Just when you think modern cinema has exploited the found-footage conceit from every conceivable angle, along comes a tragicomic mockumentary tracing Bosnia’s recent war-ravaged history via the travails of a young French film crew getting to the root of a reincarnated identity crisis. Aude Léa Rapin’s first narrative feature “Heroes Don’t Die” is nothing if not novel, passing its elaborate concept through a range of genre possibilities — from droll road movie to post-war trauma study to metaphysical ghost story — without settling on one in the course of 85 minutes. Yet this amount of fussing over its final form means the film’s own characters never quite come into focus, making it hard to invest much belief in their wilfully absurd meta-movie: The final result is a curio at best, given flashes of human dimension by the ever-reliable Adèle Haenel as the project’s forbearing director.
For Haenel, “Heroes...
For Haenel, “Heroes...
- 5/21/2019
- by Guy Lodge
- Variety - Film News
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