Before 1967, the Best Production Design Oscar was split in two, with separate awards for color films and black and white films. And in the 53 years since the Academy combined the category into one, only a single black and white film (1993’s “Schindler’s List”) has won the award.
That could very well change this year. David Fincher’s “Mank” is an elegant and silvery evocation of 1930s and 40s California, set around Hollywood and in the spectacular Hearst Castle, on the Central Coast. The sets are crucial to the movie’s impact, and production designer Donald Graham Burt was rewarded with one of the film’s 10 nominations.
Burt, a Fincher regular for the past 15 years, won the Oscar for the director’s “The Curious Case of Benjamin Button” in 2009. He is nominated alongside set decorator Jan Pascale, who was previously in this category for the black and white “Good Night and Good Luck.
That could very well change this year. David Fincher’s “Mank” is an elegant and silvery evocation of 1930s and 40s California, set around Hollywood and in the spectacular Hearst Castle, on the Central Coast. The sets are crucial to the movie’s impact, and production designer Donald Graham Burt was rewarded with one of the film’s 10 nominations.
Burt, a Fincher regular for the past 15 years, won the Oscar for the director’s “The Curious Case of Benjamin Button” in 2009. He is nominated alongside set decorator Jan Pascale, who was previously in this category for the black and white “Good Night and Good Luck.
- 4/15/2021
- by Joe McGovern
- The Wrap
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