In order to tell a story having the face of a character in front of you can help to have a foundation as a writer. In the case of Pema Tseden’s “Tharlo” a face was indeed the starting point first for his novel and later on its film adaptation, the image of a man with a ponytail, as he explains in an interview with Tony Huang. In general, the physical features, especially the face, may lead to various associations about the personality, the occupation, the family as well as the various experiences the character has gone through or has to go through since these are part of the story you want to tell. Considering this was Tseden’s starting point it should not come as a surprise he has made a feature about the struggle with one’s identity, about the longing to deviate from a path which feels...
- 4/14/2020
- by Rouven Linnarz
- AsianMoviePulse
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