There is a mixture of narrative, cinematographic, scenic elements, so in theoretical and aesthetic versatility, that is indisputably recognizable in the proposal that they deliver from the hand of this protagonist with existential problems and vertiginously disinterested act. Rosa Salazar is undeniably a pleasure to see interpreting on the screen; there is a genuineness and talent that is always deeply grateful for whoever sees it: two adjectives to which few actresses one could apply in the more BIG group of names in the industry, of which she is already starting to be a part. The particular technical and artistic end fit the script in an complete organic way, so that Hulsing and Bob-Waksberg do nothing but continue their good walk in a meeting that is a definite success. The show wants to talk and ask the viewer important things, but without this involving a tedium; that is, doing it simply, effectively. And it succeeds. In 23 minutes it is able to condense everything that the attempt is in itself; true and captivating, closing with the final push that leaves the viewer in the pool of this "search" entitled "Undone".
Review of The Crash
