Like “Inside Out,” we get two worlds in one with Pixar’s “Soul.” Yet they’re a lot more imaginative and complex in Pete Docter’s celestial follow-up, which contrasts a lived-in New York City with the more ethereal vibe of The Great Before, the pre-birth training center where aspiring jazz pianist Joe Gardner (Jamie Foxx) finds himself after eluding death in The Great Beyond.
For the iconic New York City, production designer Steve Pilcher and the art department created a tactile world that’s “solid, physical and reflective with lots of color…with a history of wear and tear. Buildings and railings and pavement are weathered or bleached,” he said. “Nothing’s really perfect in this world. It’s very organic and interesting. There is texture and tons of variety, color variation, weather conditions, wet surfaces, and dry surfaces — all that beauty that we take for granted becomes evident,...
For the iconic New York City, production designer Steve Pilcher and the art department created a tactile world that’s “solid, physical and reflective with lots of color…with a history of wear and tear. Buildings and railings and pavement are weathered or bleached,” he said. “Nothing’s really perfect in this world. It’s very organic and interesting. There is texture and tons of variety, color variation, weather conditions, wet surfaces, and dry surfaces — all that beauty that we take for granted becomes evident,...
- 1/21/2021
- by Bill Desowitz
- Indiewire
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