By Arijit Paul
Anurag Kashyap, the “angry young man” of Hindi cinema, whose creative genius envisioned works like “Gangs of Wasseypur“, “Dev D” and “Ugly” has always made films that are a warcry- a rebel with a cause to detract from the joie de vivre of Bollywood. Each of his films are decked upon another, a tryst with a dark caricature of the subaltern milieu, anchored at the helm by contemporary politics and violence. In an interview, Kashyap describes his latest endeavour “Choked: Paisa Bolta Hai” as a Sai Paranjpye thriller. Descriptions and definitions apart, it is starkly liberating from the Kashyap-esque tradition of filmmaking in terms of its storytelling and critique. As is his wont to stand ground against the establishment, Kashyap barters the nuances of a refined story for a more didactically inclined narrative.
The opening shot is of a man walking briskly up a staircase with an attache case,...
Anurag Kashyap, the “angry young man” of Hindi cinema, whose creative genius envisioned works like “Gangs of Wasseypur“, “Dev D” and “Ugly” has always made films that are a warcry- a rebel with a cause to detract from the joie de vivre of Bollywood. Each of his films are decked upon another, a tryst with a dark caricature of the subaltern milieu, anchored at the helm by contemporary politics and violence. In an interview, Kashyap describes his latest endeavour “Choked: Paisa Bolta Hai” as a Sai Paranjpye thriller. Descriptions and definitions apart, it is starkly liberating from the Kashyap-esque tradition of filmmaking in terms of its storytelling and critique. As is his wont to stand ground against the establishment, Kashyap barters the nuances of a refined story for a more didactically inclined narrative.
The opening shot is of a man walking briskly up a staircase with an attache case,...
- 6/7/2020
- by Guest Writer
- AsianMoviePulse
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