Camping Trip review – pandemic lakeside R&r becomes operatic bloodbath

Camping Trip review – pandemic lakeside R&r becomes operatic bloodbath
An impressively shot slo-mo brawl scene fails to elevate an illogical Covid-era campout that sees actors and directors overcompensating for a weak script

This is the cinematic equivalent of the stopped clock telling the right time twice a day: a film full of stylistic overkill suddenly runs into the material that justifies it. Near the end of this otherwise unconvincing lakeside thriller from Canada’s Fuica brothers, there’s suddenly a protracted murderous brawl shot in an ecstatic ultra slo-mo sequence. It dazzles not just on its own terms, but for briefly elevating the film into something innovative, rather than the redundant showboating that’s gone before.

Maybe the Fuicas had too much time on their hands. Camping Trip is the fruit of Covid-19 lockdown, and hinges on a tenuous pandemic tie-in. Pent-up party people Ace (Alex Gravenstein) and Coco (Hannah Forest Briand) hook up with besties Enzo (co-director Leonardo Fuica
See full article at The Guardian - Film News »

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