I remember sitting in an entry-level Music Appreciation class at Cal State Northridge in the mid-1970s. For one hour, three times a week, I would find a seat in the back of the auditorium to catch a short nap while professor and Los Angeles Opera baritone Terry Bowers would intone through discussions of iambic pentameters and how a fugue differed from a rondo. The percussive sounds of snores and wheezes as other students joined me in rhythmic power napping ended on the day that he introduced us to Emerson, Lake and Palmer’s rendition of Modest Mussorgsky’s “Pictures at an.
- 3/13/2016
- by Richard Stellar
- The Wrap
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