Eight stars. Because, damn, that was bleak! My guess is that the actual
Mozart wasn't quite the idiot-savante that Tom Hulce played him as. But I've
known enough really brilliant people to know that the mix of arrogance and
naivete he portrayed was likely reality. Still, the film belongs to Murray
Abraham. He won that Oscar fair and square. The only real competition was
Albert Finney (I haven't seen Starman). Salieri had to be believable not only
as a villain, but as a man of talent, and of deep love for music. Otherwise
all his Machiavellian manipulations would just seem pointless. I don't know
how much the film makes up its story, but the fundamental lesson is that real
genius cannot be stamped out. Mozart died while still a young man, and is the
only one of the characters than any one remembers now. I don't know if Salieri
was really a villain, or just a by-stander whos light was drowned out by the
genius he found near him. But I do know that Abraham played a part for the
ages. The only other cast members that stood out to me were Elizabeth
Berridge, who began as window-dressing, but got stronger and stronger as the
film progressed, and Jeffrey Jones (one of the only other actors I recognized).
Every now and again, I realize that there are still some stone classics that I haven't gotten around to watching yet. This was one, and was three hours very well spent! 14 May 2024.
Every now and again, I realize that there are still some stone classics that I haven't gotten around to watching yet. This was one, and was three hours very well spent! 14 May 2024.