As it now stands, virtual reality technology is clunky and unconvincing, offering little more than the illusion of interactivity. Someday, Vr will make good on its potential, but until then, French writer-director Nicolas Bedos has conceived something better: a service whereby wealthy clients can pay a high-end reenactment service to stage a carefully orchestrated and totally convincing visit to a previous time of their choosing. Want to spend an evening as Marie Antoinette? Or pretend that you’re drinking buddies with Ernest Hemingway? In “La Belle Époque,” Bedos invents a way for that to happen — like “Westworld,” with actors in place of robots — with the ulterior motive that such a service might offer real-world audiences a uniquely satisfying emotional experience if we were to follow the right kind of character.
And that it does: Where so many high-concept romantic comedies squander their one big idea, “La Belle Époque” leverages its...
And that it does: Where so many high-concept romantic comedies squander their one big idea, “La Belle Époque” leverages its...
- 6/3/2019
- by Peter Debruge
- Variety Film + TV
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