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When Galder Gaztelu-Urrutia began shooting his latest film in Bilbao almost two years ago, the Spanish director felt the themes of his low-budget, dystopian horror feature would be sufficiently universal to resonate with audiences around the world. Today, however, many are claiming that El Hoyo – known in English as The Platform – is the perfect parable for life in the time of the coronavirus and a visceral investigation of how a crisis can expose not only the stratification of human society but also the immutable strands of selfishness coded into our DNA.
The parallels are certainly not hard to find. The Platform is set in a forbidding “vertical self-management centre” – a soaring series of concrete cells stacked one on top of the other,