For Variety‘s Writers on Writers, Julie Delpy pens a tribute to “The Hand of God” (screenplay by Paolo Sorrentino).
What is truly brilliant about “The Hand of God” is that it is more than the linear memory of events that made Sorrentino the storyteller he is. The film includes stories he grew up with — all those myths and truths that create our personal history. By not exposing us to only “real” events, Sorrentino brings us deeper into his subconscious. As Fabietto says at one point, he doesn’t like reality; and the film respects what young Sorrentino felt then.
The film doesn’t give you all the keys, but like any work of art, gets to you on a subtler, deeper level. The film is pure, fragmented and honest. It employs no melodramatic tricks, yet what unfolds in front of our eyes is a tragedy — the tragedy that made Sorrentino a filmmaker.
What is truly brilliant about “The Hand of God” is that it is more than the linear memory of events that made Sorrentino the storyteller he is. The film includes stories he grew up with — all those myths and truths that create our personal history. By not exposing us to only “real” events, Sorrentino brings us deeper into his subconscious. As Fabietto says at one point, he doesn’t like reality; and the film respects what young Sorrentino felt then.
The film doesn’t give you all the keys, but like any work of art, gets to you on a subtler, deeper level. The film is pure, fragmented and honest. It employs no melodramatic tricks, yet what unfolds in front of our eyes is a tragedy — the tragedy that made Sorrentino a filmmaker.
- 12/22/2021
- by Julie Delpy
- Variety Film + TV
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