Slipshod, lightweight, and implausible.
21 August 2011
Warning: Spoilers
First, if you haven't seen this yet and want to, read no further--go watch instead, because you deserve to see TFOSA unimpaired by my dour outlook on it. Maybe it's unfair to take this vehicle MORE seriously than it takes itself, but I found it an overlong exercise in missed opportunities, implausible plotting, jarring inauthenticity in the military aspects, and performances that were sometimes a little too superficial (usually the show strikes a good balance between light banter and lethal circumstances, but here not so much). Strong performances by seasoned pros are what keep BN from skating into complete unbelievability (with my thanks and much credit to Sharon Gless, Coby Bell, and Gabrielle Anwar for that). Here, the two standout performances for me were Chandra West and Ilza Rosario, particularly the latter, whose publicity stills on IMDb hint at an entirely different career trajectory than the 'young Joan of Arc' persona she portrays convincingly in TFOSA (and kudos to the production team for casting her). If the rest of the company's performances had been up to the level of these two, and if the writing had been a little less careless about authenticity and believability, this might have been something. As it is, you need a big dose of "suspension of disbelief" to get through it.
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