Photography: Bernhard Jasper Production Designer: Dominic Watkins Film Editors: William Yeh, Richard Pearson ACE Production Visual Effects Supervisors: Kris Wood, Jeremy Burns Composers: Dominic Lewis, Guillaume Roussel Production Visual Effects Producer: Steve Garrad DNEG VFX Supervisor: Neil Eskuri DNEG VFX Producer: Blair Brownlee Image Engine VFX Supervisor: Andy Walker Crafty Apes VFX Supervisor: Dave Morley Mr. Wolf VFX Supervisor: Danny Yoon Cinesite VFX Supervisor: Simon Stanley-Clamp Territory Studio VFX Supervisor: Jon Griffin Framestore VFX Supervisor: Jay Khan BOT VFX Visual Effects Supervisor: Sean Pollack Blind LTD Creative Supervisor: Simon Staines Instinctual VFX Supervisor: Alan Latteri Artemple Hollywood VFX Supervisor: Wei Zheng Company 3 Colorist: Stephen Nakamura Company 3 Additional Color: Adam Nazarenko Company 3 Finishing Producer: Aaron Miller Company 3 Finishing Editor: Chad Schermerhorn Company 3 Image Scientist: Emily Faw Company 3 Color Assistant: John Tripp Company 3 Finishing Executive: Jackie Lee Company 3 Head of Production: Laura Geucherian CO3 Executive Producer: Stefan Sonnenfeld ASC CO3 Dailies Colorists: Malachy Campbell, Doychin Margoevski CO3 Dailies Operators: Gerard Donnelly, John Maltby, Dan Perry, Sean Olding CO3 Dailies Producers: Omari Ashley Jonathan Mann CO3 Mobile Operations Supervisor: Liam Donaghy Company 3 Dailies Technical Supervisor: Iain Giessler Company 3 Dailies Supervisor: Olivier Girard CO3 Head Of New York Dailies: Andrew Barbier-Dearnley Company 3 Head of London Dailies: James Long Company 3 VP of Dailies: Hunter Betts Filming Dates: February 2022 - May 2022 Visual Effects & Animation by: DNEG, Image Engine, Framestore & Cinesite Color and Finish & Dailies by: Company 3 Camera Equipment Supplied by: Panavision Woodland Hills Attribute: Filmed in Panavision®
72. Spaceman (I) (2024)
R | 107 min | Adventure, Drama, Sci-Fi
Half a year into his solo mission on the edge of the solar system, an astronaut concerned with the state of his life back on Earth is helped by an ancient creature he discovers in the bowels of his ship.
Director: Johan Renck | Stars: Adam Sandler, Carey Mulligan, Paul Dano, Kunal Nayyar
Votes: 30,531
Director/Executive Producer: Johan Renck Screenplay Writer: Colby Day Producers: Channing Tatum, Reid Carolin Executive Producer: Barry Bernardi Director of Photography: Jakob Ihre Production Designer: Jan Houllevigue Editors: John Axelrad ACE, Scott Cummings, Simon Smith Composer: Max Richter Production Visual Effects Supervisor: Matt Sloan Production Visual Effects Producer: Lauren Ritchie Co-Producers: David Minkowski, Matthew Stillman Supervising Art Director: Chris Shriver Art Director: Ryan Heck Set Decorator: David Schlesinger Art Director, Additional Photography: Nick Ralbovsky MPC VFX Supervisor: Bryan Litson MPC VFX Producer: Skye Radies MPC Animation Supervisor: Brett Purmal Company 3 Finishing Colorist: Jean-Clément Soret Company 3 Finishing Producer: Michael Maida CO3 Associate Finishing Producers: Cody Cardarelli, Julia Ward Company 3 Finishing Editor: Gina Kalim Company 3 Color Assistant: Theresa Crooks Company 3 Data I/O Operator: Viktorija Tupikaite Company 3 Dailies Colorist: Adam Moore Company 3 Dailies Colorist, AP - LA: Tom Klane AR: 2.39:1 Visual Effects by: MPC Dailies, Color and Finish by: Company 3
73. Damsel (2024)
PG-13 | 110 min | Action, Adventure, Fantasy
A dutiful damsel agrees to marry a handsome prince, only to find the royal family has recruited her as a sacrifice to repay an ancient debt.
Director: Juan Carlos Fresnadillo | Stars: Millie Bobby Brown, Ray Winstone, Angela Bassett, Brooke Carter
Votes: 75,456
Director: Juan Carlos Fresnadillo Writer/Executive Producer: Dan Mazeau Producers: Joe Roth, Jeff Kirschenbaum Producer: Chris Castaldi Executive Producers: Sue Baden-Powell, Mark Bomback Executive Producer: Millie Bobby Brown Director of Photography: Larry Fong ASC Production Designer: Patrick Tatopoulos Film Editor: John Gilbert Production Visual Effects Supervisors: Nigel Denton-Howes, Nicholas Brooks Composer: David Fleming Casting Directors: Maria José Monteiro, Fiona Weir Line Producer: Nick Page Co-Producer: Emily Wolfe Production Visual Effects Producer: Rupert Smith Post Production Producer: Michael Solinger Supervising Art Director: Jason Knox-Johnston Standby Art Director: Lisa McDiarmid Art Directors: Laura Mickiewicz, Marco Anton Restivo Senior Art Director: Adam Squires Senior Art Director, AP: Andrew Ackland-Snow Standby Art Director, AP: Ellie Jones OOU Visual Effects Supervisor: Bodie Clare Yard VFX Visual Effects Supervisor: Sébastien Nebout Company 3 Colourist: Greg Fisher Company 3 Finishing Producer: Gemma Saunders Company 3 Lead Finishing Editor: Stuart London Company 3 Colour Assistants: Jonas Jangvad, Shing Hong Chan, Theresa Crooks Company 3 Finishing Editors: Thomas Lambert, Julien Mathis, Jeremy Crichton Company 3 Dailies Colourist: Doychin Margoevski Company 3 Dailies Producer: Jo May Company 3 Dailies Operators: Aaron Coot, Dan Perry, Emma Hockley, Lulu Ladd, John Maltby, Sean Olding Company 3 Dailies Engineer: Stephen Regnier Company 3 Head of Dailies Operations: James Long Company 3 Operations Coordinator: Julian Debrah Company 3 Finishing Production Assistant: Agnaldo Lopes Rezende Junior Company 3 Image Science: John Quartel, Brett Rayner Company 3 Technologists: Mark Dear, Caleb Gibson, Warren Ince, Ben Jones, Richard Barnes, Guido Wilden Company 3 Data I/O: Dan Helme, Agne Janusaityte, Sam Collier, Louis Zimmer Company 3 Data I/O Operator: Viktorija Tupikaite Company 3 Operations Manager: Charles Bedwell Company 3 Head of Production: Laura Metcalfe Company 3 Head of Production Operations: Alice Greenland Company 3 Account Executive: Jon Gray Company 3 Head of Operations: Johnny Whitehead CO3 Executive Producer: Stefan Sonnenfeld ASC Main and End Titles Designer: Matt Curtis Filming Dates: February 2022 - 1 July 2022 Camera: Sony Venice Lenses: Panavision T-Series Anamorphic Primes AR: 2.39:1 (Anamorphic) Budget: 60-70 Million USD Visual Effects & Animation by: One Of Us, Rodeo FX, The Yard VFX, Pixomondo, Important Looking Pirates, Rising Sun Pictures, Rebel Unit, Atomic Arts, Primary VFX, NetFX & TPO VFX Dailies , Colour & Finish by: Company 3 London
74. Rebel Moon - Part Two: The Scargiver (2024)
PG-13 | 122 min | Action, Adventure, Drama | Completed
Kora and surviving warriors prepare to defend Veldt, their new home, alongside its people against the Realm. The warriors face their pasts, revealing their motivations before the Realm's forces arrive to crush the growing rebellion.
Director: Zack Snyder | Stars: Sofia Boutella, Charlie Hunnam, Anthony Hopkins, Ed Skrein
Votes: 251
Director, Screenplay, Story Writer, Producer & Director of Photography: Zack Snyder Screenplay Writers: Shay Hatten, Kurt Johnstad Production Designer: Stefan Dechant Film Editor: Dody Dorn ACE Production Visual Effects Supervisor: Marcus Taormina CO3 Executive Producer/Colorist: Stefan Sonnenfeld ASC Company 3 Additional Colorist: Adam Nazarenko Company 3 Finishing Producers: Loan Phan, Zach Watkins Company 3 Finishing Editor: Matthew Johnson VES Company 3 Dailies Colorist: Shane O'Connor
75. Atlas (2024)
PG-13 | Action, Adventure, Drama | Completed
A bleak-sounding future, where an AI soldier has determined that the only way to end war is to end humanity.
Director: Brad Peyton | Stars: Jennifer Lopez, Simu Liu, Sterling K. Brown, Gregory James Cohan
Director/Producer: Brad Peyton Writers: Leo Sardarian, Aron Eli Coleite Producers: Joby Harold, Jennifer Lopez, Elaine Goldsmith-Thomas, Benny Medina, Greg Berlanti, Sarah Schechter Director of Photography: John Schwartzman ASC Production Designer: Barry Chusid Film Editor: Bob Ducsay ACE Costume Designer: Daniel Orlandi Composer: Andrew Lockington Production Visual Effects Supervisor: Lindy DeQuattro Casting Director: Denise Chamian CSA Executive Producer, Additional Photography: Bergen Swanson ILM Visual Effects Supervisor: Victor Schutz ILM Animation Supervisor: Mathew Cowie ILM Executive Visual Effects Producer: Katherine Farrar Bluff ILM Visual Effects Producer: Brian Barlettani CO3 Executive Producer/Colorist: Stefan Sonnenfeld ASC Company 3 Additional Colorist: Adam Nazarenko Company 3 Finishing Producer: Loan Phan Company 3 Finishing Editor: Chad Schermerhorn Company 3 Dailies Colorist: Ben Estrada Company 3 Dailies Producer: Alexis Ross Company 3 Dailies Workflow Specialist: Jon Mendenhall Filming Dates: August 26, 2022 - November 26, 2022 AR: 2.39:1 (Anamorphic) Visual Effects & Animation by: Industrial Light & Magic, MPC, Scanline VFX, Territory Studio, Cantina Creative + Lola VFX Previsualization by: Halon Entertainment Color & Finish by: Company 3
76. Beverly Hills Cop: Axel F (2024)
Action, Comedy, Crime | Post-production
Detective Axel Foley finds himself drawn back to the opulent environs of Beverly Hills to investigate the untimely demise of a long-time confidant.
Director: Mark Molloy | Stars: Eddie Murphy, Kevin Bacon, Judge Reinhold, Joseph Gordon-Levitt
Director: Mark Molloy Producer: Eddie Murphy Composer: Harold Faltermeyer Co-Producer: Melissa Reid Film Editor: Dan Lebental ACE Production Designer: Jahmin Assa Director of Photography: Eduard Grau ASC Executive Producers: Ray Angelic, Charisse M. Hewitt Producers: Jerry Bruckheimer, Chad Oman Screenplay & Story Writer: Will Beall Screenplay Writers: Tom Gormican, Kevin Etten First Assistant Director: Richard L. Fox Second Assistant Director: Kevin Collins Co-Producer: Melissa Reid Associate Producer: John K. Campbell Supervising Stunt Coordinator / Second Unit Director: Mike Gunther "A" Camera / Steadicam Operator: Ari Robbins SOC "A" First Assistant Photographer: Stephen MacDougall "A" Second Assistant Photographer: Jordan Pellegrini "B" Camera Operators: Thomas Fedak, Michael Merriman "B" First Assistant Photographer: Dan Ming "B" Second Assistant Photographer: Robbie Julian "C" Camera Operator: Grant Adams "C" First Assistant Photographer: Eric Jensch "C" Second Assistant Photographer: Ernest Dickerson Jr "D" Camera Operator: Geoff George Additional Camera Operator: Eric Robbins Pursuit Arm Operator: Russell Prior Arm Car Camera Operator: John Skotchdopole Aerial Unit Director of Photography: Dylan Goss Drone Pilot: Drew Roberts Drone First Assistant Photographer: Nate Labruzza Production Special Effects Supervisor: Elia P. Popov Production Special Effects Coordinator: Schuyler White Supervising Location Manager: Dan Cooley Production Location Manager: Bryan Diaz Key Assist Location Manager: Omar Masmoudi Second Unit Director: Rodrigo Valdes Second Unit Key Second Assistant Director: D.J. Carter Second Unit Stunt Coordinator: Kyle Woods Second Unit Visual Effects Supervisor: Ned Wilson Second Unit "B" Camera Operator: Tommy Tieche Second Unit "B" First Assistant Photographer: Jordan Oglesby Unit Production Manager, Detroit Unit: Ian Watermeier Splinter Unit Director, Detroit Unit: J.P. Riley Detroit Unit Additional First Assistant Photographer: Anton Miasnikov Second Assistant Director, Additional Photography: Dixon McPhillips Visual Effects Production Coordinator: Katie Hoyt Visual Effects Data Wranglers: Ethan R. Graham, Omar Nadir, Stephanie Gail Williams In-House Visual Effects Lead: Jeffrey Kalmus Scanline VFX Visual Effects Supervisor: Micah Gallagher Scanline VFX CG Supervisors: Oliver Hermann, Pablovsky Ramos-Nieves Scanline VFX Compositing Supervisor: Peter Vickery Scanline VFX Visual Effects Production Manager: Pierre Alexander Scanline VFX Layout Lead: Melvin Polayah Scanline VFX Virtual Production Technician: Jilly Awner Scanline VFX Virtual Production Coordinator: Marc Thorineau GGS Visual Effects Photographer: Jeremy Paige Halon Previsualization Editor: Albert Lopez Halon Previsualization Lead: Douglas Rappin Halon Director of Production: Richard Enriquez Halon Project Manager: Kyla McFalls Halon Editorial Manager: Jason Ragosta Unit 11 Previsualization Production Coordinators: Jill Ambrosino, Nathan Runyon Unit 11 Previsualization Supervisor: Steve Yamamoto Company 3 Finishing Colorist: Tom Poole ASC Company 3 Finishing Producers: Dawn Landon, Gina Martin Company 3 Finishing Editor: Chad Schermerhorn Company 3 Dailies Colorists: Jack Tashdjian, Tom Klane Company 3 Dailies Producer: Alexis Ross Company 3 Dailies Workflow Specialist: Jon Mendenhall Filming Dates: 29 August 2022 - February 2023 Lenses: Panavision T-Series Anamorphic Primes & ALZ10 42-425mm Zoom AR: 2.39:1 (Anamorphic) Visual Effects & Animation by: Scanline VFX Visualization by: Halon Entertainment & Unit 11 Dailies, Color & Finish by: Company 3 Los Angeles
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