Two filmmakers uniquely fascinated with mapping and navigating moments in time, Mia Hansen-Løve and Joachim Trier, know how to pass an hour. And, in fact, their free talk on Monday evening — part of this year’s New York Film Festival, where Hansen-Løve’s “Bergman Island” and Trier’s “The Worst Person in the World” are both Main Slate selections — ran about 20 minutes over its scheduled 60, though attendees packed into the Elinor Bunin Munroe Film Center’s 75-capacity Amphitheater didn’t seem to mind.
“I need so much time to tell a story,” said Hansen-Løve, discussing how the passage of days appears to ebb and flow throughout the seven patiently naturalistic features she’s directed to date, from the coming-of-age story “Goodbye First Love” (2011) to decades-spanning rave-scene drama “Eden” (2014).
Continue reading Mia Hansen-Løve & Joachim Trier Talk Ingmar Bergman, Growing As A Filmmaker & More [NYFF] at The Playlist.
“I need so much time to tell a story,” said Hansen-Løve, discussing how the passage of days appears to ebb and flow throughout the seven patiently naturalistic features she’s directed to date, from the coming-of-age story “Goodbye First Love” (2011) to decades-spanning rave-scene drama “Eden” (2014).
Continue reading Mia Hansen-Løve & Joachim Trier Talk Ingmar Bergman, Growing As A Filmmaker & More [NYFF] at The Playlist.
- 9/28/2021
- by Isaac Feldberg
- The Playlist
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