It's a Warner Bros. production, in spades—from Garfield to the gritty subject matter to the seedy surroundings. If MGM was the glamour studio, Warner's was the no-nonsense Plain Jane. Here boxing champ Johnnie (Garfield) hobos it to the California desert to escape a New York murder rap. There he hooks up with tough blonde (Dickson) and her juvenile delinquent date pickers (Gorcey, et. al.). Trouble is that Detective Phelin (Rains) won't give up the chase, and now Johnnie's in a pickle he can't fight his way out of.
Okay, nothing unusual about the plot, except maybe the setting. Nevertheless, director Busby Berkeley manages to blend the elements into a good gritty little tale. Well, that's except for the fight scenes, which prove Berkeley was better at arranging dancers than boxers. Even so, he makes maybe the best use of that ragamuffin outfit that would become the Bowery Boys that I've seen. Even the usually buffoonish Huntz Hall is under firm control. But maybe the biggest challenge was getting aristocratic Claude Rains to impersonate a street wise New York cop, of all things. Fortunately, that excellent actor pulls it off better than expected. And, of course, there's the great Garfield showing why his brand of feisty urban grit was so perfect for the times.
Then there's the one scene that still has me sweating. Johnnie and the boys are cooling off inside a big water-filled irrigation tank. Okay, no problem. Except, farmer somebody decides his date trees need water, and before they know it, the boys are clawing at the bare metal sides, trying to escape the ten feet of water he's left in the bottom. Sure, they're okay, but only so long as they keep swimming and swimming, trapped like flotsam in a fish bowl. It's a sweaty doomsday setup that comes out of nowhere.
Anyway, this is the type of film that made me a fan of hardscrabble Warner Bros. of the 1930's. So catch up with it if you can.
Okay, nothing unusual about the plot, except maybe the setting. Nevertheless, director Busby Berkeley manages to blend the elements into a good gritty little tale. Well, that's except for the fight scenes, which prove Berkeley was better at arranging dancers than boxers. Even so, he makes maybe the best use of that ragamuffin outfit that would become the Bowery Boys that I've seen. Even the usually buffoonish Huntz Hall is under firm control. But maybe the biggest challenge was getting aristocratic Claude Rains to impersonate a street wise New York cop, of all things. Fortunately, that excellent actor pulls it off better than expected. And, of course, there's the great Garfield showing why his brand of feisty urban grit was so perfect for the times.
Then there's the one scene that still has me sweating. Johnnie and the boys are cooling off inside a big water-filled irrigation tank. Okay, no problem. Except, farmer somebody decides his date trees need water, and before they know it, the boys are clawing at the bare metal sides, trying to escape the ten feet of water he's left in the bottom. Sure, they're okay, but only so long as they keep swimming and swimming, trapped like flotsam in a fish bowl. It's a sweaty doomsday setup that comes out of nowhere.
Anyway, this is the type of film that made me a fan of hardscrabble Warner Bros. of the 1930's. So catch up with it if you can.