A limited series about a deadly virus that decimates the majority of the population may not seem like purely escapist entertainment during a year when a very real pandemic ravaged the globe, forcing production and other businesses to shut down and pushing events, such as Mipcom, online only.
Yet, it is the very combination of timely premise, immersive world and rich characters that make Benjamin Cavell’s nine-part adaptation of Stephen King’s “The Stand” wholly relevant.
“What better moment for a show that imagines that civilization torn down to the studs, forcing our characters to confront questions about the very foundations of government, what society owes the individual and vice versa, what we all as humans owe to one another [and] what we’re willing to sacrifice in terms of personal liberty in order to feel safe and protected?” says Cavell.
“The Stand” was first published as an 800-plus novel...
Yet, it is the very combination of timely premise, immersive world and rich characters that make Benjamin Cavell’s nine-part adaptation of Stephen King’s “The Stand” wholly relevant.
“What better moment for a show that imagines that civilization torn down to the studs, forcing our characters to confront questions about the very foundations of government, what society owes the individual and vice versa, what we all as humans owe to one another [and] what we’re willing to sacrifice in terms of personal liberty in order to feel safe and protected?” says Cavell.
“The Stand” was first published as an 800-plus novel...
- 10/10/2020
- by Danielle Turchiano
- Variety Film + TV
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