German director Angela Schanelec's latest look at the nature of migration, stasis and loneliness should prove an equally striking and challenging cinematic event for new viewers, while previous enthusiasts of her opaque and minimalist oeuvre will be elated by this subtle masterstroke, one that is filled with powerful political nuance. The above statement is a bold one to be sure, but as someone who has patiently waited six years since Schanelec's last feature, the multi-narrative Orly, I feel very satisfied in saying as such. It is important to note that while her near 20 year career has yielded multiple premieres at top tier festivals like Cannes and Locarno, unlike her contemporary Christian Petzold, Schanelec remains largely obscure outside of her native land. While The Dreamed...
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- 9/9/2016
- Screen Anarchy
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