If the action-fueled, hit genre films “Bonnie and Clyde” in 1967 and “Easy Rider” in 1969 were the shotgun blasts whose breakout success opened the filmmaking doors for what became known as “The New Hollywood,” 1970’s “Five Easy Pieces” actually better represented the kind of film that the era’s aspiring young directors, producers, writers and actors were dreaming of making in those heady, hopeful days.
It’s been 50 years since Bob Rafelson’s powerful, perceptive drama about a young man torn between a life of white privilege and high culture in the Northwest and a more earthy, elemental existence in the oilfields of Bakersfield, scored critical raves and four Oscar nominations; for best picture, Jack Nicholson’s lead performance as Bobby Dupea, Karen Black’s supporting turn as his lovely but not exactly Mensa-contending waitress girlfriend Rayette, and Carole Eastman’s still dazzling, still wise and worldly screenplay.
You don’t...
It’s been 50 years since Bob Rafelson’s powerful, perceptive drama about a young man torn between a life of white privilege and high culture in the Northwest and a more earthy, elemental existence in the oilfields of Bakersfield, scored critical raves and four Oscar nominations; for best picture, Jack Nicholson’s lead performance as Bobby Dupea, Karen Black’s supporting turn as his lovely but not exactly Mensa-contending waitress girlfriend Rayette, and Carole Eastman’s still dazzling, still wise and worldly screenplay.
You don’t...
- 9/12/2020
- by Steven Gaydos
- Variety Film + TV
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