In the cinema of Steven Spielberg, to say nothing of the cinema of science fiction, of Hollywood, and of practical effects, Close Encounters of the Third Kind (1977) is a landmark, like the silhouette of a small mountain in the night skyline. Spielberg’s Duel (1971), carried over from television to movie theaters, was a wisp of a story elevated by its visual dynamism. His theatrical debut, The Sugarland Express (1974), was another 70s American road movie, notable today for the way it combines the appealing grit of the New Hollywood (and of Duel) with a much warmer, more charitable view of America and its culture. It contains the director’s first broken family unit—a key theme in his career—and was his first film scored by John Williams, even if it has almost none of the Williams trademarks. Jaws (1975) was the breakout smash, a lurid bucket-of-blood movie turned into a light day-at-the-beach movie,...
- 9/10/2017
- MUBI
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