The best thing about “Robert the Bruce” — that finds Angus Macfadyen reprising his role from that Oscar-winning epic — is that it doesn’t find a role for Mel Gibson. Alas, the worst thing about this generic follow-up is that it almost makes you wish that it had.
Despite forsaking the massive scale and maniacal egotism of Gibson’s blockbuster in favor of something a bit more life-sized and contained (read: cheaper), Richard Gray’s medieval family melodrama could use some of the dick-swinging bellicosity that “Braveheart” kept under its kilt. It could use some of that movie’s fire and bloodlust, and maybe even a smidgen of the smirking charm that allowed Gibson to leverage the First War of Scottish Independence into a vanity project for the ages. It could use any kind of animating force whatsoever.
More from IndieWire'Asia' Review: 'Unorthodox' Star Shira Haas Is Devastating in Emotional Mother-Daughter...
Despite forsaking the massive scale and maniacal egotism of Gibson’s blockbuster in favor of something a bit more life-sized and contained (read: cheaper), Richard Gray’s medieval family melodrama could use some of the dick-swinging bellicosity that “Braveheart” kept under its kilt. It could use some of that movie’s fire and bloodlust, and maybe even a smidgen of the smirking charm that allowed Gibson to leverage the First War of Scottish Independence into a vanity project for the ages. It could use any kind of animating force whatsoever.
More from IndieWire'Asia' Review: 'Unorthodox' Star Shira Haas Is Devastating in Emotional Mother-Daughter...
- 4/23/2020
- by David Ehrlich
- Indiewire
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