The MARY CELESTE sets sail with a rather undistinguished-looking crew -- unless you're into tattooed accordionists, or think an unshaven Bela Lugosi is prepossessing. There's also Shirley Grey as a passenger. Odd things happen, like someone trying to shoot Miss Grey through a porthole, and soon the entire cast is going to pot.
This movie has the distinction of being the second production of Hammer Films, and the first to be distributed in the United States. There's some nice shipboard camerawork by Geoffrey Faithfull and Eric Cross, and one nice stunt, but that's about the limit of its excellence. It's the last movie directed by writer Denison Clift, who wrote the story it was based on. If the dialogue was particularly interesting .... the soundtrack of the copy I looked at was pretty poor, and I couldn't tell.
This movie has the distinction of being the second production of Hammer Films, and the first to be distributed in the United States. There's some nice shipboard camerawork by Geoffrey Faithfull and Eric Cross, and one nice stunt, but that's about the limit of its excellence. It's the last movie directed by writer Denison Clift, who wrote the story it was based on. If the dialogue was particularly interesting .... the soundtrack of the copy I looked at was pretty poor, and I couldn't tell.