Eddie Tamir.
Unlike the major chains, the Eddie Tamir family-owned cinemas are screening The King, The Irishman, Marriage Story and The Two Popes three weeks before each title’s Netflix premiere.
However the proprietor of Randwick’s Ritz Cinemas and Melbourne’s Lido, Classic and Cameo cinemas insists he supports the traditional theatrical window of 90 days.
“It’s a complex and fine balance,” Tamir tells If. “We have a major investment as we own the freehold of our properties and we’re in it for the long haul. As long a window as possible is obviously better for cinema. At the same time, we want to give our customers the best films in the world that are on offer.
“This discussion seems to miss the critical point that film is an art as well as being entertainment. It is made with the intent to be appreciated in a cinema with an audience and no mobiles,...
Unlike the major chains, the Eddie Tamir family-owned cinemas are screening The King, The Irishman, Marriage Story and The Two Popes three weeks before each title’s Netflix premiere.
However the proprietor of Randwick’s Ritz Cinemas and Melbourne’s Lido, Classic and Cameo cinemas insists he supports the traditional theatrical window of 90 days.
“It’s a complex and fine balance,” Tamir tells If. “We have a major investment as we own the freehold of our properties and we’re in it for the long haul. As long a window as possible is obviously better for cinema. At the same time, we want to give our customers the best films in the world that are on offer.
“This discussion seems to miss the critical point that film is an art as well as being entertainment. It is made with the intent to be appreciated in a cinema with an audience and no mobiles,...
- 11/10/2019
- by The IF Team
- IF.com.au
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