The sunny subterfuge of Wasp Network, about a knotty web of anti-Castro groups and Cold War residuals, is a relief from the blue skin, suits and shadows of heavy political thrillers. It’s an Olivier Assayas film after all, shot in Cuba, Miami and the blue sky and ocean in between. As on Carlos, Assayas’ go-to DPs Denis Lenoir and Yorick Le Saux shot their own half of Wasp Network. With Carlos, Le Saux started the film and chose the film stock, lenses, etc. On Wasp Network, Lenoir shot the first […]...
- 7/15/2020
- by Aaron Hunt
- Filmmaker Magazine - Blog
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