“I don’t believe Sylvester Stallone carries around a wallet,” says Braden Aftergood, the executive in charge of scripted development at the movie star’s content company Balboa Prods.
It’s not that Sly, as he’s known to friends and fans alike, is trying to duck out on a dinner bill. He never seems to have his license when the two men arrive at security at the various Los Angeles studio lots where they’ve been pitching film and TV projects since they partnered up last year.
“We’ll get in line and get to the security guard, and they ask for ID,” says Aftergood. “I give mine; then they look at Mr. Stallone. There’s a lot of exchanged glances, and the guards never know if they should demand something from him, and invariably he just passes through.”
Many of the projects they’re pitching clear similar hurdles.
It’s not that Sly, as he’s known to friends and fans alike, is trying to duck out on a dinner bill. He never seems to have his license when the two men arrive at security at the various Los Angeles studio lots where they’ve been pitching film and TV projects since they partnered up last year.
“We’ll get in line and get to the security guard, and they ask for ID,” says Aftergood. “I give mine; then they look at Mr. Stallone. There’s a lot of exchanged glances, and the guards never know if they should demand something from him, and invariably he just passes through.”
Many of the projects they’re pitching clear similar hurdles.
- 7/23/2019
- by Matt Donnelly
- Variety Film + TV
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