A film I’ve talked about ad nauseam for like decades now, Fred Walton’s April Fool’s Day has been a favorite of mine ever since I discovered it on VHS during the summer of 1987.
[Spoiler warning if you haven't seen April Fool's Day.] To me, it’s always been the perfect anti-slasher, where no one in the film really dies (unless you count the film’s missing ending), and instead leans into the whodunit aspects that are driving the mystery of just who exactly is terrorizing Muffy St. John (played by Deborah Foreman) and her friends during what’s supposed to be their idyllic lakeside weekend away from the stresses of college life.
What it may lack in an official body count, April Fool’s Day more than makes up for with its whip-smart script, charismatic performances, and a whopper of an ending that I certainly wasn’t expecting at all the first time I saw it.
[Spoiler warning if you haven't seen April Fool's Day.] To me, it’s always been the perfect anti-slasher, where no one in the film really dies (unless you count the film’s missing ending), and instead leans into the whodunit aspects that are driving the mystery of just who exactly is terrorizing Muffy St. John (played by Deborah Foreman) and her friends during what’s supposed to be their idyllic lakeside weekend away from the stresses of college life.
What it may lack in an official body count, April Fool’s Day more than makes up for with its whip-smart script, charismatic performances, and a whopper of an ending that I certainly wasn’t expecting at all the first time I saw it.
- 3/23/2020
- by Heather Wixson
- DailyDead
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