In a time when the question “Why do movies look so bad?” is a main point of online media discourse, Lionsgate’s “John Wick” franchise stands out not just because of its genre elements, but because each sequel raises the stakes in terms of raw production value and cinematic splendor.

The latest movie, “John Wick: Chapter 4,” takes place not in empty warehouses, poorly lit apartments or barely populated streets, but in bustling and beautiful locales worldwide. Even an extended exposition sequence deigns to take place in a gorgeous art museum where supporting characters rattle off plot points while walking in front of giant paintings.

Considering the constant challenges of delivering big-screen spectacle while working under Covid-specific restrictions, as well as having a budget that is large but well below the stereotypical MCU installment, TheWrap wanted to know how and why “John Wick: Chapter 4” looks like one of the...