The race for makeup and hair is particularly noteworthy this season. It includes transforming Viola Davis into the pioneering blues singer of “Ma Rainey’s Black Bottom,” turning Glenn Close into the fiery Appalachian grandmother of “Hillbilly Elegy,” adding floral flourishes to Anya Taylor-Joy’s titular matchmaker in “Emma,” meticulously recreating Hollywood’s Golden Age in black-and-white in “Mank,” and creating a unique wooden look to the titular puppet of “Pinocchio.”
But with the Academy tilting toward transforming real-life people in recent years, “Ma Rainey’s Black Bottom,” is the favorite, especially after its sweep of the coveted Muahs Guild Awards. Plus, Davis is the favorite in the Best Actress race. She landed her fourth Oscar nomination — the most of any Black actress — as the sexy, subversive Rainey. And the actress was boldly uncompromising in demanding verisimilitude with the help of gold teeth, charcoal-like makeup, and a wig made of horsehair. She tapped her personal makeup stylist,...
But with the Academy tilting toward transforming real-life people in recent years, “Ma Rainey’s Black Bottom,” is the favorite, especially after its sweep of the coveted Muahs Guild Awards. Plus, Davis is the favorite in the Best Actress race. She landed her fourth Oscar nomination — the most of any Black actress — as the sexy, subversive Rainey. And the actress was boldly uncompromising in demanding verisimilitude with the help of gold teeth, charcoal-like makeup, and a wig made of horsehair. She tapped her personal makeup stylist,...
- 4/21/2021
- by Bill Desowitz
- Indiewire
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