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Shirley Eaton Poster

Biography

Jump to: Overview (4)  | Mini Bio (1)  | Family (1)  | Trivia (9)  | Personal Quotes (4)  | Salary (2)

Overview (4)

Born in Edgware, Middlesex, England, UK
Birth NameShirley J. Eaton
Nicknames Shirl
Golden Girl
Height 5' 7" (1.7 m)

Mini Bio (1)

Long before Bea Arthur, Estelle Getty and company showed up in 1980s TV households, Hollywood had, in effect, its own original "Golden Girl"...literally...in the form of stunning British actress Shirley Eaton. Although she found definitive cult stardom in 1964 with her final golden moment in a certain "007" film, Shirley was hardly considered an "overnight success". For nearly a decade, she had been out and about uplifting a number of 1950s and early 1960s British dramatic films and slapstick farce. Shirley became quite a sought-after actress internationally but, by the end of the decade, the dark-browed blonde beauty intentionally bade Hollywood and her acting career a fond and permanent farewell. She has never looked back.

Born in Edgware, Middlesex, England on January 12, 1937 (some references incorrectly list her birth year as 1936), Shirley Jean Eaton began on stage as a youth, making her debut at age 12 in "Set to Partners" (1949) and following it up the following year with Benjamin Britten's "Let's Make an Opera". Her first on-camera work was on TV in 1951, but it didn't take long before the pretty teen began to provide fleeting, decorative interest on film. Under contract to Alexander Korda in her early career, she found an encouraging break with minor parts in such comedies as Doctor in the House (1954) and The Love Match (1955). She quickly rose to co-star status in the droll features, Panic in the Parlor (1956), Three Men in a Boat (1956), Your Past Is Showing (1957) and Doctor at Large (1957), while appearing opposite such top stars as Peter Sellers and Dirk Bogarde, among others.

Upon Korda's death in 1956, Shirley briefly joined the Rank Organization. Every once in awhile, she relished playing a fetching villainess in a drama, such as in The Girl Hunters (1963) when not playing it straight as the beautiful foil caught up in some of Britain's finest madcap farces, which included the highly popular "Carry On" movies. Trained also in ballet and voice, Shirley was afforded a great chance to sing and dance with the film, Life Is a Circus (1960), and managed to grace the BBC as well in a few of their musical formats of the 1950s.

Shirley's career hit international status, of course, when she played "Jill Masterson", one of a bevy of beauties linked to titular archvillain Gert Fröbe in the film, Goldfinger (1964). And like many of the Bondian girls before and since, her character dearly paid for her furtive romantic clinches with Sean Connery's magnetic "James Bond". Shirley's memorable 24-karat gold death scene (She was found by Bond, painted head to toe in gold paint, and had "died of skin suffocation".), became the eye-catching draw for the movie. The image was splattered everywhere -- on movie posters, in press junkets and in publicity campaigns. Despite the formidable attention the movie received in the form of Honor Blackman's high-kicking "Pussy Galore" character and Shirley Bassey's famous rendition of the title song playing the airwaves, it was Eaton's gilded visuals that became THE iconic image of not only the movie but the whole "007" phenomena.

In its wake, Hollywood beckoned and Shirley immediately won a number of female leads in melodrama, crime yarns, war stories and rugged adventures. Adding to the mesmerizing Ivan Tors scenery in such movies as Rhino! (1964) and the underwater epic, Around the World Under the Sea (1966), she appeared opposite some of Hollywood best-looking and talented leading men, including Harry Guardino and Robert Culp of the afore-mentioned Rhino! (1964), and Hugh O'Brian in the classic whodunnit, Ten Little Indians (1965). During this highly productive time, her co-stars ranged from comedy legend Bob Hope in Eight on the Lam (1967) to horror icon Christopher Lee in The Blood of Fu Manchu (1968). Shirley's film career ended with her participation as "Sumuru", the ambitious leader of an all-woman's society called "Femina", in both The Million Eyes of Sumuru (1967) and The Girl from Rio (1969). Many of her movies remain interesting to the public today as they are a product reflective of their times, and a number of them, like she, have achieved cult status.

After Shirley's self-imposed retirement, she, first and foremost, dedicated herself to her family. The widow of building contractor Colin Rowe (they were married in 1957; he died in 1994), she has two sons, Grant and Jason, and is the proud grandmother of five. She also developed a special knack for writing and, in 1999, published her autobiography entitled "Golden Girl". In 2006, she marketed an "intimate diary" of poems. These days, the spectacular Shirley can be glimpsed from time to time at film festivals that very much appreciate her cult celebrity. She also enjoys painting and has made a return to the stage in recent years.

- IMDb Mini Biography By: Gary Brumburgh / gr-home@pacbell.net

Family (1)

Spouse Colin Rowe (5 August 1957 - 1994)  (his death)  (2 children)

Trivia (9)

Became pregnant during the filming of Carry on Nurse (1959).
Contrary to Hollywood folklore, she did not test for the part of Emma Peel in The Avengers (1961) when it was found that Elizabeth Shepherd was unsuitable for the part. The part eventually went to Diana Rigg.
Appeared on the stage at London's Prince of Wales Theatre as one of the lead roles in "Come Blow Your Horn" while busily filming The Girl Hunters (1963). The film's co-star, Mickey Spillane, became a family friend as a result of the shoot.
She had appeared at the London Palladium three times, once when she was 17 and performing in a pantomime, and then in the early 1960s at two annual Royal Variety Performance galas that included Nat 'King' Cole, Sammy Davis Jr., Bob Hope and Maurice Chevalier. When in 2008 she appeared again, this time to celebrate the new James Bond film phenomenon, she received a standing ovation.
Possibly most recognized because of her role in Goldfinger (1964), her character was killed only 16 minutes into the movie.
Has appeared in both the "Carry On" and "James Bond" franchises.
Was doubled in the iconic "Golden girl" scene in Goldfinger (1964) by model-turned-actress Margaret Nolan.
As a child actress she appeared on stage at the London Palladium with Max Bygraves.
Following the death of Sean Connery in October 2020, she is the last surviving member of the credited cast of Goldfinger. Ironically, it had become an urban myth that she actually died after being painted gold during the making of it.

Personal Quotes (4)

The reason why people are huge stars is nothing to do with acting. It's the magic. Charisma is a word that's used too often, it's something special and it's what makes stars. It's luck and basically it's genes.
I'm very expressive, but I'm also a very private person. It is so hard to be private in the entertainment business. I'm really glad that I was famous and successful at the time I was because it was bad enough then in a profession which tended to eat you up and never give you any free time. But I think that the youngsters today have a really bad time from every angle.
[1999, interview in Starlog magazine] A career is a career, but you're a mother until you die.
[on Paul Rabiger, her makeup artist on Goldfinger (1964)] He was as impersonal about gilding me as if he was painting a barn.

Salary (2)

Carry on Sergeant (1958) £1,000
Carry on Nurse (1959) £1,250

See also

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