As Hollywood crawls toward some version of normalcy amid the coronavirus pandemic, we at Variety have been curious about how the day-to-day work of film and television production would resume. After an invitation from two indie film producers — Maurice Fadida and Eric B. Fleischman — to visit the set of “The Knocking,” I was able to observe the meticulous new protocols in action.
It’s a slog, the business of keeping people protected in a highly tactile and collaborative environment, especially for independent filmmakers. The producers estimated that safety measures cost as much as 10% of their production budget, and resulted in additional shooting days. Talent and artisans are also increasingly isolated, they told me, as the busy life of the film set has been replaced by video conferences and solitary meals in cars. Craft services is no longer a delicious group hang, but a single-serve food and drinks. The makeup trailer...
It’s a slog, the business of keeping people protected in a highly tactile and collaborative environment, especially for independent filmmakers. The producers estimated that safety measures cost as much as 10% of their production budget, and resulted in additional shooting days. Talent and artisans are also increasingly isolated, they told me, as the busy life of the film set has been replaced by video conferences and solitary meals in cars. Craft services is no longer a delicious group hang, but a single-serve food and drinks. The makeup trailer...
- 9/10/2020
- by Matt Donnelly
- Variety Film + TV
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