Steven Spielberg frequently adds the father-son element into his films, but rarely is it as strong as it is in this movie. It never stops being flashy and fun as Abagnale embezzles and defrauds his way around the country, but Spielberg wedges that family angle in there and suddenly the film changes. It becomes about a boy in denial of his parents breaking apart and he thinks that by getting all this money he can push them back together. For all of his fake titles and wealth, he's just a sad kid trying to make his father proud of him.
DiCaprio's performance is essential to that focus. He's a perfectly glitzy casting choice to play someone who weaves his way through the world on his charms, but his emotional distress at the shattering of his world is much more important. Of a hefty supporting cast, Christopher Walken shines as Frank Abagnale Sr, an infinite sadness appearing in his piercing eyes as he observes his renegade son during their many meetings. Amy Adams is a delight as the bracey, ugly duckling Brenda, and Martin Sheen adds considerable heft to the film as her father. Tom Hanks goes toe to toe with DiCaprio all throughout and makes for some of the best moments.
All of the con scenes are superbly written, directed and shot, with lingering shots on DiCaprio's unblinking charm and clever movements disguising things to be hidden. The first meeting between Hanks and DiCaprio is a classic scene in its own right. The dialogue is so clipped and so well-written that it seems perfectly reasonable not to, say, open a wallet or trust a man's word. The scene in which DiCaprio escapes through a police blockade is superb, with the camera focusing on all the minute clues and then ending with that plane takeoff. The whole thing is timed to perfection.
Catch Me If You Can is an absolute blast to watch with a big bag of popcorn, but its also an impressive work of dramatic film that ranks with Spielberg's best.
DiCaprio's performance is essential to that focus. He's a perfectly glitzy casting choice to play someone who weaves his way through the world on his charms, but his emotional distress at the shattering of his world is much more important. Of a hefty supporting cast, Christopher Walken shines as Frank Abagnale Sr, an infinite sadness appearing in his piercing eyes as he observes his renegade son during their many meetings. Amy Adams is a delight as the bracey, ugly duckling Brenda, and Martin Sheen adds considerable heft to the film as her father. Tom Hanks goes toe to toe with DiCaprio all throughout and makes for some of the best moments.
All of the con scenes are superbly written, directed and shot, with lingering shots on DiCaprio's unblinking charm and clever movements disguising things to be hidden. The first meeting between Hanks and DiCaprio is a classic scene in its own right. The dialogue is so clipped and so well-written that it seems perfectly reasonable not to, say, open a wallet or trust a man's word. The scene in which DiCaprio escapes through a police blockade is superb, with the camera focusing on all the minute clues and then ending with that plane takeoff. The whole thing is timed to perfection.
Catch Me If You Can is an absolute blast to watch with a big bag of popcorn, but its also an impressive work of dramatic film that ranks with Spielberg's best.