Between the internet and impeachment hearings, there were certainly plenty of reasons to stay home in 2019, but those who ventured out to movie theaters were rewarded with a fascinating array of work, even if some of those films were produced by and destined for one streaming service or another. And while #FilmTwitter might have argued over the effects of Netflix on the filmgoing experience, several observers noted that the back-and-forth discussions about “The Irishman” and “Marriage Story” meant that the service was doing a lot to put adult-aimed dramas in front of viewers and into the public discourse.
11-20 (alphabetically): “Charlie Says,” “Dolemite Is My Name,” “The Farewell,” “Fast Color,” “Long Shot,” “The Nightingale,” “Non-Fiction,” “Portrait of a Lady on Fire,” “We Have Always Lived in the Castle,” “Wild Nights with Emily”
10. “High Life”
Director Claire Denis’ bleak vision of the future posits that mankind’s journey into outer...
11-20 (alphabetically): “Charlie Says,” “Dolemite Is My Name,” “The Farewell,” “Fast Color,” “Long Shot,” “The Nightingale,” “Non-Fiction,” “Portrait of a Lady on Fire,” “We Have Always Lived in the Castle,” “Wild Nights with Emily”
10. “High Life”
Director Claire Denis’ bleak vision of the future posits that mankind’s journey into outer...
- 12/25/2019
- by Alonso Duralde
- The Wrap
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