[Warning: The above interview and following story contain spoilers about Season 4 of “Ozark.” Watch and read at your own risk.]
For cinematographer Shawn Kim, the pilot episode of “Ozark,” titled “Sugarwood,” stands out for its intensely noir elements and ability to not only present but also ramp up danger within very little time. So, when he had the chance to board the gritty Netflix drama as the Dp for eight of the fourth and final season’s 14 episodes, he wanted to recapture that distinctive feeling.
“Over the seasons, we got to see this story between the Langmores and the Byrdes (Jason Bateman and Laura Linney) — it’s almost Shakespearean in a way, where they’re just kind of these opposites that are intruding into each other’s lives. And [while] expanding the narrative and the characters, you start getting lulled into a sense of, ‘Oh, I know what’s going on’,” Kim tells Gold Derby in a new webchat (watch our exclusive video interview above). “So,...
For cinematographer Shawn Kim, the pilot episode of “Ozark,” titled “Sugarwood,” stands out for its intensely noir elements and ability to not only present but also ramp up danger within very little time. So, when he had the chance to board the gritty Netflix drama as the Dp for eight of the fourth and final season’s 14 episodes, he wanted to recapture that distinctive feeling.
“Over the seasons, we got to see this story between the Langmores and the Byrdes (Jason Bateman and Laura Linney) — it’s almost Shakespearean in a way, where they’re just kind of these opposites that are intruding into each other’s lives. And [while] expanding the narrative and the characters, you start getting lulled into a sense of, ‘Oh, I know what’s going on’,” Kim tells Gold Derby in a new webchat (watch our exclusive video interview above). “So,...
- 6/11/2022
- by Luca Giliberti
- Gold Derby
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