It says something about the state of modern romance that even the most mainstream teen rom-coms find inspiration in deconstructing traditional relationship structures. Based on the eponymous YA novel by Jennifer E. Smith and with a screenlay by Ben York Jones and Amy Reed, Netflix’s latest teen romance “Hello, Goodbye, and Everything in Between” follows two teens who plan their break-up on their very first date. No longer the sole province of Woody Allen-influenced adult rom-coms, the neurotic commitment-phobic teen, jaded by parental divorce and social media, has finally come for YA. Unfortunately in this case, they’re far less interesting than that sounds.
Playing with a gimmicky structure, “Hello, Goodbye, and Everything in Between” begins with a meet-cute, fast-forwards through a whirlwind senior year romance montage, then spends most of its brief 84-minute running time on a highly planned final “break-up” date. As Aidan (Jordan Fisher) and...
Playing with a gimmicky structure, “Hello, Goodbye, and Everything in Between” begins with a meet-cute, fast-forwards through a whirlwind senior year romance montage, then spends most of its brief 84-minute running time on a highly planned final “break-up” date. As Aidan (Jordan Fisher) and...
- 7/6/2022
- by Jude Dry
- Indiewire
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