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Today in Soap Opera History (October 27)

1982: Gh's Luke and Robert searched for Holly in Canada.

1988: Gl's Rusty shot Will and tried to save Mindy.

1995: Loving's Gwyneth was revealed as the Corinth Killer.

2009: As the World Turns' Brad Snyder died."The best prophet of the future is the past."

― Lord Byron

"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.

On this date in...

1967: On Dark Shadows, Julia (Grayson Hall) felt guilty about telling Barnabas (Jonathan Frid) to bite Vicky. She instead offered to sacrifice herself to restore Barnabas's appearance. Though touched, he declined, noting that he needed her to continue as his doctor. In the meantime, Carolyn (Nancy Barrett) decided -- over David's (David Henesy) protests
See full article at We Love Soaps »

Today in Soap Opera History (May 16)

1989: Atwt's Ellen was unhappy with her husband.

1989: Gl's Will fatally injured Rose.

1994: Gh's Bobbie and Tony said goodbye to B.J.

2012: Days' Lucas and Sami reacted to Will coming out."All true histories contain instruction; though, in some, the treasure may be hard to find, and when found, so trivial in quantity that the dry, shrivelled kernel scarcely compensates for the trouble of cracking the nut."

Anne Brontë in "Agnes Grey"

"Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture.

On this date in...

1967: On Days of our Lives, Tom (Macdonald Carey) told Susan (Denise Alexander) that Dickie didn't have any fractures but had not regained consciousness.

1979: On Another World,
See full article at We Love Soaps »

Hell on Frisco Bay

I tell you it’s rough out there on Frisco Bay, especially when you say the word ‘Frisco’ within earshot of a proud San Francisco native. This Alan Ladd racketeering tale could have been written twenty years earlier, but it has Warner Color and the early, extra-wide iteration of the new movie attraction CinemaScope.

Hell on Frisco Bay

Blu-ray

Warner Archive Collection

1955 / Color / 2:55 widescreen Academy / 98 min. / Street Date , 2017 / available through the WBshop / 21.99

Starring: Alan Ladd, Edward G. Robinson, Joanne Dru, William Demarest, Paul Stewart, Perry Lopez, Fay Wray, Nestor Paiva, Willis Bouchey, Anthony Caruso, Tina Carver, Rod(ney) Taylor, Jayne Mansfield, Mae Marsh, Tito Vuolo.

Cinematography: John F. Seitz

Film Editor: Folmar Blangsted

Stunts: Paul Baxley

Original Music: Max Steiner

Written by Martin Rackin, Sydney Boehm from a book by William P. McGivern

Produced by George C. Berttholon, Alan Ladd

Directed by Frank Tuttle

Alan Ladd had always been
See full article at Trailers from Hell »

Oscar-Nominated Film Series: Gwtw Actress De Havilland Made Major, Oscar-Winning Comeback in 'Mother Sacrifice' Weepie

'To Each His Own' movie with Olivia de Havilland and John Lund 'To Each His Own' movie review: Best Actress Oscar winner Olivia de Havilland stars in Mother Love tearjerker Olivia de Havilland, who had starred in the 1941 melodrama Hold Back the Dawn, returns to the wartime milieu in To Each His Own (1946), once again under the direction of Mitchell Leisen, who guides the proceedings with his characteristic sincerity while cleverly skirting the Production Code's restrictive guidelines. In To Each His Own, de Havilland plays Jody Norris, a small-town woman who falls quickly in love – much like her character in Hold Back the Dawn – but this time during World War I, when Jody's brief liaison with daredevil flying ace Captain Cosgrove (John Lund) results in an out-of-wedlock child. When Cosgrove is killed in battle, the young mother anonymously gives up her baby to a childless couple in her hometown, remaining
See full article at Alt Film Guide »

'Gilmore Girls' Star Edward Herrmann Passes Away at 71

'Gilmore Girls' Star Edward Herrmann Passes Away at 71
Edward Herrmann, best known for playing Richard Gilmore on the hit TV series Gilmore Girls, passed away earlier today at the age of 71. TMZ reports that the actor had been battling brain cancer, and spent the past three and a half weeks in the intensive care unit. His family ultimately decided to take him off the respirator after his condition showed no signs of improvement. The actor had been diagnosed with a Stage 4 glioblastoma brain tumor earlier this year. Here's what Edward Herrmann's manager, Robbie Kass, had to say about the actor's passing in a brief statement.

"Besides being an accomplished actor, Ed was also a true gentleman and a scholar, as well as being an incredibly kind and decent man. He will be sorely missed."

Edward Herrmann was born July 21, 1943 in Washington D.C. He grew up in the Detroit area and studied acting at the London Academy
See full article at MovieWeb »

Nyff 2014. Asia Argento's "Misunderstood"

  • MUBI
Getting its North American premiere at the New York Film Festival, Asia Argento’s Misunderstood is ostensibly about a nine-year-old girl’s difficult childhood brought on by the wildly inappropriate parenting skills of a pair of narcissistic celebrities and/or bohemian artists. That being said, its depiction of a childhood devoid of authority is often so playfully strange that it seems a celebration of anarchy more than a lament.

The father (Gabriel Garko) is a popular action movie star who sports sunglasses and bleach-blonde frosted tips, smokes pot in front of his kids, and showers his other daughter—a busty teen who seems always on the verge of exploding out of her all-pink outfit in her all-pink bedroom—with almost incestuous affection. The mother (Charlotte Gainsbourg), meanwhile, disappears for weeks at a time on erotic adventures, brings home men who talk about “pussy” in front of the kids, and makes
See full article at MUBI »

Gardner, Crawford Among Academy's Career Achievement Award Non-Winners

Honorary Award: Gloria Swanson, Rita Hayworth among dozens of women bypassed by the Academy (photo: Honorary Award non-winner Gloria Swanson in 'Sunset Blvd.') (See previous post: "Honorary Oscars: Doris Day, Danielle Darrieux Snubbed.") Part three of this four-part article about the Academy of Motion Picture Arts and Sciences' Honorary Award bypassing women basically consists of a long, long — and for the most part quite prestigious — list of deceased women who, some way or other, left their mark on the film world. Some of the names found below are still well known; others were huge in their day, but are now all but forgotten. Yet, just because most people (and the media) suffer from long-term — and even medium-term — memory loss, that doesn't mean these women were any less deserving of an Honorary Oscar. So, among the distinguished female film professionals in Hollywood and elsewhere who have passed away without
See full article at Alt Film Guide »

The Collaboration: Hollywood's Pact with Hitler by Ben Urwand – review

Film's golden era was tarnished by appeasement

Nazi Germany loved movies, and their leader was, as in so much else, fanatical about them. In his private cinema at the Reich Chancellery Hitler watched a movie every night, then gave his invited guests the benefit of his opinion on it. He loved Laurel and Hardy, for instance, noting how their comedy Block-Heads contained "a lot of very nice ideas and clever jokes". Yet he regarded movies as something more than entertainment; he saw in their power to seduce and bewitch a vital instrument of persuasion. His propaganda minister, Joseph Goebbels, saw it, too. After watching It Happened One Night, he wrote in his diary: "A funny, lively American film from which we can learn a lot. The Americans are so natural. Far superior to us."

If this eye-opening study of Hollywood and the Nazi elite is to be believed, that superiority was purely a technical one.
See full article at The Guardian - Film News »

Play It Again: The Making Of Casablanca

During the early 1940′s the Hollywood studio system was at its peak. At Warner Brothers, studio head Jack Warner and as his right hand man, executive in charge of production, Hal B. Wallis confidently stood shoulder to shoulder with the other major studios. Back then Hollywood would churn out at least one movie per week from each studio. It was like a factory, pumping out movies on a production line. Casablanca was like any other film at the time, made for a cheap buck as opposed to any strong artistic merit. Funny then that it has since gone on to become one of the most beloved films of all time.

Casablanca was just another place on the map until Hal Wallis got his hands on a play entitled ‘Everybody Comes To Rick’s‘. Based upon the travels of playwrights Murray Burnett and Joan Alison, the play was unproduced at the
See full article at Obsessed with Film »

Michelle Williams, Ryan Gosling in Blue Valentine Trailer/Clip; Surprising Nc-17 Rating

Michelle Williams and Ryan Gosling have been mentioned as potential Oscar contenders for their performances as carefree lovers-turned-unhappily-married couple in Derek Cianfrance's Blue Valentine, which The Weinstein Company will be releasing in the United States on Dec. 31. But members of the Motion Picture Association of America's ratings (i.e., censorship) board, whose job is to perpetuate the ludicrousness of the Hays Office and the Breen Office (named after infamous censors Will Hays and Joseph Breen) don't care about performances. They care about how many times the word "fuck" is used in a film. They care even more if the act of fucking is used in a film. The act is present to some degree or other in Blue Valentine; hence the MPAA's decision to punch the film with the dreaded Nc-17 rating, reports Mike Fleming at Deadline.com. Those who have seen the movie at Sundance, Cannes, and/or Toronto are flabbergasted,
See full article at Alt Film Guide »

Jimmy Stewart: Angel of Death

Historians still disagree on what killed Classical Hollywood Cinema. Academics with an analytical bent tend to write about the Paramount Decree of 1948, postwar suburbanization, the increasing popularity of television, and the new economic independence of stars who began to package their own deals to shop around to the studios. But, as with Toltec creation myths or my aunt’s disquisitions on her recipe for California Taco Supreme*, sometimes it is the most poetically irrational explanations that have the most satisfying relationship to the truth. I had one of those illogical revelations myself the other day, entranced by Jimmy Stewart’s rage near the end of Anthony Mann’s The Naked Spur. He’s the one who did it, I realized: it was Jimmy Stewart who killed Hollywood.

I used to point to four movies in particular as marking the symbolic death of old Hollywood. I liked Peter Bogdanovich’s description
See full article at MUBI »

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