The festival may be holding its line against Netflix – officially, at least. But treats from the Croisette can still be enjoyed online
Another Cannes, another Netflix standoff. For the second year running, no films distributed by the streaming colossus are premiering in the festival’s official selection. While French exhibitors insist on a traditional cinema release for all premieres on the Croisette, Netflix remains unwilling to adjust its own straight-to-streaming strategy for a shot at Palme d’Or prestige. Other major festivals are making concessions to new media – notably Venice, which poached Alfonso Cuarón’s eventual awards darling Roma from the spoils of last year’s Cannes-Netflix battle – but the French remain insistent that cinema, by definition, belongs on the big screen first.
Well, mostly. Exceptions are to be found in the festival’s independently run Directors’ Fortnight and Critics’ Week strands – which, without the media and industry glare that comes with Tarantino-level names,...
Another Cannes, another Netflix standoff. For the second year running, no films distributed by the streaming colossus are premiering in the festival’s official selection. While French exhibitors insist on a traditional cinema release for all premieres on the Croisette, Netflix remains unwilling to adjust its own straight-to-streaming strategy for a shot at Palme d’Or prestige. Other major festivals are making concessions to new media – notably Venice, which poached Alfonso Cuarón’s eventual awards darling Roma from the spoils of last year’s Cannes-Netflix battle – but the French remain insistent that cinema, by definition, belongs on the big screen first.
Well, mostly. Exceptions are to be found in the festival’s independently run Directors’ Fortnight and Critics’ Week strands – which, without the media and industry glare that comes with Tarantino-level names,...
- 5/20/2019
- by Guy Lodge
- The Guardian - Film News
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