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It’s hard to think of a cinematic movement more influential, and instantly recognizable, than the French New Wave. In the late 1950s, a group of young writers for the French publication “Cahiers du Cinéma” began to question the safe, compromising choices made by filmmakers and demand something more daring and honest. Many of these writers, including the likes of Jean-Luc Godard and François Truffaut, became filmmakers themselves. And the results were extraordinary.
Happy endings and sentimentality were replaced with stripped down, meandering plots with conclusions that were often unsatisfying. Many films used nonlinear storytelling, packing a stronger emotional punch by utilizing techniques that shocked the world. Slick production values were often abandoned,...
It’s hard to think of a cinematic movement more influential, and instantly recognizable, than the French New Wave. In the late 1950s, a group of young writers for the French publication “Cahiers du Cinéma” began to question the safe, compromising choices made by filmmakers and demand something more daring and honest. Many of these writers, including the likes of Jean-Luc Godard and François Truffaut, became filmmakers themselves. And the results were extraordinary.
Happy endings and sentimentality were replaced with stripped down, meandering plots with conclusions that were often unsatisfying. Many films used nonlinear storytelling, packing a stronger emotional punch by utilizing techniques that shocked the world. Slick production values were often abandoned,...
- 4/1/2021
- by Christian Zilko
- Indiewire
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