You’ve done every film related job from producer and actor to cinematographer and editor. Was directing always the goal?
Poverty dictates…I would just take any position I could and figure it out from there, especially when I made The Queen Of Hollywood Blvd. where I just didn’t have the budget and had to take on as many positions as I could. Directing was always the ultimate goal though. Funny enough, the genesis of Hell came from a job I had done years before when I was camera operating on a feature film The Ganzfeld Experiment. It was a crazy production, and my dad was the director. The line producer of Ganzfeld was Julio Hallivis. We became friends and stayed in touch. Cut to five years later, I show Julio my first film The Queen of Hollywood Blvd. and he says “Hey man, I got a script I think you will dig.
Poverty dictates…I would just take any position I could and figure it out from there, especially when I made The Queen Of Hollywood Blvd. where I just didn’t have the budget and had to take on as many positions as I could. Directing was always the ultimate goal though. Funny enough, the genesis of Hell came from a job I had done years before when I was camera operating on a feature film The Ganzfeld Experiment. It was a crazy production, and my dad was the director. The line producer of Ganzfeld was Julio Hallivis. We became friends and stayed in touch. Cut to five years later, I show Julio my first film The Queen of Hollywood Blvd. and he says “Hey man, I got a script I think you will dig.
- 8/23/2018
- by Phil Wheat
- Nerdly
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