By Terence Johnson
Managing Editor
A stylish and soulful film, A Girl Walks Home Alone at Night is a film of bad men, dangerous women, love and beautiful images. More than just a vampire film, Ana Lily Amirpour crafts an eerie, moody tone poem that’s a fantastic film to watch.
Bad City an industrial town, filled by all matter of folks from the scrupulous to the shady. Arash (Arash Marandi), one such citizen, longs to just get in his nice car and go. Working as a landscaper and living with his junkie father is proving more difficult, when his father runs afoul of a local drug dealer. A local prostitute (Mozhan Marnò) has just turned 30 and wants to escape as well. They all long for better lives, but are unable to move from their station. This relatively tranquil, yet unfulfilling existence, is slowly shattered as a vampire (Sheila Vand) begins stalking the streets,...
Managing Editor
A stylish and soulful film, A Girl Walks Home Alone at Night is a film of bad men, dangerous women, love and beautiful images. More than just a vampire film, Ana Lily Amirpour crafts an eerie, moody tone poem that’s a fantastic film to watch.
Bad City an industrial town, filled by all matter of folks from the scrupulous to the shady. Arash (Arash Marandi), one such citizen, longs to just get in his nice car and go. Working as a landscaper and living with his junkie father is proving more difficult, when his father runs afoul of a local drug dealer. A local prostitute (Mozhan Marnò) has just turned 30 and wants to escape as well. They all long for better lives, but are unable to move from their station. This relatively tranquil, yet unfulfilling existence, is slowly shattered as a vampire (Sheila Vand) begins stalking the streets,...
- 1/24/2014
- by Terence Johnson
- Scott Feinberg
I don't know about you, but I enjoy the hell out of a great title sequence! If they're good, they suck you right in to the movie or TV show you're about to watch. They're the first thing we see when the movie starts, and they basically set the mood and the tone for the rest of the film.
When I think of great movie title sequences, the first one that pops into my head is David Fincher's Se7en. That was the first title sequence I ever saw that just completely blew me away. There have been many other awesome title sequences since then, both old and new. But Se7en is burned into my brain. Here's a link to a few other aticles we've posted on title sequences.
Here's a great video from PBS’ Off Book that focuses on the art of the title sequence. It includes interviews with...
When I think of great movie title sequences, the first one that pops into my head is David Fincher's Se7en. That was the first title sequence I ever saw that just completely blew me away. There have been many other awesome title sequences since then, both old and new. But Se7en is burned into my brain. Here's a link to a few other aticles we've posted on title sequences.
Here's a great video from PBS’ Off Book that focuses on the art of the title sequence. It includes interviews with...
- 4/21/2012
- by Venkman
- GeekTyrant
The following video features Rally Car driver Ken Block drifting throughout the alleyways and backlots of the famed Universal Studios. The video was filmed by director Ben Conrad (Zombieland, 30 Seconds or Less) and features amazing precision driving by driver Ken Block.
Official Press Release –
DC and Ken Block present Gymkhana Four: The Hollywood Megamercial. GYM4 surpasses the high-production style of Gymkhana Two with even more spectacular effects shot in the backlots of Universal Studios, California. Filmed over the course of five days, director Ben Conrad (Zombieland and 30 Seconds or Less) and his team at Logan deliver a Hollywood caliber production complete with pyrotechnics, massive stunts and a series of unbelievable tricks. Featuring robotic sharks, deranged zombies, and a hilarious cameo by the Epic Meal Time guys, Ken Block and his Hybrid FunctionHoon Vehicle (H.F.H.V.) bring the magic of Hollywood and gymkhana together.
Official Press Release –
DC and Ken Block present Gymkhana Four: The Hollywood Megamercial. GYM4 surpasses the high-production style of Gymkhana Two with even more spectacular effects shot in the backlots of Universal Studios, California. Filmed over the course of five days, director Ben Conrad (Zombieland and 30 Seconds or Less) and his team at Logan deliver a Hollywood caliber production complete with pyrotechnics, massive stunts and a series of unbelievable tricks. Featuring robotic sharks, deranged zombies, and a hilarious cameo by the Epic Meal Time guys, Ken Block and his Hybrid FunctionHoon Vehicle (H.F.H.V.) bring the magic of Hollywood and gymkhana together.
- 8/20/2011
- by geekmaster
- GeekRest
Here's an awesome video where Rally Car driver Ken Block gloriously takes on the Universal Studios Backlot speeding through some of the backlots most famous landmarks with amazing prcision. This is a once in a lifetime opportunity for anyone, and it turned out to be a seriously badass rally run. This is one of the coolest things I've seen in a long time.
Here's the official rundown...
DC and Ken Block present Gymkhana Four: The Hollywood Megamercial. GYM4 surpasses the high-production style of Gymkhana Two with even more spectacular effects shot in the backlots of Universal Studios, California. Filmed over the course of five days, director Ben Conrad (Zombieland and 30 Seconds or Less) and his team at Logan deliver a Hollywood caliber production complete with pyrotechnics, massive stunts and a series of unbelievable tricks. Featuring robotic sharks, deranged zombies, and a hilarious cameo by the Epic Meal Time guys, Ken Block...
Here's the official rundown...
DC and Ken Block present Gymkhana Four: The Hollywood Megamercial. GYM4 surpasses the high-production style of Gymkhana Two with even more spectacular effects shot in the backlots of Universal Studios, California. Filmed over the course of five days, director Ben Conrad (Zombieland and 30 Seconds or Less) and his team at Logan deliver a Hollywood caliber production complete with pyrotechnics, massive stunts and a series of unbelievable tricks. Featuring robotic sharks, deranged zombies, and a hilarious cameo by the Epic Meal Time guys, Ken Block...
- 8/19/2011
- by Venkman
- GeekTyrant
Who cares if the kind of massive blaze we saw at the end of Part 1 makes us sure that Beckett's apartment would've been impenetrably engulfed in flames and that there'd be no wayshe would've survived the blast by running into her bathroom, closing the door, and jumping into her tub. We're suckers for serial killer storylines, for Castle breaking down doors (I may actually have yelled "Castle!" at that moment), and for all the banter that followed. "It's killing you, isn't it?.... Having to wait this long to tell me how you banged down the door?" "You want me to start from the beginning?...
- 3/30/2010
- by Mandi Bierly
- EW.com - PopWatch
Acclaimed Winnipeg filmmaker Guy Maddin has won the Best Experimental Short award at the 2010 SXSW Film Festival for Night Mayor. The film is a fictional documentary about Bosnian inventor Nihad Ademi who, in 1939, built a machine that harnessed the power of the Aurora Borealis to transmit images of Canadians to themselves.
Created as a tribute to the National Film Board of Canada’s 70th anniversary, Night Mayor playfully twists concepts of fact and fiction. Maddin describes the film as a documentary, even though his subject never actually existed, since it was shot documentary style with no planned action or script. Maddin assembled his cast and crew to document Ademi’s story as it may have happened and captured the action in his uncanny style of recreating time periods.
To see the director at work and to hear him describe his process, embedded below is a making-of clip posted on the Nfb’s website.
Created as a tribute to the National Film Board of Canada’s 70th anniversary, Night Mayor playfully twists concepts of fact and fiction. Maddin describes the film as a documentary, even though his subject never actually existed, since it was shot documentary style with no planned action or script. Maddin assembled his cast and crew to document Ademi’s story as it may have happened and captured the action in his uncanny style of recreating time periods.
To see the director at work and to hear him describe his process, embedded below is a making-of clip posted on the Nfb’s website.
- 3/19/2010
- by Mike Everleth
- Underground Film Journal
SXSW Film Announces 2010 Award Winners
Complete Coverage of SXSW 2010
Austin, Texas – March 16, 2010 – The Jury and Audience Award-winners of the South by Southwest (SXSW) Film Conference and Festival were announced tonight at the Festival’s closing Awards Ceremony hosted by comedian Eugene Mirman in Austin, Texas. Feature Films receiving Jury Awards were selected from the Narrative Feature and Documentary Feature categories. Films in these categories, as well as the Spotlight Premieres, Emerging Visions, Midnighters, Lone Star States and 24 Beats Per Second categories were also eligible for the 2010 SXSW Film Festival Audience Awards. Only Narrative and Documentary Feature Audience Awards were announced tonight. Spotlight Premieres, Emerging Visions, Lone Star States, 24 Beats Per Second and Midnighters Audience Awards will be announced separately on Monday, March 22.
SXSW also announced the Jury Award-winners in Shorts Filmmaking, and Film Design Awards, and Special Awards, including the SXSW Chicken & Egg Emergent Narrative Woman Director Award and the SXSW Wholphin Award.
Complete Coverage of SXSW 2010
Austin, Texas – March 16, 2010 – The Jury and Audience Award-winners of the South by Southwest (SXSW) Film Conference and Festival were announced tonight at the Festival’s closing Awards Ceremony hosted by comedian Eugene Mirman in Austin, Texas. Feature Films receiving Jury Awards were selected from the Narrative Feature and Documentary Feature categories. Films in these categories, as well as the Spotlight Premieres, Emerging Visions, Midnighters, Lone Star States and 24 Beats Per Second categories were also eligible for the 2010 SXSW Film Festival Audience Awards. Only Narrative and Documentary Feature Audience Awards were announced tonight. Spotlight Premieres, Emerging Visions, Lone Star States, 24 Beats Per Second and Midnighters Audience Awards will be announced separately on Monday, March 22.
SXSW also announced the Jury Award-winners in Shorts Filmmaking, and Film Design Awards, and Special Awards, including the SXSW Chicken & Egg Emergent Narrative Woman Director Award and the SXSW Wholphin Award.
- 3/18/2010
- by Jeff Bayer
- The Scorecard Review
Austin, Texas – March 16, 2010 – The Jury and Audience Award-winners of the South by Southwest (SXSW) Film Conference and Festival were announced tonight at the Festival’s closing Awards Ceremony hosted by comedian Eugene Mirman in Austin, Texas. Feature Films receiving Jury Awards were selected from the Narrative Feature and Documentary Feature categories. Films in these categories, as well as the Spotlight Premieres, Emerging Visions, Midnighters, Lone Star States and 24 Beats Per Second categories were also eligible for the 2010 SXSW Film Festival Audience Awards. Only Narrative and Documentary Feature Audience Awards were announced tonight. Spotlight Premieres, Emerging Visions, Lone Star States, 24 Beats Per Second and Midnighters Audience Awards will be announced separately on Monday, March 22. SXSW also announced the Jury Award-winners in Shorts Filmmaking, and Film Design Awards, and Special Awards, including the SXSW Chicken & Egg Emergent Narrative Woman Director Award and the SXSW Wholphin Award. Details can be found at www.
- 3/17/2010
- by Dave Campbell
- SmellsLikeScreenSpirit
The Jury and Audience Award-winners of the South by Southwest (SXSW) Film Conference and Festival were announced last night at the Festival’s closing Awards Ceremony hosted by comedian Eugene Mirman in Austin, Texas. Feature Films receiving Jury Awards were selected from the Narrative Feature and Documentary Feature categories.
Films in these categories, as well as the Spotlight Premieres, Emerging Visions, Midnighters, Lone Star States and 24 Beats Per Second categories were also eligible for the 2010 SXSW Film Festival Audience Awards. Only Narrative and Documentary Feature Audience Awards were announced tonight.
Spotlight Premieres, Emerging Visions, Lone Star States, 24 Beats Per Second and Midnighters Audience Awards will be announced separately on Monday, March 22.
SXSW also announced the Jury Award-winners in Shorts Filmmaking, and Film Design Awards, and Special Awards, including the SXSW Chicken & Egg Emergent Narrative Woman Director Award and the SXSW Wholphin Award.
Click through for the complete list of the...
Films in these categories, as well as the Spotlight Premieres, Emerging Visions, Midnighters, Lone Star States and 24 Beats Per Second categories were also eligible for the 2010 SXSW Film Festival Audience Awards. Only Narrative and Documentary Feature Audience Awards were announced tonight.
Spotlight Premieres, Emerging Visions, Lone Star States, 24 Beats Per Second and Midnighters Audience Awards will be announced separately on Monday, March 22.
SXSW also announced the Jury Award-winners in Shorts Filmmaking, and Film Design Awards, and Special Awards, including the SXSW Chicken & Egg Emergent Narrative Woman Director Award and the SXSW Wholphin Award.
Click through for the complete list of the...
- 3/17/2010
- by Joe Gillis
- The Flickcast
Though SXSW 2010 is only at the halfway point, the music portion is about to kick into high gear and many film folks are leaving town. The awards ceremony was held last night, and Jeff Malmberg's Marwencol and Lena Dunham's Tiny Furniture won jury awards for best feature-length documentary and narrative, respectively.
Audience awards went to For Once in My Life (documentary) and Brotherhood (narrative). As if often the case, I haven't seen any of the winners, so can't comment further on them, but we do have a review for Marwencol up on the site, which is linked below.
Here's the announcement provided by the festival:
Austin, Texas - March 16, 2010 - The Jury and Audience Award-winners of the South by Southwest (SXSW) Film Conference and Festival were announced tonight at the Festival's closing Awards Ceremony hosted by comedian Eugene Mirman in Austin, Texas. Feature Films receiving Jury Awards were...
Audience awards went to For Once in My Life (documentary) and Brotherhood (narrative). As if often the case, I haven't seen any of the winners, so can't comment further on them, but we do have a review for Marwencol up on the site, which is linked below.
Here's the announcement provided by the festival:
Austin, Texas - March 16, 2010 - The Jury and Audience Award-winners of the South by Southwest (SXSW) Film Conference and Festival were announced tonight at the Festival's closing Awards Ceremony hosted by comedian Eugene Mirman in Austin, Texas. Feature Films receiving Jury Awards were...
- 3/17/2010
- Screen Anarchy
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