Building upon Canadian author Craig Davidson’s short story of the same title, Rust and Bone sees director Jacques Audiard in search of amourous authenticism between lives initially divided by ego, affluence and acumen. He calls the film ‘melo-trash’, a description somewhere between ‘realist’ and ‘expressionist’ that initially seems a harsh critique, but after being baptized in the toiling ground zero world that his characters inhibit, it seems a fitting delineation that explores side dealings and back alleys while shouldering the weight of bracingly exposed emotion. With this in mind, Audiard’s, Cannes selected sixth feature film is often hard to watch. It’s raw portrayal of physical bereavement centers a densely layered narrative that rests on the question of where trust and friendship bleed into love.
Anchoring the film with a pair of the best performances of last year, Marion Cotillard and Matthias Schoenaerts are shallowly set as opposing attractions.
Anchoring the film with a pair of the best performances of last year, Marion Cotillard and Matthias Schoenaerts are shallowly set as opposing attractions.
- 3/20/2013
- by Jordan M. Smith
- IONCINEMA.com
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