It is not a prerequisite that the period costume drama needs a hook, but it certainly doesn’t hurt. Joe Wright’s stylish “Anna Karenina” dazzled with a theatrical approach, and Andrea Arnold’s “Wuthering Heights” employed an austere commitment to form coupled with an expressively Malick-ian appreciation of nature. Gracefully pitched acting can also be enough (see James Gray’s “The Immigrant”), but unfortunately for Sophie Barthes, her adaptation of “Madame Bovary” is largely bereft of these qualities in any compelling form. Instead, the movie is delivered in a restrained, far-too-measured tone that is often flat and enervating. There have been countless TV and film adaptations of “Madame Bovary.” In cinema, Vincente Minnelli, Albert Ray, Claude Chabrol, and Jean Renoir have all had a go at Gustave Flaubert's debut novel, but rarely have the writer's sensibilities been rendered for the screen by a female director. But feminist thoughtfulness...
- 6/9/2015
- by Rodrigo Perez
- The Playlist
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