With readers turning to their home viewing options more than ever, this daily feature provides one new movie each day worth checking out on a major streaming platform.To fill the void left by the absence of this year’s Cannes Film Festival, for the next two weeks, this column will be dedicated to films that premiered at the festival over the course of seven decades.
When the news broke that Olivier Assayas was collaborating with A24 on a TV version of “Irma Vep,” the only truly surprising thing about it was that the project had been conceived before the pandemic. The prospect of Assayas remaking his 1996 masterpiece would have seemed unfathomable just a few short months ago. Although Assayas’ previous foray into television produced the most exciting crime epic of the last 10 years (“Carlos”), the pitch reeked of desperation, a fetishistic desire for “normalcy,” and the need to keep working at any cost.
When the news broke that Olivier Assayas was collaborating with A24 on a TV version of “Irma Vep,” the only truly surprising thing about it was that the project had been conceived before the pandemic. The prospect of Assayas remaking his 1996 masterpiece would have seemed unfathomable just a few short months ago. Although Assayas’ previous foray into television produced the most exciting crime epic of the last 10 years (“Carlos”), the pitch reeked of desperation, a fetishistic desire for “normalcy,” and the need to keep working at any cost.
- 5/15/2020
- by David Ehrlich
- Indiewire
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