This week’s impeachment hearings — in which countless witnesses reaffirmed how Donald Trump had withheld aid to Ukraine until the country agreed to investigate the son of political rival Joe Biden (something even Trump has more or less admitted to) — was nonetheless a reminder how even the truth won’t prevent competing narratives in the media. For storytellers looking to accurately document real-life events for TV or film, that makes telling the definitive story even more challenging.
And yet, true-life stories have come to dominate TV, particularly in the limited series category. While remakes and reboots of old intellectual property is hot in the regular series realm, programmers are leaning into ripped-from-the-headlines tales to captivate audiences in 6, 8 or 10-hour segments. Among some of the current contenders in various longform awards races include Emmy winners like “Chernobyl,” “When They See Us,” “Fosse/Verdon” and “The Act,” while “The Loudest Voice” and...
And yet, true-life stories have come to dominate TV, particularly in the limited series category. While remakes and reboots of old intellectual property is hot in the regular series realm, programmers are leaning into ripped-from-the-headlines tales to captivate audiences in 6, 8 or 10-hour segments. Among some of the current contenders in various longform awards races include Emmy winners like “Chernobyl,” “When They See Us,” “Fosse/Verdon” and “The Act,” while “The Loudest Voice” and...
- 11/23/2019
- by Michael Schneider
- Variety Film + TV
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