Whether it's the limitless expanse of the Desert Southwest or the danger-filled streets of Ciudad Juarez as captured by cinematographer Roger Deakins, "Sicario" is a film utterly attuned to the drama of its spaces - especially when, within those spaces, there is occurring an intractable drug war that threatens to lay waste to the land and the people on both sides of the U.S./Mexico border.
Directed with brio and style and an unerring instinct for visual impact by Denis Villeneuve, "Sicario" stars Emily Blunt and Daniel Kaluuya as two FBI agents brought in to lend "legitimacy" to a shady CIA operation headed by Josh Brolin. The ostensible goal is to bring the head of a Mexican drug cartel to justice, but could there be another, more personal reason for the mission - and exactly how far should two federal officers, sworn to uphold the law, be willing to go in overlooking some of the questionable means being used to achieve that end?
The screenplay by Taylor Sheridan takes us to a dimly-lit world of bloody cartels and government malfeasance where morality is murky and all sorts of ethical lines are crossed in pursuit of some larger goal - be it "justice" in a cosmic sense or just plain revenge for a wrong done and a personal loss suffered. Sheridan keeps not only Blunt and Kaluuya's characters in the dark much of the time but the audience as well, generating and sustaining an air of mystery and heightening the suspense.
"Sicario" features excellent performances from its cast, with a special shout-out to Benicio del Toro as an enigmatic, shadowy figure whose role in the proceedings is initially unclear but who steps forward, in sometimes shocking ways, as a major player in the series of events as they play themselves out.
"Sicario" is rare among American movies in that it refuses to provide the kind of neatly packaged conclusion we've come to expect from commercial enterprises, choosing instead to show that there are no easy solutions to complex problems and no happy endings for anyone involved in the messy, violent business we euphemistically call "the war on drugs."
Directed with brio and style and an unerring instinct for visual impact by Denis Villeneuve, "Sicario" stars Emily Blunt and Daniel Kaluuya as two FBI agents brought in to lend "legitimacy" to a shady CIA operation headed by Josh Brolin. The ostensible goal is to bring the head of a Mexican drug cartel to justice, but could there be another, more personal reason for the mission - and exactly how far should two federal officers, sworn to uphold the law, be willing to go in overlooking some of the questionable means being used to achieve that end?
The screenplay by Taylor Sheridan takes us to a dimly-lit world of bloody cartels and government malfeasance where morality is murky and all sorts of ethical lines are crossed in pursuit of some larger goal - be it "justice" in a cosmic sense or just plain revenge for a wrong done and a personal loss suffered. Sheridan keeps not only Blunt and Kaluuya's characters in the dark much of the time but the audience as well, generating and sustaining an air of mystery and heightening the suspense.
"Sicario" features excellent performances from its cast, with a special shout-out to Benicio del Toro as an enigmatic, shadowy figure whose role in the proceedings is initially unclear but who steps forward, in sometimes shocking ways, as a major player in the series of events as they play themselves out.
"Sicario" is rare among American movies in that it refuses to provide the kind of neatly packaged conclusion we've come to expect from commercial enterprises, choosing instead to show that there are no easy solutions to complex problems and no happy endings for anyone involved in the messy, violent business we euphemistically call "the war on drugs."