Olivia Colman is mesmerising in Maggie Gyllenhaal’s delicious adaptation of the Elena Ferrante novel
More on the best culture of 2021
Olivia Colman gives a powerhouse turn in The Lost Daughter, prickly and combustible as Leda Caruso, a middle-aged languages professor on a working holiday in Greece. In flight from her past, possibly from herself, she stares at the sea as though it’s done her a great wrong and eats alone at the bar, repelling anyone who draws close. She haunts the resort like a ghost while other ghosts are haunting her. In an excellent directing debut, Maggie Gyllenhaal turns Elena Ferrante’s 2008 source novel into humid, sensual cinema. This is Colman’s stage and her tragedy; you can’t take your eyes off her for a second.
Leda can’t seem to relax into her tranquil island break: she’s disturbed by the unruly, faintly criminal family from...
More on the best culture of 2021
Olivia Colman gives a powerhouse turn in The Lost Daughter, prickly and combustible as Leda Caruso, a middle-aged languages professor on a working holiday in Greece. In flight from her past, possibly from herself, she stares at the sea as though it’s done her a great wrong and eats alone at the bar, repelling anyone who draws close. She haunts the resort like a ghost while other ghosts are haunting her. In an excellent directing debut, Maggie Gyllenhaal turns Elena Ferrante’s 2008 source novel into humid, sensual cinema. This is Colman’s stage and her tragedy; you can’t take your eyes off her for a second.
Leda can’t seem to relax into her tranquil island break: she’s disturbed by the unruly, faintly criminal family from...
- 12/7/2021
- by Xan Brooks
- The Guardian - Film News
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