"The Job" is all about Hannah as a beautiful contract killer with a really bad attitude. This lame flick builds its story around her reluctance to make a final "hit" for reasons we're never really given to understand. We're led to believe she's killed often before but now, for whatever vague reason, she just doesn't want to "off" Renfro and his slutty girlfriend (Swain) to recover some drugs. And, if she doesn't fulfill her obligation and do the deed, her boss (Rocco), who looks too old to be able to pose a threat to anyone, will do something bad to her. And, if all that wasn't enough, she also has to contend with a young man (Mabius) who is falling in love with her in spite of her bad attitude, constant rejections, and a little problem with incipient motherhood. This far fetched bad idea conjures some decent performances and is adequately lensed and scored but can't escape its preposterous plot. It's asking us to care about a killer for no good reason and to believe she can't escape her over-the-hill boss even though she could simply point one of her many guns at him and pull the trigger instead of doing away with Renfro. Hey, what the hell, she could just kill them all but then we wouldn't have all the angst and misery we're supposed to be experiencing as we ponder this turkey. A slightly above average B flick, "The Job" is cinematic couch potato junk food currently on broadcast. (C+)