Slim Whitman obituary

Yodelling country singer best known for Rose Marie and Indian Love Call

The singer Slim Whitman, who has died aged 90, was a noteworthy figure in country music, since, although he was hugely popular outside the Us, for most of his career he was almost forgotten in his own country. In the 1970s, two decades after his American heyday, he still commanded enough of a following in the UK to be voted the No 1 international star in a music poll – four times.

Much of the reason for his success outside the Us was his high, clear, strong singing and almost operatic yodelling, characteristics that several generations in Britain, Australia and South Africa have assimilated into their notions and fantasies of the old west of America. One of Whitman's chief models was Wilf Carter, a Nova Scotian yodeller and singer of cowboy songs who was popular throughout north America in the 30s
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A Chorus of Disapproval; Mademoiselle Julie – review

Harold Pinter theatre; Barbican, London

Trevor Nunn began the summer by directing a heavy-handed Kiss Me Kate; he ends it by staging a star-encrusted but tepid Chorus of Disapproval. What a waste. Of Alan Ayckbourn, whose 1984 play has not been taken seriously, and therefore looks unfunny. And of Nunn, who has been innovative (Nicholas Nickleby) and meticulous (his Merchant of Venice was a revelation because of its detail), and who has helped (with Gorky's Summerfolk) to widen the theatrical repertoire but is in danger of looking fusty.

Rob Brydon fans may think his performance alone is enough to justify the price of a ticket. He certainly provides the high points of the evening. As the director of the Pendon Light Operatic Society's amateur production of The Beggar's Opera, Brydon is hangdog and top dog: bullying, cardiganed, down in the dumps, overweening. He unleashes a terrific riff when, while trying out
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